Eat.Sleep.Movie.Repeat

We argue over New Zealand box office wins and losses as Toy Story surges on nostalgia while Minions and Monsters opens far below expectations. Then we preview the school holiday slate and put bold opening-week numbers on the line for Moana Live Action while sharing indie and upcoming films we think could surprise.  • reconciling our box office guesses and the running scoreboard  • why Toy Story co...

A movie can be genuinely fun, get decent reviews, and still face-plant at the box office, and that contradiction kicks off our latest chat. We’re Brent Harbour and Ross Church, and we open with a hard look at Masters of the Universe in New Zealand cinemas, why the numbers stall, and why timing and money anxiety can matter more than nostalgia. Box office results don’t automatically equal quality, b...

A thunderstorm is hammering down outside, which makes our favorite idea sound even better: go sit in a dark theater and let a movie do the heavy lifting. We kick things off by settling last week’s box office prediction and talking through what Mandalorian and Grogu’s performance really suggests about fandom turnout, week two drop-offs, and why “solid” movies don’t always translate into record-brea...

Star Wars is finally back on the big screen for the first time in 10 years, and we’re not easing into it. We talk The Mandalorian And Grogu, why Grogu still feels like peak Star Wars, and how practical creatures and old-school filmmaking tricks can add a kind of grounded magic that CGI alone can’t replicate. Then we put our reputations on the line with opening weekend box office predictions and as...

A movie can have rough critic scores and still steamroll the box office, and this week’s numbers prove it. We come in buzzing about big upcoming releases (yes, we talk about the Odyssey trailer hype) and then immediately put our own forecasting skills on trial with a fresh round of box office predictions vs reality. From there, we dig into what’s actually working for audiences right now. We recap...

A romantic comedy opens during school holidays and gets absolutely steamrolled at the box office. That one result kicks off a bigger conversation we all feel as moviegoers but rarely name out loud: release timing can matter as much as the movie itself. I’m joined by cinema insider Ross Churchell as we unpack how school-holiday crowds reshape programming, why adults and retirees “rediscover” the ci...

You can tell it’s the school holidays the moment the rain hits: queues get longer, faces get more stressed, and the same question keeps coming up at the counter. Will we get in. We kick things off with the moviegoing advice we wish every family heard before jumping in the car, from when to visit during peak holiday crowds to why booking ahead saves your whole day. From there we zoom out into the N...

School holidays don’t just test your patience, they test your planning. We kick things off by settling our Oscars scorecard and checking how our New Zealand box office predictions stacked up, then we jump straight into the real question parents are asking: what’s actually worth seeing at the cinema over the break? We walk through a lineup built for families and kids, including The Magic Faraway Tr...

Oscars season turns smart people into coin flippers, and we are no exception. We sit down with our ballots open and our confidence shrinking by the minute, then make the call anyway: our final predictions for Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Director, and Best Picture. Along the way we argue the cases for the films and performances that feel like front...

The week’s lineup swings from iconic concert energy to sly, satirical thrills to a heartfelt Kiwi adventure—and we’re here for all of it. We kick off with Elvis Presley In Concert, Baz Luhrmann’s restoration that swaps reenactment for the real thing. Unearthed footage from the Vegas years puts you right on stage with Elvis—sweat, swagger, and sly asides intact—beautifully remastered for modern ear...

A YouTuber-backed indie horror just ran circles around studio titles at the New Zealand box office—and that upset sets the tone for a week packed with big swings. We start with the data and dig into why Iron Lung connected: a tight hook, social reach, and a promise horror fans could rally around. From there, we turn to three fresh releases competing for very different moods and audiences, mapping...

What happens when a creator-led indie horror storms 3,000+ theaters while studio tentpoles still rule the charts? We kick off Season 4 by unpacking a summer that brought crowds back, from Zootopia 2’s family juggernaut to Avatar: Fire and Ash proving its staying power without chasing old records. Then we turn to the wild card everyone’s talking about: Iron Lung, a claustrophobic nightmare born fro...

A year that felt like a cliffhanger deserved a finale with stakes. We open with a candid pulse check on the film industry—streamer chess moves, lawsuits on the horizon, and a box office that held steady only because a few heavy hitters carried the load. From there, we dive into what actually moved audiences. Nuremberg, anchored by a commanding Russell Crowe, started quiet and gathered steam as wor...

A surprise surge at the box office can change the mood of a season, and Wicked just did exactly that. We unpack why certain titles break through when the economy is rough, how audience behavior shifts toward event value, and what that means as Avatar 3: Fire and Ash barrels toward release with sky-high expectations and even higher costs. The stakes aren’t just bragging rights for opening weekend;...

What happens when a locally made sci-fi brawler outperforms the noise and a buzzy remake doesn’t land? We dig into Predator Badlands’ franchise-best opening and the Running Man’s stumble, then chart a hopeful path forward with Wicked For Good building real momentum. Along the way, we tackle a hard truth: New Zealand’s box office has slid about 15% over recent weeks, with empty prime-time shows eve...

Lights flicker, schedules wobble, and we still make it to the movies. We open with a surprising miss: a Hindi vampire romance positioned to ride the Diwali wave that instead sputtered at the New Zealand box office. That sets the tone for a candid look at audience behavior right now—how ratings, region, and timing twist outcomes—and why some films soar in big cities while others struggle to find mo...

Sunburns, cricket, and school holidays are stealing attention, but the big screen is about to fight back. We open the door on a quieter week in Cinema Land and dig into what actually pulls people off the couch: clear promises, smart timing, and the thrill of a cool, dark room with M&Ms in hand. Our box office game gets real as we reconcile a surprising data point—Taylor Swift’s latest cinema e...

A small victory can change the mood of a whole week. We open by settling our Bad Guys 2 bet, then swing straight into the real work of programming after the school holidays: choosing films that spark curiosity, fill seats, and feel worth the trip. That means championing a few special titles, passing on others (for now), and crafting a lineup that plays to our audience’s taste without playing it sa...

Economic headwinds continue battering the cinema landscape as we head into the school holiday season. Even star-studded films like "The Roses" featuring Benedict Cumberbatch and Olivia Coleman are struggling to meet box office expectations, despite strong word-of-mouth driving second-week attendance. What's behind this trend? Is it the R-rating limiting audience size, broader econom...

Movie theaters across New Zealand are facing a puzzling paradox. Quality films with strong reviews aren't drawing audiences like they used to, and Liam Neeson's recent comedy "The Naked Gun" perfectly illustrates this challenge. Despite excellent marketing, positive word-of-mouth, and an impressive 88% approval rating, the film struggled to break $336,000 at the New Zealand box...

Movie theaters are battling their toughest economic climate since the pandemic. Box office numbers are startlingly low – Stephen King's "The Life of Chuck" brought in just $71,000 on opening weekend, a fraction of what would normally be expected. For every cinema opening globally, five are closing as audiences tighten their belts and reconsider entertainment spending. What makes us...

Are movie theaters dying or just evolving? That's the question at the heart of our latest deep dive into cinema's current landscape. While studios continue to release films at a breakneck pace, getting audiences through the doors remains the industry's biggest challenge. Horror films are particularly struggling in New Zealand, with the latest "I Know What You Did Last Summer&qu...

The dinosaurs have roared back to life at the box office, and Hollywood might finally be catching its breath. This week we're celebrating Jurassic World Rebirth's spectacular performance - a whopping $2.3 million in New Zealand alone and $335 million globally. After months of underwhelming theatrical releases, this prehistoric powerhouse signals what could be a turning point for cinema a...

Movie theaters find themselves at a fascinating crossroads where critical acclaim doesn't necessarily translate to box office success. Disney Pixar's Elio has become their worst opening film worldwide despite positive reviews, while horror sequel Megan 2.0 and the new Karate Kid reboot similarly struggle to find their audiences. This troubling trend reveals how quickly major cinema chain...

Why do critically acclaimed female-led action films struggle at the box office? This question takes center stage as we dig into the surprising commercial failure of "Ballerina," the Ana de Armas-starring John Wick spin-off that opened to a mere $363,730 despite strong reviews. The film's underwhelming performance highlights a troubling pattern for female action heroes on the big scr...