London Review Bookshop Podcast

Julian Barnes’s latest novel Elizabeth Finch, his first since The Only Story in 2018, is very much a novel of ideas. As a student sorts through the notebooks of his former teacher, the inspirational Elizabeth Finch, her ideas unlock for him the philosophies of the past and illuminate the present, underpinned by the story and ideas of Julian the Apostate, the late Roman Emperor who abandoned Christ...

From debut author Nick Blackburn, a therapist specialising in LGBTQ+ issues, comes The Reactor, a powerful new addition to the literature of grief and recovery. Following the death of his father Blackburn examines the nature of destruction, both natural and human-made, drawing on a repertoire of film, music and pop-culture. Olivia Laing has described The Reactor as ‘Beautiful, strange and complete...

Niven Govinden’s sixth novel Diary of a Film (Dialogue) follows an unnamed director through the streets of an Italian town as he muses on cinema, queer love and the creative process; on its hardback publication, during first lockdown, the Financial Times described it as ‘a wise and skilfully controlled novel, which can be read in an afternoon, but which radiates in the mind for much longer.’ To ce...

On 29 November 2019 Usman Khan murdered Saskia Jones and Jack Merritt at Fishmongers’ Hall in London. Recently released from prison after serving a sentence for terrorism-related offences, Khan was attending an event to mark the anniversary of a writing course he had attended while in prison. Novelist Preti Taneja had been one of his tutors. In Aftermath (And Other Stories), described by Nikesh Sh...

Although born 20 years after Gwen John’s death, Celia Paul has always felt a strong affinity with the older artist. In Letters to Gwen John (Cape), described by Julia Blackburn as ‘A miraculous, door-opening book’, Paul has created in words and images an imaginary correspondence, and a spell-binding portrait of two women artists creating work against the grain, and entirely on their own terms. Pau...

In her latest book Disorder: Hard Times in the 21st Century (Oxford) Helen Thompson argues that while the earthquake that was the Covid-19 pandemic profoundly shocked the world order, the fault lines along which it operated had been building for decades. Her story begins with the energy crises of the 1970s, takes in the financial crash of 2008 before leading us to our current state of unease, diso...

After twenty years novelist and essayist Pankaj Mishra makes a triumphant return to fiction. Described by Amit Chaudhuri as ‘his best work yet’ and by Neel Mukherjee as ‘unforgettable’, Run and Hide (Hutchinson Heinemann) explores, through the lives of three friends riding the high tide of India’s boom years, the implications and human costs of the thirst for wealth and power. Mishra, a regular co...

Central to this modern myth is the ‘savage creative storm’ of 2-23 February 1922, when Rilke wrote the Sonnets to Orpheus and completed the Duino Elegies in less than three weeks. 100 years on from its conclusion, the poet and critic Ange Mlinko discusses Rilke, the cult of Orpheus and intense productivity with Don Paterson, whose versions of the Sonnets to Orpheus were published by Faber (and the...

Fernanda Melchor first came to the attention of the English-speaking world with 'Hurricane Season', a tale of murder in a lawless Mexican village, described by Ben Lerner as ‘Brutal, relentless, beautiful, fugal’. In 'Paradais' she continues her exploration of violence, class and misogyny with a chilling story of two misfit teenagers living in a luxury housing complex, haunted by macabre fantasies...

‘How do you write after Ulysses?’ asked the twice Booker-nominated novelist Tom McCarthy, author of C, Satin Island and most recently The Making of Incarnation, in the LRB in 2014. He reflects on working in Ulysses’s wake – as we all must – with the Turner Prize-winning artist Susan Philipsz, whose past installations have drawn extensively on Joyce’s writing (and interest in music). She also sings...

Lisa Appignanesi, Benjamin Burgis, Janan Ganesh and James Wolcott on ‘A Hitch in Time’, chaired by David Runciman Christopher Hitchens was a star writer wherever he wrote; the London Review of Books, to which he contributed sixty pieces over two decades, was no exception. A Hitch in Time, published in December to mark the tenth anniversary of his death, collected 20 of the best in a selection Jame...

With How Should a Person Be? Sheila Heti merrily and unforgettably extended our notions of what a novel might or ought to contain. In Pure Colour (Harvill Secker), brilliantly described by Kirkus Reviews as ‘that rarest of novels—as alien as a moon rock and every bit as wondrous,’ she continues her extraordinary project of expanding our minds to where they ought to be. Heti was in conversation abo...

In his long essay Losers (Peninsula) psychoanalyst and critic Josh Cohen examines, with characteristic wit and acuity, what our culture loses by undervaluing what Elizabeth Bishop famously called ‘the art of losing.’ Drawing on a wide range of sources and inspirations from mythology, psychology and literature, including Freud, Winnicott, Beckett, Kafka, Thomas Bernard and Robert Walser, Cohen was...

Aris Komporozos-Athanasiou, Professor of Sociology at University College London, argues in Speculative Communities (Chicago) that speculation is no longer confined to the sphere of finance, but has, through virtual marketplaces, new social media and dating apps, become an integral part of the most intimate realms of our lives. Komporozos-Athanasiou will be in conversation with economist Grace Blak...

Vron Ware’s take on what it means to be English has, thankfully, little time for nostalgic visions of a post-Brexit rural paradise. In Return of a Native (Repeater Books) and with a sly nod to Thomas Hardy, she revisits her home turf in Hampshire to explore what it means to see the world from a small place. Her stories of violence and resistance, growth and destruction encompass deep time, colonia...

It’s clear that the Covid pandemic has changed the way we need to think about public health, social justice, the economy and a good deal else besides. Michael Rosen, who became gravely ill with the disease, and whose bibliography is both too long and too impressive to list here, and Rachel Clarke, a journalist who became a doctor and has been heroically working on the frontline, were in conversati...

2021’s Nobel Laureate in Literature Abdulrazak Gurnah is in conversation about his work with author Kamila Shamsie. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diane Di Prima began writing her revolutionary ‘Letters’ in 1968, conjuring a potent blend of utopian visions, ecological urgency and spiritual insight. By turns a manifesto for breaking free, a manual for street protest and a feminist broadside, these poems are as relevant to the convulsions and crises of today as they were fifty years ago. To launch an expanded 50th anniversary edition of Revolu...

Oppositions collects Mary Gaitskill’s essays of 30 years; taking in subjects as diverse as Nabokov, horse-riding and the Book of Revelation, they’re as sharp and incisive as her fiction. Gaitskill is in conversation about the book with Octavia Bright, author and host of the ‘Literary Friction’ podcast. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. V...

In ​The Woman Who Buried Herself (Hazel Press) Alys Fowler takes us deeper and deeper into, and under the soil, until there is no longer a separation. This story emerged like a fairy tale told to her during long hours daydreaming whilst weeding, in a sense it is her garden’s own tale which ventures into mythic realms, exploring the seen and unseen, mysteries of science, the animal and the organic...

Towards the end of the 19th century Iain Sinclair’s great-grandfather Arthur made an accident-prone and largely disastrous colonial expedition to Peru. In his latest book, accompanied by his daughter, Iain Sinclair abandons his familiar London territory to follow in his ancestor’s footsteps, perhaps also hoping to eclipse his shadow. What he finds makes harrowing but essential reading in a story o...

Dante’s Purgatorio is as much an allegory of spiritual transformation as it is one of psychological rebirth, personal healing, and self-transcendence. Combining a graceful lyricism with decades of study, D.M. Black’s translation and commentary reveal new dimensions in Dante’s many portraits of people trying to find their way through life and what comes after. This fresh, bilingual edition of Purga...

John Clegg and Jess McKinney launch their new Hazel Press poetry collections with reading and conversation. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tariq Ali has been observing and commenting on Afghanistan for more than four decades. He vehemently opposed the Soviet occupation in 1979, and the NATO invasion and subsequent invasion in 2001. The Forty Year War in Afghanistan (Verso) collects together for the first time his most important writings on this troubled country, and contains a new introduction written in the wake of NATO’s ignominiou...

Stephanie Sy-Quia’s Amnion (Granta) is a one-of-a-kind ‘lyric epic’, weaving memoir, essay and poetics into one of 2021’s most eagerly awaited debut poetry collections. Sy-Quia read from the book and was in discussion with Will Harris, whose own Granta debut RENDANG won the Forward Prize for Best First Collection. The event was chaired by Rachael Allen, Granta’s poetry editor, whose most recent co...