Dossiers HQ
Dossiers
Dossiers is a unique platform dedicated to contemporary art, turning must-read articles into audio versions. HQ stands for headquarters — a global channel featuring 15+ of the finest magazines and newspapers. Designed to deliver curated content, Dossiers acts as a label, recording the stories that shape today’s art world. Guest edited by Hans Ulrich Obrist, with Serpentine. Dossiershq.com
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Episodes
KALEIDOSCOPE | (LA)HORDE, Breaking From Fantasy 22.10.2023 15:52
At the Ballet National de Marseille, collective (LA)HORDE are re-energizing the classical forms of the institution with what they ’ ve termed "post-internet dance." from KALEIDOSCOPE by Isabelle Bucklow published September 6, 2023
ArtReview | We Can’t Get Enough of Mike Kelley 15.10.2023 14:35
More than a decade after his death, the artist continues to unsettle, judge, mock and disappoint. from ArtReview by Chris Fite-Wassilak published October 13, 2023
frieze | Rirkrit Tiravanija Doesn’t Want to Be the Centre of Attention 08.10.2023 15:50
A closer look at the transgressive artist who brought cooking into the gallery. from frieze by Marko Gluhaich published September 27, 2023
T: The New York Times Style Magazine | How Chelsea Became the Unlikely Center of the Art World 01.10.2023 31:29
The art business took over a neighborhood on the Far West Side of Manhattan previously known as Gasoline Alley. Then the city turned the area into a "monument to real estate developers." from T: The New York Times Style Magazine by Zoë Lescaze published September 28, 2023
Financial Times | Ed Ruscha, From Explosive Breakthrough to Fizzling Despair 24.09.2023 9:32
A retrospective at MoMA tracks the artist’s use of egg yolk, baked beans and blood before he painted himself into a box. from Financial Times by Ariella Budick published September 20, 2023 © 2023 The Financial Times Ltd. All rights reserved.
frieze | Grace Wales Bonner on the Art That Influences Her 17.09.2023 10:29
The British designer discusses the importance of sculpture, sound and archives to her practice. from frieze by Andrew Durbin published September 15, 2023
The New York Times | Nairy Baghramian Breaks Through, Taking the Walls Down With Her 10.09.2023 16:08
With powerfully alive new works at the Met and MoMA, the Iranian-born artist Nairy Baghramian embraces the canon, the better to take it apart. from The New York Times by Siddhartha Mitter published September 6, 2023
KALEIDOSCOPE | ART ♥ MERCH 03.09.2023 12:46
"As museum-going turns into an increasingly experiential activity, a signifier of one’s inclusion in a global creative class compensating financial precariousness with good taste, the rule is simple: If you can’t buy the painting, why not get the T-shirt?" from KALEIDOSCOPE by Patrick McGraw published July 31, 2023
Flash Art | General Idea: Cultural Criminals. A Conversation With AA Bronson 30.07.2023 14:23
"By identifying with parasites, criminals, and servants, Bronson aligns General Idea with transgression and disobedience, but also establishes a Warholian approach." from Flash Art by Gracie Hadland published July 10, 2023
i-D | Gabriel Massan Uses Gaming as a Tool for Decolonial Storytelling 23.07.2023 17:27
"Third World: The Bottom Dimension," a video game and exhibition by Brazilian artist Gabriel Massan, challenges the neo-colonial biases we hold on to. from i-D by Mahoro Seward published June 27, 2023
Wallpaper* | Doug Aitken’s Epic Art 16.07.2023 12:48
"Not knowing is a philosophical position for Aitken, who seems determined to produce one epic all-consuming project after another." from Wallpaper* by Hunter Drohojowska-Philp republished July 5, 2023 credit: Future Publishing Ltd
frieze | Torkwase Dyson’s Collaborative Exchanges With Christina Sharpe 09.07.2023 15:49
The artist and theorist share their thoughts on their intellectual work of interrogating legacies of slavery and anti-Black violence. from frieze by Torkwase Dyson and Christina Sharpe published June 23, 2023
The New York Times | For Mire Lee, Rising Art Star, It All Comes Down to Guts 02.07.2023 11:09
The Korean artist’s ingenious machine sculptures, coming to the New Museum, show things that "you don’t actually want to see," a leading curator says. from The New York Times by Andrew Russeth published June 23, 2023
Mousse | 'Jargon Art Always Knew It Was Partly Bullshit' 25.06.2023 11:10
"Critics generally fit into one of two groups: village explainers and village complainers. Both presume there’s a village to explain to or complain about. No one wants to be the last one left in the town square." On Jargon (excerpt) from Mousse by Pablo Larios published June 8, 2023
CULTURED | Tomás Saraceno and Hans Ulrich Obrist in Conversation 18.06.2023 14:52
The Argentinian multimedia artist is transforming the Serpentine Galleries for "In Collaboration: Web(s) of Life," his first major exhibition in the U.K. from CULTURED by Mariana De Jesús-Szendrey published June 1, 2023
Spike | Art Basel’s Fairs Director on the Market for Inner Worlds 11.06.2023 10:35
Ahead of his first Art Basel as fairs director, Vincenzo de Bellis talks to Francesco Tenaglia about his Milanese roots, detrending figuration, and blurring the distinctions between curation and entrepreneurship. from Spike by Francesco Tenaglia published June 1, 2023
ArtReview | Frida Orupabo Reconfigures Black Female Sexuality 04.06.2023 16:51
Using images sourced from colonial archives, film, fashion and family albums, the artist carves representation and empowerment from stereotype. from ArtReview by Fi Churchman published May 5, 2023
Financial Times | This Year’s Venice Architecture Biennale Is Brave, Baffling, Stimulating and Essential 28.05.2023 10:18
Curator Lesley Lokko’s focus on Africa and its diaspora has inspired creative work — and few buildings. from Financial Times by Edwin Heathcote published May 19, 2023 © 2023 The Financial Times Ltd. All rights reserved.
Wallpaper* | Inside the Colourful World of Gaetano Pesce 28.05.2023 12:24
"Design is one of the many ways I have to break the rules." We explore the groundbreaking career of the Italian designer. from Wallpaper* by Maria Cristina Didero published April 15, 2023 credit: Future Publishing Ltd
The New York Times | Matthew Barney, Back in the Game 21.05.2023 13:02
In his new video installation, the artist known for maximalist works like "The Cremaster Cycle" returns to the football fields of his childhood. from The New York Times by Siddhartha Mitter published May 14, 2023
Flash Art | Tourmaline: Black-American Mytho-Cinematic Universe 14.05.2023 14:25
"The New York-based artist seeks to repair a largely spectatorial perspective on the histories and lives of Black, transgender figures overlooked by the historical canon." from Flash Art by Octavia Bürgel published February 22, 2023
Financial Times | Simone Leigh: 'My Research Was Fraught With Colonial Framing' 07.05.2023 12:53
The American sculptor discusses moving beyond pernicious tropes about the black body in her first museum survey at ICA Boston. from Financial Times by Enuma Okoro published April 14, 2023 © 2023 The Financial Times Ltd. All rights reserved.
ArtReview | Alice Neel’s Communist Manifesto 30.04.2023 12:00
To frame her work under the catch-all terms of humanist representation is to flatten it, as well as to deny the material realities of its production. from ArtReview by Helen Charman published March 02, 2023
frieze | Isaac Julien Uses Archives as a Springboard for Reinvention 30.04.2023 14:07
Ahead of his major exhibition at Tate Britain, the artist considers how his films will exist in the future. from frieze by Deborah Willis and Isaac Julien published March 22, 2023
New York Magazine | Nan Goldin’s Happy Ending 30.04.2023 20:13
The demimonde photographer long considered herself a filmmaker. Then Laura Poitras made a documentary about her. from New York Magazine by Kate Dwyer published March 24, 2023
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