Meet the Artist

Randi Altman sits down with the editor of Netflix's show, The Diplomat. Together, they discuss his work across multiple seasons, his techniques, and his collaborations with showrunner Debora Cahn and Director/EP Alex Graves.

Patrick Hogan talked about balancing sound work with indie filmmaking and broke down how he shot "Blindsided," using close‑ups and off‑camera sound to shape what the audience knows and doesn’t know.

David C. Weldon Jr. walked through his recent work, including Jisoo’s 'Click' music video and Chick‑fil‑A projects, and broke down the workflows and VFX approaches that shaped both projects.

Katie Hinsen is using her experience as an artist, technologist and facility head to create what could be called "a post facility of the future" focusing on infrastructure for the freelance market.

Door G Productions, which is based in Rhode Island and houses a virtual production volume, is using AI for pre and post production to enhance the human touch on creative projects.

Ramy Katrib discusses work on shows such as Ted Lasso and Shrinking, new 3D Gaussian Splatting virtual‑production workflows, and ongoing post‑pipeline improvements in partnership with Dell and Nvidia.

These best friends, filmmakers, musicians and variety streamers embrace all platforms, but broadcast on Twitch full time.

Editor Randi Altman spoke with the editing team behind Vince Gilligan's latest series, Plurabis, which is streaming on Apple TV.

Editor Randi Altman sits down with Director and DP Wally Pfister to discuss his director-cinematographer partnership with Christopher Nolan and his own transition into directing.

The Pitt's editor Joey Reinisch and his assistant editor, Ross Wooldridge sit down with writer Ben Mehlman to discuss what it’s like to work on such a fast-paced show, and the surprising medical moment that called for the sound of a potato gun.

Writer Jennifer Wolfe speaks with Walt Disney Animation Studios’ Head of Post, Berenice Robinson, on overseeing the finishing pipeline that unifies lighting, compositing, color, and delivery, anchored by FilmLight’s Baselight color grading system. 

Writer Iain Blair speaks with filmmaker Chloé Zhao, the Oscar‑winning director of Nomadland, and editor Affonso Gonçalves, ACE (May December, Don’t Worry Darling), about their collaborative editing and post workflow on Hamnet.

Writer Iain Blair talks with Bugonia director Yorgos Lanthimos and DP Robbie Ryan about making the film and navigating the post process.

Writer Ben Mehlman sits down with The Running Man director Edgar Wright to discuss bringing the Stephen King classic to life in his TV adaptation.

Emmy-winning editor Yan Miles talks with Ben Mehlman about cutting a full block of episodes, how the strikes shaped post, and his work with Tony Gilroy on Andor Season 2.

Randi Altman sits down with PBS Chief Digital and Marketing Officer Ira Rubenstein at NAB NY 2025 to discuss the network’s approach to distribution and marketing, as well as his career journey.

Iain Blair sat down with Seth Rogen and Evan Goldberg, multiple Emmy winners and co-creators of the comedy/satire The Studio, a show inspired by their Hollywood experiences.

Writer/director Ryan Coogler breaks down Sinners, a 1930s Deep South horror-thriller starring Michael B. Jordan as twin brothers, and shares how the film blends genre, VFX, and Delta blues to tell a uniquely American story.

Editor Jon Dudkowski, currently working on the series Star Trek: Starfleet Academy, discusses his career, his many collaborations with filmmaker/writer and Star Trek EP Alex Kurtzman and the future of AI.

Dune VFX Supervisor Paul Lambert—winner of his fourth Oscar for Dune: Part Two—shares his approach to the sequel, collaboration workflows, and more.

'Conclave' Director Edward Berger speaks on recreating the Vatican, editing, VFX and much more.

Kelly Lyon won an Emmy for cutting 'John Mulaney Presents Everybody's in LA.’ Here she talks about working in Portland, collaborating with comics, and offers up some best practices.

In addition to executive producing this Netflix show, Ted Humphrey directed Episode 10 of Season 3. 

After starting making car videos at an early age, Bleyer knew that creating and editing would be his path. These days he can be found in a variety of precarious positions in order to get the right shot.