Hit Parade | Music History and Music Trivia

We’re all familiar with the concept of a one-hit wonder, but what about artists who hit it big a second time—and never again? This week on Hit Parade, Chris Molanphy lays out the ground rules for one of pop's most misunderstood chart distinctions and sorts through the roster of this ultra-exclusive club, which counts Gloria Gaynor, Hozier, the Clash, and Dead or Alive among its members. Then, Chri...

If you were watching cable TV around midday at the turn of the millennium, there’s a good chance you saw a commercial for a compilation CD called Monster Ballads . It promised you more than two hours of musical cheese—some of the most over-the-top, cornball, leather-clad romantic jams ever to grace the charts, from “Heaven” to “High Enough,” “Carrie” to “Amanda.” There’s another, more common term...

In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1. Steely Dan helped invent Yacht Rock with 1977’s jazzy bop “Peg.” (They would have loved it better if it had cracked the Top 10.) And in 1972, Elton John told a timeless tale of a blue-jean baby, “Tiny Dancer.” Casey Kasem never counted it do...

The opening riff of “White Wedding” is instantly recognizable—a skittering, syncopated guitar line quickly swallowed by pummeling drums. But the song itself is a bit of an enigma. Is it rock? Pop? New wave? Rockabilly punk? Like much of Billy Idol’s career, the song exists somewhere in between. Idol was a shape-shifter, blurring genre lines in pursuit of bigger hooks, bigger audiences and, eventua...

Hit Parade is on a brief break, but if you need a daily dose of fascinating stories, check out History Daily. Host Lindsay Graham (the history guy! not the senator!) explores what happened "on this day in history," with a broad mix of politics, sports, technology, medicine, and much more. Chris recommends this episode about the genesis of MTV—including the forgotten role played by a former member...

Donna Summer was a hit-maker for two decades and a dance floor deity for more than three. Her collaborations with Giorgio Moroder and Pete Bellotte were formative in dance, electronic, and rock music, influencing everyone from David Bowie and Blondie to Madonna and Moby. But the rock establishment was stinting in its appreciation—whether at Comiskey Park in Chicago in 1979 or the Rock and Roll Hal...

Donna Summer was a hit-maker for two decades and a dance floor deity for more than three. Her collaborations with Giorgio Moroder and Pete Bellotte were formative in dance, electronic, and rock music, influencing everyone from David Bowie and Blondie to Madonna and Moby. But the rock establishment was stinting in its appreciation—whether at Comiskey Park in Chicago in 1979 or the Rock and Roll Hal...

The 100th episode of Hit Parade has put host Chris Molanphy in a reflective mood. So in Part 2, he unfurls the story of the late, great American Top 40 host Casey Kasem—a perennial inspiration for this podcast and the chart king that Chris calls “the original poptimist.”  Enjoy this long-distance dedication, as Chris pays tribute to a radio hero with a preternatural understanding of the power...

To mark Hit Parade’s 100th episode, host Chris Molanphy is doing something he’s never done: He’s going to talk about himself—and just how nerdy you have to be to host a show like Hit Parade. Chris reflects on the origins and depth of his chart fandom, and ponders existential questions like: What makes a person want to track these rankings? Why do we care about what, or who, is No. 1? Join Chris fo...

These days, country and pop acts regularly invade each other’s territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop. John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian ro...

These days, country and pop acts regularly invade each other’s territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop. John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian ro...

Chameleon: That’s long been the word used to describe David Bowie, pop music’s shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz. Less remarked was Bowie’s savvy about shifting through commercial phases—he wore pop stardom like a costume, t...

Chameleon: That’s long been the word used to describe David Bowie, pop music’s shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz. Less remarked was Bowie’s savvy about shifting through commercial phases—he wore pop stardom like a costume, t...

The Slate Music Club returns, in this special year-end edition of Hit Parade’s The Bridge! Host Chris Molanphy joins New York Times pop music critic Lindsay Zoladz , and Julianne Escobedo Shepherd of Hearing Things in a critics’ roundtable led by Slate’s own Carl Wilson. They discuss their favorite albums and singles, as well as the trends that shaped music in 2025. Among this year’s big musical q...

If you need confirmation of Hollywood’s vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year’s KPop Demon Hunters , soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all bec...

If you need confirmation of Hollywood’s vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year’s KPop Demon Hunters , soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all bec...

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Lep...

When you hear the term “superproducer,” names like George Martin, Quincy Jones, Max Martin, Pharrell Williams or Missy Elliott might come to mind. But … Robert “Mutt” Lange? Probably not. Yet Lange was by some measures the biggest hitmaker—the producer of more top-selling albums than any of those better-known producers. The South African studio wiz crafted the arena-rock sound of AC/DC and Def Lep...

Hark, the holiday season is upon us—and with it, the most solemn of festive traditions: a gift guide! In this video and podcast special, Slate hosts Dana Stevens, Chris Molanphy, and Willa Paskin beam in from their collective hearths to deliver unto the internet their favorite gifts for culture lovers. In addition to sharing gifts, they also discuss the cultural artifact that is the “holiday gift...

Walk into any store or flip on a radio, and you’ll probably hear the Police’s “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit’s songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it...

Walk into any store or flip on a radio, and you’ll probably hear the Police’s “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit’s songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it...

In the rarefied world of smash pop singles, there are No. 1s—and there are No. 1 debuts . Entering Billboard ’s Hot 100 at the top is one of the hardest tricks in music. In fact, it wasn’t possible in the U.S. until 1995. That’s when the record labels hacked the Hot 100 and figured out how to send new singles straight into the chart penthouse.  But scoring a No. 1 in Week One doesn’t mean it’s bui...

In the rarefied world of smash pop singles, there are No. 1s—and there are No. 1 debuts . Entering Billboard ’s Hot 100 at the top is one of the hardest tricks in music. In fact, it wasn’t possible in the U.S. until 1995. That’s when the record labels hacked the Hot 100 and figured out how to send new singles straight into the chart penthouse.  But scoring a No. 1 in Week One doesn’t mean it’s bui...

Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis, and mothers-in-law. From the dawn of rock ‘n’ roll through the 1970s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodis...

Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis, and mothers-in-law. From the dawn of rock ‘n’ roll through the 1970s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodis...