Go Creative Show

THE WITCHER season 2 cinematographers Jean Philippe Gossart and Romain Lacourbas share details about how they collaborated on bringing more color and dimension to the series. JP, Romain, and Go Creative Show host, Ben Consoli , discuss switching to spherical lenses, the challenges of creating natural light sources, attention to detail for dialogue scenes, and so much more. Subscribe Now! What you...

SCREAM is back! Cinematographer Brett Jutkiewicz breaks down the biggest kill scenes and how he brought his unique visual style to the film franchise. Brett and Go Creative Show host, Ben Consoli , discuss cinematography tricks to create tension in horror, lighting for horror movies, making day-time exteriors scary, the necessary skill sets for camera operators, learning from your mistakes on set,...

TICK, TICK... BOOM! follows Jonathan Larson on his path to being the successful musical composer we know of him today. Cinematographer Alice Brooks ASC breaks down her cinematic approach and biggest challenges of the film. Alice and Go Creative Show host, Ben Consoli , discuss the film's biggest scenes, challenges of musicals, having to use filtration in place of haze, and much more! Subscribe Now...

YELLOWJACKETS follows the wild journey of a high school soccer team after they become the (un)lucky survivors of a plane crash. Cinematographer C Kim Miles ASC CSC breaks down each of the series' spectacular visual looks. Kim and Go Creative Show host, Ben Consoli , discuss making creative changes after filming the pilot, choosing lenses based on storyline, the incredible value of a DIT, deconstru...

SPIDER-MAN: NO WAY HOME cinematographer Mauro Fiore and production designer Darren Gilford discuss their collaboration on the blockbuster Marvel movie. Mauro, Darren, and Go Creative Show host, Ben Consoli , discuss the dramatic last-minute changes at the start of production, the benefits of filming on location, and breakdowns of some of the biggest scenes in the movie. Subscribe Now! What you wil...

Aaron Sorkin's BEING THE RICARDOS is a masterful retelling of Lucille Ball and Desi Arnaz's life on and off camera. Cinematographer Jeff Cronenweth ASC shares the camera, lighting and lenses he used to recreate vintage Hollywood and the iconic I Love Lucy stage. Jeff and Go Creative Show host, Ben Consoli , discuss bringing energy to dialogue scenes through blocking and camera movement, breaking d...

Steven Spielberg's WEST SIDE STORY is a fresh remake of the classic film packed with stunning cinematography. Camera operators Mitch Dubin SOC AOC and John "Buzz" Moyer SOC share what it's like working with Spielberg and the challenges of filming movie musicals. Mitch, Buzz, and Go Creative Show host, Ben Consoli , discuss the the camera operators' creative freedom, tips for operating steadicams,...

SUCCESSION season 3 cinematographers Christopher Norr and Patrick Capone join us to discuss the show's multi-camera handheld-style and natural lighting. Christopher, Patrick, and Go Creative Show host, Ben Consoli , share why they film close up shots first, showing vulnerability through cinematography, working as co-cinematographers, and more! Subscribe Now! What you will learn in this episode In-...

GHOSTBUSTERS AFTERLIFE -- with its incredible sets, props, and the infamous Ecto-1 car -- have given movie lovers the nostalgic and entertaining blockbuster they have been waiting for. Production designer Francois Audouy explains his approach to designing films, and how attention to detail and practical sets made GHOSTBUSTERS AFTERLIFE a massive success. Francois and Go Creative Show host, Ben Con...

AMERICAN HORROR STORY DOUBLE FEATURE cinematographer Andrew Mitchell had a massive challenge to overcome: how to film two unique stories with distinct looks in a cohesive way. Learn his visual approach for each half of the season and how he transitioned from camera operator to DP. Andrew and Go Creative Show host, Ben Consoli , discuss the essential skills every DP should have, using visual effect...

Discover how FINCH cinematographer Jo Willems ASC SBC overcame the challenges of filming the relationship between Tom Hanks, a dog, and a motion capture robot. Jo and Go Creative Show host, Ben Consoli , discuss the film's unique look and creating intimacy with the camera. Learn how Jo filmed the desert scenes practically, the decision to shoot handheld, embracing lens artifacts, and so much more....

Cinematographer Simon Dennis BSC of IMPEACHMENT : American Crime Story masterfully depicted one of the most iconic moments in American history while capturing portrayals of Monica Lewinsky, Linda Tripp, and of course Bill & Hillary Clinton. Simon and Go Creative Show host, Ben Consoli , discuss the show's desaturated look, claustrophobic feeling, why he chose the Sony Venice, working with split di...

DUNE , with its stunning cinematography and epic sets, was packed with unique challenges for director of photography Greig Fraser ACS ASC -- including filming in whipping sands and lighting football field sized sets.  Greig and Go Creative Show host, Ben Consoli , discuss discuss how he balances epic and intimate, his techniques for large night exteriors, embracing the shadows and Greig's unique f...

The tragic death of Cinematogarpher Halyna Hutchins has ignited a worldwide conversation about gun safety on film sets. Armorer Bryan W Carpenter joins us to discuss current safety standards and what protocols were missed leading up to the tragic shooting. Bryan and Go Creative Show host, Ben Consoli , discuss pros and cons of practical firearms vs visual effects, the difference between "blanks" a...

HALLOWEEN KILLS is packed with gory murders and cinematography that elevates the horror genre. Cinematographer Michael Simmonds returns to discuss the film's camera choices, lighting techniques and visual approach while breaking down the most challenging kill scenes. Michael and Go Creative Show host, Ben Consoli , discuss filming the 1978 flashbacks, Michael's use of zoom lenses, how the house fi...

NO TIME TO DIE  not only elevates the 007 universe, but it is filled with stunningly beautiful and logistically challenging cinematography. Director of Photographer Linus Sandgren FSF ASC talks lighting, lensing, locations and of course STUNTS! Linus and Go Creative Show host, Ben Consoli , discuss finding the spirit of James Bond and using hand-held IMAX cameras to blend classic 007 storytelling...

Rather than releasing a series of music videos, Halsey has released a short film featuring her latest album IF I CAN'T LOVE, I WANT POWER . Music video producer Jamee Ranta gives us a behind the scenes look at making the film and music videos for other iconic artists. Jamee and Go Creative Show host, Ben Consoli , discuss the decision to create this short film, how a producer is involved in the cr...

By a nearly unanimous margin, IATSE members in TV and film production vote to authorize a nationwide strike. Cinematographer Jim Denault ASC explains the proposed changes union workers are looking for and why they matter. Jim and Go Creative Show host, Ben Consoli , discuss the existing working conditions, what has changed over the decades in the industry, the opposition to the new terms, worldwid...

Imagine having only six weeks to prep for an entire movie trilogy, each one having its own distinct look. That was exactly the reality for cinematographer Caleb Heymann with Netflix's Fear Street trilogy. Caleb and Go Creative Show host, Ben Consoli , discuss relying on candles and sunlight for the 1666 movie, creating that incredible bread machine kill scene, how to deal with the challenges of ne...

THE WHITE LOTUS features incredible voyeuristic-style cinematography that constantly keeps you on edge. Director of photography Ben Kutchins explains his unique visual approach and the difficulty of filming in an actual hotel. Ben and Go Creative Show host, Ben Consoli , discuss the juxtaposition between the warm color palette and plot, filming with as much natural light as possible, constantly ro...

Learn how to skillfully introduce characters through cinematography and the benefits of cross-shooting with the director of photography of the Emmy-nominated series HACKS , Adam Bricker . Adam and Go Creative Show host, Ben Consoli , discuss how and why the two lead characters were shot differently, blending cool and warm light sources, customizing lenses for projects, and much more! Subscribe Now...

JUNGLE CRUISE is a modern adventure film with cinematography inspired by old-school classics! Cinematographer Flavio Labiano shares his experience working with Emily Blunt and The Rock and shooting most of the film in a giant water-tank in an Atlanta parking lot. Flavio and Go Creative Show host, Ben Consoli, discuss the challenges of filming the boat scenes, the role of 2nd unit cinematography, i...

Disney has outdone themselves again with the incredible life-like and vivid animation of RAYA AND THE LAST DRAGON . Co-cinematographers Adolph Lusinsky and Rob Dressel come on to discuss how Disney tackles animated films and the biggest challenges of RAYA. Adolph, Rob, and Go Creative Show host, Ben Consoli , discuss each of their roles as cinematographers, striking the right balance of realistic...

BLACK WIDOW  marks the return of the Marvel Cinematic Universe. Cinematographer Gabriel Beristain ASC BSC comes on to explain his filmmaking philosophy of treating the camera like a character. Gabriel and Go Creative Show host, Ben Consoli , discuss the visual references of the film, why Gabriel always used 3 cameras on set, not being ashamed of relying on filmmaking fundamentals, and more! Subscr...

THE MOSQUITO COAST on Apple TV+ is a gripping drama with a spectacular, colorful yet gritty cinematic approach. Director of photographer Alex Disenhof gives us a behind the scenes look and why the series has such active camera movement. Alex and Go Creative Show host, Ben Consoli , break down one of the most dramatic sequences in the series, approaching daylight exteriors, color grading and theory...