Desert Island Tricks

A four-year-old “vanishes” a toy car so perfectly that a grown magician tears apart a couch looking for method. That story kicks off a return visit with Andy as we reopen his desert island list and ask the question every working performer eventually faces: what actually deserves a permanent place in your case when your standards change, your venues change and your taste gets sharper?  We walk back...

A beginner magician walks into a magic shop and gets overwhelmed fast. Now imagine he works there. Emilio joins us from the Alakazam team to build his Desert Island list: eight tricks he’d keep forever, one thing he’d banish from magic culture, plus the “book” and everyday item he’d take to keep performing anywhere. We talk through why practical close-up magic staples still dominate in the real wo...

A lot of people think magic is something you either start as a kid or you miss your shot. Doug Gorman blows that idea up. He started at 45 after a Las Vegas moment hooked him for good, spent years performing classic close-up, then made a sharp turn into storytelling magic and bizarre magic that feels like real theatre, not just “watch me do a move.” We talk through the turning points that shaped h...

A Covent Garden magic stall in winter, a boat that hosts magic sessions and a career that somehow threads through it all to The Magic Circle. We sit down with Lee Hathaway and get the kind of candid, craft-obsessed conversation that only happens between people who have lived magic for decades. Along the way, Lee talks about the uncomfortable truth most working performers feel: you can “unlearn” te...

A coin vanishes three times, ends up trapped inside a phone and then bends after the spectator has been holding it. That’s how Stephen Maule chooses to open his desert island set and it instantly tells you what kind of thinker he is: practical, modular and obsessed with reactions that spread from one friend group to the next. We start with Stephen’s backstory, including the influence of classic TV...

Magic gets stale when we keep reaching for the same props, the same references and the same “safe” structures. So we invited Oliver Meach back for a Desert Island Tricks SOS and he did something no one else has done yet: he replaced every trick on his original list with a completely new set, chosen to showcase how he thinks about modern card magic, close-up mentalism, and audience-first interactio...

He’s performed for Queen Elizabeth II, he’s a resident magician in Gordon Ramsay restaurants and he’s Vice President of The Magic Circle, but he still geeks out over the same question every working magician wrestles with: what actually works when you’re in the trenches night after night? We sit down with Michael J. Fitch for a wide-ranging, laugh-out-loud conversation that turns into a practical g...

A card rises to the top of the deck because a violin is playing and somehow that makes perfect sense by the time it’s over. That’s the kind of “how is this even happening?” thinking we love and it’s why we’ve wanted Chris Funk on for years. Chris is a touring magician known for Redefining Wonder and for bringing music into modern stage magic in a way that feels lived-in, not bolted on. We talk thr...

Luke Murray sends in his desert island list and it is an incredible working mentalism set: strong openings, clean mid-show impossibilities and a closer with competition-winning impact. We also owe Luke a bit of an apology for the “hidden prize” runaround, so yes, that gets addressed too.  We dig into why Andy Nyman’s “Dead of Night” is such a compelling multi-phase routine, then head deeper into p...

The easiest way to spot a real magician isn’t the trick, it’s what happens when something goes wrong. Kieron Johnson joins us to talk about the skills you can’t fake: audience management, timing, trust and the grind of making strong material work night after night. Kieron has been at the top of modern close-up creation for years and he’s also performing in the West End production “Come Alive, The...

A “best of” list is easy to make. A forever list is brutal. Wayne Goodman comes back to his desert island lineup and we pressure-test it like working pros: what still plays, what still feels honest and what you’d trust when the room is unpredictable. The surprise is how little he changes, because the choices are built on strong magic principles: clear visuals, spectator-in-the-hand moments and pro...

An elephant stands on an empty stage. No cover, no curtain, nowhere to hide. Then a flash of light and it’s gone. That’s where we start with John Bulled, internationally acclaimed illusion designer and magic consultant whose work has shaped major West End productions, the Royal Shakespeare Company and Harry Potter and the Cursed Child. We get into the real mechanics of theatrical illusion design:...

A deck of cards turns into dental floss, a salt cellar melts through a table and a “Russian roulette” style routine somehow becomes a smart lesson in character and control. Tom Rolfe sends in one of the most varied Stranded with a Stranger lists we’ve had and every choice points to the same goal: close-up magic that feels like it could happen anywhere, with props that look normal until the moment...

The fastest way to kill your creativity is to make it easy. Tom Stone explains why he keeps raising the bar for himself, how he avoids falling into a “system” and why a little struggle is often the best sign your magic is still alive. We also get the inside story on his hands-on magic workshops, built as an antidote to passive lectures. Instead of sitting back and consuming, participants try every...

If you’ve ever watched mentalism drag under too much procedure, Christopher Carter brings a refreshing counterpoint: move fast, stay direct and make the audience feel the mind reading before they think about the method. We talk about why attention spans are shrinking across the board, how that shift changed the college show market and what still holds up when you’re working corporate events, theat...

A billionaire builds a Star Wars-shaped house in Portugal, hires a team to stage a “mind-reading” AI, and throws a party so convincing that guests keep asking how to buy the fake technology even after the reveal. That’s where we start with magician and consultant Pete Heat, whose career spans TV, theatre, brand campaigns, and immersive events where belief is the real special effect. We get into th...

A single moment can reboot your creativity and for Tim Ambrose, it happened in a Las Vegas hotel mall while everyone else went out for the night. He wandered into a magic shop, watched the free demos again and again and felt the same rush he’d had as a kid seeing his brother perform. That spark turned into years of collecting, performing for friends and building friendships through local magic sho...

Often, it feels like you have total control when performing magic. But what if everything depended on a split second? That’s where Steve Faulkner begins his desert island journey. He’s a British Close-Up Magic Champion, a working performer and the face behind Real Magic Reviews, which means he sees more new magic tricks than most of us could learn in a lifetime, then has to decide what’s actually...

A magic classic finally gets its next chapter and the creator is as thoughtful as you’d hope. We’re joined by magical royalty, Guy Hollingworth to talk about More Drawing Room Deceptions, the highly anticipated follow-up to his legendary Drawing Room Deceptions, plus the re-release of the original book with a new chapter that shows how his routines have evolved through real performance. If you car...

A cruise ship theatre looks glamorous from the outside but the work is brutally practical: your show has to reset fast, pack down smaller than you want and still hit like a full-scale stage production. We sit down with Oscar Leonard, resident magician on Virgin Voyages for the past three years and newly named an Associate Member of the Inner Magic Circle with Silver Star, to unpack what that reali...

Your magic can be technically flawless and still feel forgettable. This conversation with Michael Vincent hit us like a wake-up call: the real goal is the experience you leave with the spectator, not the applause for your hands. Michael opens up about stepping away from performing to care for his mother, then returning with a new approach built around purpose, discipline, and audiences who choose...

A lot of magic advice lives in theory. David Rhodes brings something better: a working performer’s list of eight routines he’d keep if everything else disappeared, plus one book, one non-magic utility item, and one thing he’d banish from the art. David’s story starts with a familiar arc, going all-in on magic in his twenties, stepping away for years into the corporate world, then coming back with...

The magic that stays with you isn’t always the trick you can describe, it’s the feeling you can’t shake. That’s where our conversation with French magician, creator, hypnotist and theatre performer Jean-Luc Bertrand begins: the rare moments that make a seasoned performer feel like a five-year-old seeing impossibility for the first time, and how we can build shows that give audiences that same hit...

We’re drawing a line in the sand: self-working tricks are not a guilty pleasure. If the audience can’t backtrack the method and the moment feels impossible, it’s real magic where it counts. We bring Harry Nardi back after the Alakazam convention to rebuild his desert island lineup using the only criteria that matters on paid gigs: trust. That means effects that reset fast, pack small, play big, an...

A great magic set isn’t the one with the fanciest props. It’s the one you can do when the pockets are empty, the room is loud and someone says, “Go on then, show us something” with zero warning. That’s why Marc Lavelle’s return hits so hard: after stepping back from the magic and convention scene for years, he comes back with a clearer view of what actually works for real audiences.  We put Marc o...