Movie House - Delta College Public Radio

For his final Movie House, Mark reviews 2024's Mother's Instinct, starring Jessica Chastain and Anne Hathaway.

Tired of being bombarded with the same three movies every holiday season, I decided each December to highlight an alternative Christmas movie.

A regular feature of the show was A Movie You Might Have Missed, where I highlighted a movie that flew under most people's radars.

Generally, I try to be positive and find value and worth in the movies that I see. But I'm not going to lie. Writing a bad review is pretty fun.

Annual holiday shows became a fun tradition on Movie House.

One of my favorite episodes of Movie House wasn't about any particular movie, but about the act of going to the movies.

My goal with my annual Halloween shows was to provide spooky alternatives for people who don't like gore.

Mark looks back on his time attending, and covering, the annual Hell's Half Mile Film and Music Festival in Bay City and the independent dramas, comedies, documentaries, and shorts he's seen there.

One of my favorite episodes I've done of Movie House is one that you'll likely never hear the full version of: a six-minute take on the documentary Life After Flash.

The sequel to Creature from the Black Lagoon, rushed out a mere 13 months after the original, borrows heavily from the second half of King Kong, sticks the Creature right in the middle of civilization.

When you have two stars with awards, box office draw, and talent to burn, what project do you make with them? In this case, they remade a German art film about an angel falling in love with a human.

Many of the Universal monster movies are worth revisiting and talking about and my favorite is the last original movie in their classic lineup, Creature from the Black Lagoon.

With Wings of Desire, German director Wim Wenders reflects on German identity, history, and iconography while examining the human condition in general.

Unless you're a movie person, you may never have heard of Roger Corman at all, but you've almost certainly seen his work or that of the people he's mentored.

As threatened, Zack Snyder returned with the sequel/second half of his sci-fi blast-o-rama epic, Rebel Moon.

I know I'm late to the party, but I can't not do a show about Celine Song's gorgeous, heartbreaking 2023 film, Past Lives.

An extended interview with Kelley Kent, executive director of the Friends of the Historic Masonic Temple in Bay City.

In his Oscar acceptance speech, screenwriter Cord Jefferson suggested Hollywood could make several lower-budget movies for the price of one action tentpole and the first movie that came to mind for me was 2023's Quiz Lady.

Using all the tools of filmmaking at his disposal, Denis Villeneuve transports viewers to whatever world he's built for a film and keeps them utterly convinced and compelled until the lights come up. And this is true of Dune: Part Two.

While more bitter than its clear precursor, Dead Poet's Society, Alexander Payne's The Holdovers has a softness and nostalgia that his previous school-based film, Election, does not.

Richard Linklater's animated Space Race coming of age story is wonderfully specific, idiosyncratic, and a pleasure to watch.

Kelly Reichardt’s films are often challenging in some ways, but usually - ultimately - they are rewarding. But here it's not clear what it all really adds up to.

Director Bradley Cooper seems to have checked every box under the category of Shameless Oscar Bait for this Leonard Bernstein biopic.

At this point it's clear that director Zack Snyder has never had an original idea in his life... at least not a good one.

A general piece of writing advice for any medium is that specifics make the world go 'round. Does a lack of specificity explain the failure of three superhero movies from the past few years?