London Review Bookshop Podcast

Perdendosi: an instruction, typically at the end of a piece, for musicians to gradually diminish in volume, tempo and tone, to the point of disappearance. Photographer Norman McBeath uses the term to describe the way his images of fallen leaves portray how they lose colour and volume, turning from living things into something like parchment. During lockdown, McBeath’s images were a constant compan...

Claude McKay's Harlem Shadows was published in 1922 and is only now beginning to receive its due. The collection stands alongside the better-known masterpieces of that year in its distillation of the spirit of the age and its outsize influence. Writer, researcher, and LRB contributor Kevin Okoth joined poet Raymond Antrobus and author Paul Mendez to discuss McKay's extraordinary life and work. Hos...

In his fifth novel The Last White Man (Hamish Hamilton) Mohsin Hamid continues his exploration of cultural and racial displacement, commenced so brilliantly with Moth Smoke, The Reluctant Fundamentalist, How to Get Filthy Rich in Rising Asia and Exit West. In what has been described as a contemporary remoulding of Kafka’s ‘Metamorphosis’ a man awakes one morning to find that his skin has turned da...

Dawn Foster, chronicler of austerity Britain and leading voice from the housing crisis, passed away last year aged 34. Foster, author of Lean Out (Repeater, 2016) and LRB contributor, was a working class feminist who rose to prominence as a newspaper columnist and broadcast commentator; she was a fearless champion for those at the sharp end. In the week of the Queen's funeral, friends and colleagu...

Chef proprietor at London’s Quo Vadis, Jeremy Lee’s commitment to locality, excellence and simplicity has made the restaurant a must-eat-at destination for every resident or visiting gourmet. He’s also, in stark contrast to the popular image of the celebrity chef, the jolliest and most affable host you might ever hope to be fed by. His new book Cooking: Simply and Well, for One or Many (4th Estate...

In Knocking Myself Up (Dey St.), Michelle Tea brings all her characteristic passion, wit and occasionally alarming candour to bear on the trials, tribulations and joys of trying to become, and becoming, a queer parent. Witch-enhanced honey, intrusive medical procedures, impertinent questions and generous drag queens collide in a memoir that is both hugely entertaining and, in the end, profoundly m...

Now published for the very first time, Through the Billboard Promised Land Without Ever Stopping (House Sparrow Press) is Derek Jarman’s only piece of narrative fiction. Somewhere between a fairytale, acid trip and road movie, the work lays the foundations for many of the themes and styles that characterise Jarman’s work in film, painting and design. Joining host So Mayer, author of A Nazi Word fo...

In Remember the Details, Skye Arundhati Thomas reflects on the Indian protest movement that began in mid-2019 against xenophobic and casteist citizenship laws. In the wake of the state erasure of these events, it asks what it means to remember, and how words and imagery inscribe reality into history. Thomas was joined by Preti Taneja, writer, activist, and contributing editor at The White Review....

Helen Mort’s latest collection, The Illustrated Woman, has just been shortlisted for the Forward Prize, the latest accolade in what has been an incredibly productive year: 2022 has also seen the publication of her memoir of walking and motherhood, A Line above the Sky, and a collaborative lyric essay (with Kate Fletcher), Outfitting, exploring fashion and wild ecology. Caroline Bird’s latest book...

Cooking, we are told, has nothing to do with serious thought; the path to intellectual fulfilment leads directly out of the kitchen. In Small Fires (Pushkin), essayist and food writer Rebecca May Johnson takes a different path, rewriting the kitchen as a vital source of knowledge, revelation and radical thought. Johnson, author of the popular Substack ‘Dinner Document‘, was in conversation with Jo...

Wittgenstein’s Tractatus Logico-Philosophicus, published in English for the first time a century ago thanks to the efforts of his tutor at Cambridge Bertrand Russell, set out to solve all of the problems of philosophy in less than 100 pages, through a hierarchically numbered series of logical statements, or prepositions. He didn’t succeed, exactly – indeed, Wittgenstein himself was one of the book...

Andrey Kurkov is the celebrated Ukrainian author of Death and the Penguin and 18 other novels. His letters from Ukraine about his family’s flight from Kyiv became essential daily listening on the Today programme in the aftermath of the 2022 invasion. Two weeks after the Russian invasion began, Kurkov was joined by Oksana Zabuzhko, Robert Chandler, James Meek, Ilya Kaminsky, and Lyuba Yakimchuk for...

In her journalism Juliet Jacques writes about art, literature, culture and politics from a distinctive trans perspective. Front Lines (Cipher Press) collects seminal pieces written between 2007 and 2020. Juliet Jacques writes in her introduction ‘I never believed any journalism was objective, nor that there was any point in even trying to be. Above all, activism is needed to fight this, with journ...

Two exciting young poets were at the shop to read from and talk about their work. Victoria Adukwei Bulley’s debut poetry collection Quiet (Faber) circles around ideas of Black interiority, intimacy and selfhood. ‘This book is a seismic event,’ writes Kayo Chingonyi. ‘Its vibrations will be felt for a long time to come.’  Editor of Poetry London André Naffis-Sahely’s second collection High Desert (...

As he enters late middle age, Geoff Dyer turns, in The Last Days of Roger Federer, to the question of late – or, indeed, last – style. Lisa Appignanesi writes, ‘Geoff Dyer's wry meditations on mortality and late style have a dazzling way of dispelling gloom. Nietzsche and the Turin horse, vaporised Turner, dolorous Dylan, antics on courts and at Burning Man, Dyer's Last Days had me laughing aloud,...

Since 2019, the Orwell Prize has celebrated the best in contemporary political fiction. Yara Rodrigues Fowler and Isabel Waidner, both on the prize’s 2022 shortlist, are in conversation with Sana Goyal, one of this year’s judges, talking about their novels there are more things and Sterling Karat Gold – books which not only take political issues as subject-matter but enact radical politics through...

‘Everything started with a photo. To see her free, hurtling fulsomely towards the future, made me think back to the life she shared with my father. Seeing the photo reminded me that those twenty years of devastation were not anything natural but were the result of external forces - society, masculinity, my father - and that things could have been otherwise.’ Édouard Louis’s tender memoir of his mo...

Seán Hewitt’s debut collection of poetry, Tongues of Fire (Cape), won the Laurel Prize in 2020; Max Porter praised it for its reverence to the natural world and ‘gorgeous wisdom’, both of which are apparent in his new book, All Down Darkness Wide, a unique memoir of queer longing, trauma and depression. Hewitt talks to Andrew McMillan, whose debut collection, physical (Cape), was the first poetry...

At one time something of a backwater in the musical world, over the past few decades Scandinavia has become a musical powerhouse, encompassing all genres from Esa-Pekka Salonen to Björk. Copenhagen-based music journalist Andrew Mellor has travelled from Reykjavik to Rovaniemi to investigate the glories and the dark side of Nordic music, encountering composers, performers and audiences and to explo...

Two journalists with a multilingual background – Anna Aslanyan, the author of Dancing on Ropes: Translators and the Balance of History, and Daniel Trilling, the author of Lights in the Distance: Exile and Refuge at the Borders of Europe – examine the role translation plays in reportage. News is an international commodity, subject to constant translation and retranslation as journalists frame, adap...

Elif Batuman, author of The Possessed and The Idiot, joined us to read from and talk about her latest novel Either/Or. International travel, Harvard, Hungary and of course literature and philosophy collide in a heart-breaking and hilarious coming-of-age story by one of our most consistently thought-provoking writers. She was in conversation with Merve Emre, associate professor of English at the Un...

Margo Jefferson talks to Colin Grant about her latest book, Constructing a Nervous System. It’s a memoir unlike any other, taking as its focus each ‘influence, love and passion’ which have gone to shape Jefferson as a person: her family, musicians, dancers, athletes and artists, and one which, in Maggie Nelson’s words, ‘takes vital risks, tosses away rungs of the ladder as it climbs’. Vivian Gorni...

Kate Folk's debut collection of short stories, Out There, combines science fiction, horror and psychological realism to explore the Kafkaesque precarities of social media and late capitalism: a house viscerally consumes its tenants, a curtain of void envelops the world, an army of AI chatbots is unleashed on the dating apps of San Francisco. Folk read from the book and was in conversation with Sha...

Written in 1954 but unpublished until after her death, Simone de Beauvoir’s The Inseparables is an intimate portrait, based on life, of female friendship on the cusp of womanhood. Its translator into English Lauren Elkin writes in her introductory note ‘“So is it any good?” people have asked me when I’ve told them I’m translating a ‘lost’ novel by Simone de Beauvoir … And I am relieved to say: yes...

Back in March 2018 Iranian-born Kaveh Akbar launched his debut collection Calling a Wolf a Wolf with us at the bookshop. He joined us again in digital form, for his second, Pilgrim Bell (Chatto), a rich and moving collection which explores issues of ambivalence around ethnicity, national identity and religious belief. He read a selection from his work, and discussed it with Seán Hewitt, fellow poe...