Drawing Impulses

In the impulse "A Walk in the Forest" I encouraged you to collect and press leaves or flowers or other plant parts to use them for collages. And then, in the impulse “A personal herbarium” you already got to try a simple collage. Now I’d like to talk about the different techniques of collage, their possibilities and versatility. I want to introduce the concept. Collage is a technique tha...

There’s a magic in every beginning. It’ a wonderful energy to start something new. To start a new chapter, a new theme, a new idea, something that wasn't there before. There's a great power in that, in that newness, that unprecedentedness, and that's what we're starting with today. We’re now in this wonderful season of autumn. The colored leaves may have already fallen to the g...

In the last impulse "A Walk in the Forest" I encouraged you to collect and press leaves and other plant parts. You can now use these pressed parts to make collages with natural objects from the realm of plants. The practice of pressing and drying plants is an old one. The oldest surviving herbarium dates back to as early as the 16th century (1524). It’s located in Kassel, Germany. Origin...

This time there are two tasks. The subject is still the spiral. We’ll stay with the spiral, it’s too good to let it go already. But the theme becomes a little more concrete: the spiral as light. You’ll approach it as follows: First, you draw a square on your drawing sheet. With a ruler. And within this square, you draw a spiral. It has one line. Only one line. Then you go into the square with a co...

This time there are again two tasks connected with each other. For this I ask you to go out into nature. Go for a walk. With open eyes. The first task is to look for leaves and other parts of plants from meadows or the wayside, which you can take home with you to press them. They can be grasses, leaves or delicate flowers, just not plants that are too thick. Lay these leaves flat between sheets of...

With the fern we’ve already approached the spiral. Now I’d like to discuss it in more detail. What can a spiral be? The spiral is a primal symbol. From the observation of nature, it has found its way into science as a geometric shape and for calculating various phenomena. The spiral can move from the outside to the inside, or from the inside to the outside. We’re starting with a spiral that goes f...

Everything we do in drawing is done with love. Thus, we need empathy with what we see and with what is happening on the drawing sheet. This time we want to turn to ferns. Already Leonardo da Vinci used ferns in his works as forms which he also used to create clouds and water. He developed these motifs from spirals. Spirals also often appear in the works of Friedensreich Hundertwasser. He was inspi...

There are two major areas when working on metamorphosis and transformation. One is the development of a form, and the other is the condition in which that form finds itself. A prominent example is the phoenix. We all know the saying "like a phoenix from the ashes" – something that you think is lost, but that then appears in new glory, or when you’ve suffered a defeat, get up and continue...

When we deal with the theme of metamorphosis and transformation, there are two basic conditions to consider. The first is the freedom of the imagination, which doesn’t do well with censorship. Am I allowed to do this, should I do this, can I do this? These are questions that shouldn’t hold you back. Whatever idea jumps into your brain or pen, execute that idea immediately. This is an endless sourc...

When we think about nature and abstraction with the drawing pencil, that’s a situation that of course has a history. In the past – meaning in the 19th century and before – the only way to communicate what things look like was through realistic representation. With the development of photography, a lot changed for drawing and painting. A Monet would be unthinkable without photography. The Impressio...

Sensitivity and empathy are qualities that are essential for drawing. You will certainly have noticed and practiced this in the past impulses. This time I invite you to look at a field of lavender as an inspiration. A lavender field consists of many lavender bushes. We know these lavender fields from Provence in France. You’ll notice that the landscape is slightly hilly. Depending on your point of...

For this impulse I’d like to think further about the structures we can find in nature: the view on fields from above. At the latest when you‘re sitting in an airplane, but also when you‘re on top of a tower, a mountain or a tall house, you get an overview of the landscape – we all know this view of the countryside, of the fields. What do we notice there? First of all, the terrain is remarkable. Wh...

This time our drawing will be dedicated to animals. The dog, the cat, and the bird. It has a lot to do with your inner attitude, with your quality while drawing. Maybe this deeper level of drawing seems unimportant to you at first. But still these thoughts influence you when you’re drawing, and we absolutely need them. So, choose one of these animals. If you can't do anything with the dog, ch...

This time I’d like to lure you into the realm of apples. A theme that starts in summer and continues into fall. The apple has a very extensive cultural history and an endless history in mythology, spirituality, and religion. There are countless tales about apples. The apple is very well known to us as a fruit. It probably originated in Asia, in the Caucasus, where apples were cultivated very early...

In the previous episodes we’ve thought in detail about the dot, and thus also about the round shape. In this exercise, we go a step further by considering what can fit into a circle. There’s a square in a circle. If we connect the four outermost poles within the circle with lines of equal length, it creates a square. You know the sketches of Leonardo da Vinci, in which he draws the Vitruvian man i...

I want you to create your own sun, free from cliché and free from what you’ve already seen. Draw a sun from within. From within means that you feel into what is created on the drawing sheet by your hand. Then feel: Do you need long rays or short ones? Are these rays always in the same distance or in one that is a little different each ray? All these questions are very important. Depending on the p...

With the topic of nature and abstraction we have a wide field to plow. Apart from the study of nature and subsequently its abstraction, it touches very much on the metaphysical. When we speak of abstraction, we’re faced with a variety of definitions. This causes problems until today. Because what is abstraction? If we reach for the dictionary, we see: "Abstraction, Latin abstractus, removed....

You’ve already solved the exercises about the elementary order in the two previous impulses and noticed that the basics of every composition, the fundamental questions of composition are practiced and empathized with these elementary orders. In this impulse I would like to go into a little more detail, with an exercise about the dot. Leonardo da Vinci says, "the beginning to the science of pa...

In the last episode I talked about elementary orders. They’re very important for the organization of the drawing or the picture and come with many possibilities to build on it further, because it refines the sensibility for the development of the picture. Where do the elements accumulate and what order results from that? If you think through and practice this exercise of order carefully, you will...

When distressing news from outside enter our mind, it’s always good to turn to art, to maneuver our thoughts into aesthetics and to deal with questions that seem to have nothing to do with our everyday life. And yet, these aesthetic questions are exactly what makes our life rich and fill it with joy. What brings us in contact with existential matters and lets us feel for ourselves what makes us hu...

Regarding nature and abstraction, we’ve now explored a few ways of doing this, of getting into a more abstract form. In this impulse I would like to suggest one, which we’ve already mentioned briefly: enlargement. You can enlarge something from nature, a very realistic thing from nature, in a way that the viewer can no longer make the connection of what it's about, even though the contours ar...

In the last impulse we discussed the egg, and if we deal with eggs, then of course the nest is not too far away. If the egg is laid by birds, it needs protection. And this protection is precisely the nest. The word nest comes from the pre-Germanic word "Nizdo", which means "settlement". It’s also related to the Latin term "nidus" – the nest. “Nest” is the name given t...

Every day we hold a symbol of life in our hands or enjoy it on our plates. The egg. The egg is a symbol of fertility, in which we have the potential of life before us, because the egg carries within itself the potential for new life. For us as artists, the egg is especially interesting in its form because it has a fascinating shape when we look at it closely. An egg is something unique, there’s no...

Again and again, when we’re drawing, we might have the feeling that the picture is not exciting enough. How can we change that? We can do it through proportions. They’re a good way to make a drawing exciting. To do this, we need to exaggerate the proportions – way larger and way smaller – to achieve this tension. What does that do in the picture? It creates a three-dimensionality. A very large ele...

When laymen talk about drawing, most of them think that "drawing" means tracing the proportions and outlines of an object. Even in art schools, every drawing is first defined as a proportion of lines, and only then light and shadow are added. So, we have to study proportions on their own. What is the proportion of the shapes? Are they small or large? What is the relationship between them...