Go Creative Show

DEVOTION director of photography Erik Messerschmidt, ASC shares the incredible way most of the fighter plane shots were captured practically. Plus, we discuss the visual approach to the film, the advantage of using custom lenses over filtration, the disadvantages to using an LED volume, and so much more. Subscribe Now! What you will learn in this episode Creating a muted look to DEVOTION (03:41) H...

GLASS ONION: A KNIVES OUT MYSTERY director of photography Steve Yedlin, ASC gives a masterclass in murder mystery cinematography. Learn how the blackout scene was shot, techniques for filming ensemble casts, and how motivated camera movement was its own character in the film. Subscribe Now! What you will learn in this episode Steve's thoughts on streaming distribution (04:31) HDR problems and TV c...

THE WHITE LOTUS season 2 director of photography Xavier Grobet, ASC, AMC joins us to discuss the pro's and con's of filming in a real hotel in Sicily, creating realistic sex scenes, shooting day for night, and more.  Xavier tells Go Creative Show host Ben Consoli all about his camera and lens choices and how he paid homage to Monica Vitti's classic Italian films. Subscribe Now! What you will learn...

AVATAR: THE WAY OF WATER director of photographer Russell Carpenter ASC talks with Go Creative Show host Ben Consoli about the making of the film and using the custom-made 3D Sony Venice. Russell also dives deep into the underwater motion capture system, the process of virtual filmmaking, lighting in a virtual world and so much more.  Subscribe Now! What you will learn in this episode Russell's th...

BLACK PANTHER: WAKANDA FOREVER director of photographer Autumn Durald Arkapaw ASC joins Go Creative Show host Ben Consoli to discuss her camera, lighting and lens choices. We also discuss her early career, filming Underwater "dry for wet," night exterior and Autumn's experience with the Sony Venice. Subscribe Now! What you will learn in this episode Lighting philosophy of Wakanda Forever (02:04) A...

THE BEAR is a masterclass in creating visual chaos and its director of photography Andrew Wehde shares his camera and lighting techniques and philosophies. Andrew and Go Creative Show host, Ben Consoli , discuss tips of filming food, how his approach to cinematography is different in and out of the kitchen, use of camera movement, approach to lighting, and so much more. Subscribe Now! What you wil...

Cinematographer Jason McCormick breaks down his cinematography for the Netflix hit series, DAHMER - MONSTER: THE JEFFREY DAHMER STORY . Jason and Go Creative Show host, Ben Consoli , discuss the gritty cinematography, challenges of working with episodic directors, shooting with the Sony Venice, and we break down some of the series' most brutal scenes. Subscribe Now! What you will learn in this epi...

Director Robert Eggers and cinematographer Jarin Blaschke return to the Go Creative Show to discuss THE NORTHMAN . Listen as Robert and Jarin boldly and honestly share their struggles and victories while making the film. Robert, Jarin, and Go Creative Show host, Ben Consoli, break down the film's fluid camera movement, how to expose for low light scenes, pros vs cons of large film crews, challengi...

EVERYTHING EVERYWHERE ALL AT ONCE is a gloriously, messy, genre-bending film directed by The Daniels and shot in only 36 days by Director of photographer Larkin Seiple . Larkin and Go Creative Show host, Ben Consoli , break down his visual approach to the different universes. Plus, we discuss how the multi-verse transitions were achieved, the inspiration for hot dog fingers, the many types of lens...

Marvel's MOON KNIGHT and A24's THE GREEN KNIGHT are filled with original and compelling cinematography thanks to director of photography Andrew Droz Palermo . We do a deep dive into Andrew's visual approach for both projects. Andrew and Go Creative Show host, Ben Consoli , discuss why he avoided excessive close up angles, how filming handheld can motivate editing, what no one thinks about when fil...

JURASSIC WORLD DOMINION brings the dinosaurs to the rest of the world in a terrifying way. Director of photography John Schwartzman ASC shares how the scare factor was pushed thanks in part to his amazing cinematography. John and Go Creative Show host, Ben Consoli , discuss shooting both on film and digitally, working with animatronic dinosaurs, the hustle of being a cinematographer, filming with...

OUTER RANGE keeps you on the edge of your seat with its dramatic, sci-fi focused storytelling and incredible visuals. Cinematographer Drew Daniels shares how he "steals" the great DP Roger Deakins' lighting techniques as we deconstruct the show's visual approach. Drew and Go Creative Show host, Ben Consoli , discuss collaborating with other cinematographers on a series, having a sense of humor wit...

BETTER CALL SAUL  cinematographer Marshall Adams shares how the show's visual approach has evolved over its six seasons plus we break down some of the final seasons biggest moments.  Marshall and Go Creative Show host, Ben Consoli , discuss using choreographed dance actors in the season 6 opening scene, why the "ant macro shot" was so challenging, filming the beautiful desert vistas, how crew is a...

Learn how cinematographer Simon Dennis BSC created an authentic and super saturated early 1980's world for CANDY on Hulu . Simon and Go Creative Show host, Ben Consoli , discuss why he chose the Sony Venice and custom tuned lenses to create CANDY and how the look was inspired by William Eggleston and Napoleon Dynamite.  We also dive deep into the 1:66 aspect ratio, the challenges of working with c...

PACHINKO cinematographer Florian Hoffmeister BSC shares how he created one cohesive look to represent multiple decades in Japan and Korea. What cameras and lenses did he choose and why? We discuss it all.  Florian and Go Creative Show host, Ben Consoli , talk about the challenges of filming in a language and culture he didn't understand, why episode 7 has a completely different look, his approach...

Learn the masterful way that cinematographer Shawn Peters visually portrayed dementia in THE LAST DAYS OF PTOLEMY GREY on Apple TV+. Shawn and Go Creative Show host, Ben Consoli , discuss how to use different lenses and camera tricks to evolve a show's look over time, using broken glass to create stunning in-camera effects, how to create the perfect day for night, and more! Subscribe Now! What you...

THE DROPOUT cinematographer, Michelle Lawler , shares her unique opportunities and challenges while filming on location for the hit Hulu series about Elizabeth Holmes and Theranos. Michelle and Go Creative Show host, Ben Consoli , discuss how character development affects cinematography, using 200 astera tubes to light an office, tips for creating eyelights, and so much more. Subscribe Now! What y...

Even if you're not a basketball fan, you will fall in love with the 1980s visual style of HBO's WINNING TIME. Cinematographers Todd Banhazl and Mihai Malaimare Jr. discuss how they used several different camera types and formats to perfectly capture the look of the series. Todd, Mihai, and Go Creative Show host, Ben Consoli , discuss filming with the Ikegami camera, post-processing techniques to h...

CODA cinematographer, Paula Huidobro , discusses the Oscar-winning film and unique challenges of filming actors using sign language. Plus, her thoughts on the Will Smith slap incident. Paula and Go Creative Show host, Ben Consoli , share techniques for lighting natural looking interiors, letting the camera take a back seat, embracing harsh sunlight and the cinematic beauty of New England. We also...

Award-winning series DOPESICK is a masterclass in breathtaking cinematography and storytelling. Director of photography Checco Varese ASC shares how he evolved the show's visual approach throughout the series. Checco and Go Creative Show host, Ben Consoli , discuss the importance of dailies looking as close to final as possible, making office spaces visually-appealing, lighting an entire house for...

SEVERANCE is a mind-bending and visually stunning thriller and one of this year's best series. Cinematographer Jessica Lee Gagné shares why she was hesitant to take on the show, and her incredible work throughout the season. Jessica and Go Creative Show host, Ben Consoli , discuss her visual approach to the "innie" and "outie" worlds, making a bland stark-white office space visually interesting, p...

THE POWER OF THE DOG director of photographer, Ari Wegner ACS , shares how her cinematography communicates loneliness in the Oscar-nominated Netflix film. Ari and Go Creative Show host, Ben Consoli , discuss techniques for realistic eyelights, why the amount of prep time can be a red flag, filming wide landscapes with long lenses, and much more! Subscribe Now! What you will learn in this episode T...

TEXAS CHAINSAW MASSACRE production designer Michael Perry created an entire Texas town from scratch.  Learn all about the challenges he faced and the scenes and sets he's most proud of.  Michael and Go Creative Show host, Ben Consoli , discuss filming with blood, creating an authentic gas station, when to ignore logic in filmmaking, techniques for aging props, challenges of horror movie production...

DEATH ON THE NILE and BELFAST cinematographer Haris Zambarloukos takes us behind the scenes of both films and shares his filmmaking secrets. Haris and Go Creative Show host, Ben Consoli , discuss DEATH ON THE NILE'S enormous 1000 lights boat set, tips for creating the perfect black and white, why every shot is important, and of course his brilliant work on the film BELFAST. Subscribe Now! What you...

OZARK returns for its final season with a new cinematographer - Shawn Kim . Learn how Shawn evolved the show's iconic cool-blue look while getting darker with each episode.  Shawn and Go Creative Show host, Ben Consoli , discuss the psychological effects of lens focal lengths, the complexity of lighting day exteriors, how to keep cinematography fresh and interesting, plus so much more! Subscribe N...