Flix At :48

It’s just a bummer this film doesn’t make more of a deep impression as a whole. Isn’t that what good artistic expression should do?

At only one hour and 28 minutes, it's an incredibly succinct piece of horror film-making, and I highly recommend it to everyone.

There aren't enough new ideas in Disclosure Day to make it feel important enough for people to rush to the theater, but maybe you can wait for it to show up on a streaming platform in your home.

This rated R peek into the music business is an endearing portrait of ambition, family, and the blurry nature of ideas. So why was I so bored? Plus, a bonus review of "Masters of the Universe."

"Backrooms" is so different and so brilliant, you might feel the need to watch it more than once.

Like we already learned with the extensive Marvel Cinematic Universe of too many movies, maybe there's too many Star Wars movies already deterring this new one from feeling interesting and fresh.

I know this sounds dramatic, but this film is the best one I've seen so far this year.

The trappings might be traditional and customary, but I promise you, this will get your heart racing.

It looks glamorous and without visual blemishes, but it has nothing lasting or memorable to say.

Those of you who love the exploratory fringes of film away from the mainstream will enjoy the answers that come from this one. Emotional baggage has never looked this beautiful or this haunting.

All the dialogue is written with the emotional depth of an Etch-a-Sketch drawing, and too many of the moments meant to be scary are heavily referential to other horror films everyone already knows.

I had a great time with this film. It combines the surreal dread of an Ari Aster film with the nervous chaotic apprehension of a Woody Allen ensemble.

"Undertone" has some moments of brilliance, and it offers a lot of commentary on the growing isolation happening in collective youth culture.

"Project Hail Mary" is a lighthearted, endearing, adventure film with a few moments of comedy from Ryan Gosling. He’s a reluctant hero with a casually clumsy attitude.

UPR's film critic Casey T. Allen brings us his take on this year's Academy Awards ceremony, the surprises and the biggest contenders of the night.

During the 93 minute run-time of watching "In the Blink of an Eye" on my couch at home, a cardinal sin swept over my mind. I wanted to check my phone…and I never look at my phone while watching a film.

Although other film lovers might categorize this one as a comically grim twist on economic class differences, I feel more comfortable categorizing this as a bore alert!

I feel this film is adequately okay. It is not a conventional period drama, but it’s also not a smoothly organized one (or a carefully designed one) either.

This film explores childhood's dark side with bullying, ridicule, exclusion, and its emotionally damaging effects.

"Twinless" proves Dylan O’Brien has the range to be heartbreaking and vulnerable as well as funny and clumsy. I’m so glad I have seen this film, and I hope you feel this way too.

This film is inspired by the life story of British comedian John Bishop. So sad none of this could elevate the film to something more affecting and informative.

Marty Supreme does not give us a role model to admire, but it does give us an engaging voice with something important to say.

It deftly captures the disillusionment of an American generation lost to economic hardship and political unrest. And for this reason, I hope people will give this film a shot.

Too bad the uninspired sentimentality makes "Jay Kelly" a far cry from other thoughtful films about show biz.

"Eternity" is not something I find inspiring or even exciting, but it has notable sections that are entertaining, eloquent, and mindful.