Centre for Creative and Cultural Research at the University of Canberra

Culture and Creativity Seminar Series

Education EN ↓ 58 episodes

As we learn from First Nations peoples throughout Australia, creativity is deeply embedded in culture, and culture is deeply creative. The CCCR’s seminars explore the ancient, innovative relationship between culture and creativity. We open conversations by presenting new work in a wide range of humanities, social science, creative and applied disciplines. To learn more about the CCCR (Centre for Creative and Cultural Research), head to https://www.canberra.edu.au/research/centres/cccr

Author

Centre for Creative and Cultural Research at the University of Canberra

Category

Education

Podcast website

ucfm.com.au

Latest episode

May 29, 2026

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Episodes

Milica Muminovic and Rahmatollah Amirjani – Missing Stars: Developing A Rating System to Measure the Social Sustainability Design Factors in the Multi-unit Residential Projects 29.05.2026

Abstract  This presentation introduces the initial findings of a cross-faculty research project that aims to develop a social sustainability rating system for medium- and high-rise residential complexes, with Canberra as the case study. The study examines how the built environment can support mental and physical health, building management, community cohesion, and other essential factors that...

Kerry Martin – A Mouth Full of Tears: Employing a Reparative Aesthetic in the Art of Inquiry 26.05.2026

Abstract  Analysing the feedback from the speaker’s major PhD exhibition, and looking at three recent Royal Commissions, this presentation focuses on key themes emerging from these large truth-telling/witnessing exercises. It explores ongoing research into art making centred on issues of social injustice examined in commissions of inquiry, and asks whether art, using a specific aesthetic appr...

Wendy Somerville – Kind Regards: Three Years On 22.05.2026

Abstract  This presentation is a conversation about a research collaboration between academics from three universities. What started as a collaboration between three women from Edith Cowan University and four from Canberra University has grown to include another woman from both universities and one more from the University of Wollongong. We call ourselves the Kind Regards Collective.  Bi...

Julia Brand – Laser Cleaning at the Victoria and Albert Museum: Summary of a one-year Fellowship 19.05.2026

Abstract  Laser cleaning provides a highly controlled, non-invasive method for removing surface contaminants without damaging the underlying material, making it especially valuable in the preservation of sensitive cultural artifacts. Over the past year, the Victoria and Albert Museum’s conservation team has applied this approach across various materials and object types, such as plastics, mic...

Manuela de Barros – The Art of Links: How Technology Transforms Our Magical World 15.05.2026

Abstract  In this lecture, Manuela de Barros explores how technology has interfaced with the concept of magic since the Renaissance, influencing how beliefs and expectations about their capabilities are formed. She considers how these cultural beliefs endow technologies with magical powers to take care of social problems, inviting us to reflect on their significance in the context of expandin...

Owen Bullock – Gendai Haiku as a Progressive Force: What I learnt in Japan on the Outside Studies Program 12.05.2026

Abstract  In the first half of 2025, I was fortunate enough to conduct research on the Outside Studies Program towards completion of an academic textbook, How to Write Haiku, to be published by Bloomsbury Press. This included a month spent in Japan conducting background cultural research and, more specifically, interviewing and talking with contemporary poets and critics about Gendai Haiku. G...

Glen Fuller – Cosmic Deleuze and Adventures of the Fourth-Person Singular in the Fifth Dimension 08.05.2026

Abstract  What are the essentials of Gille Deleuze’s philosophy? There is a multiplicity of Deleuzes, with multiple points of engagement. This presentation begins with the presupposition that they are all actualised examples of a philosophy of the event. Emphasising Deleuze’s philosophy as a philosophy of the event is largely congruent with major commentaries but is purposefully constrained a...

Jen Webb – Art on Prescription: Providing Creative Interventions for Wellbeing 05.05.2026

Abstract  The production of creative objects for wellbeing seems to have been part of human culture since the dawn of our emergence as a species. It did, though, take until the 20th century before it became formalized and institutionalized – first as art therapy and more recently as a part of social prescribing. In this seminar I will briefly touch the history of creative intervention for wel...

Paul Magee – Problems with the Concept of Belonging 01.05.2026

Abstract  This paper takes fire from Seamus Heaney’s comments on the “cultural depth charges latent in certain words,” and in particular from his analysis of poet Ted Hughes’s predilection for those with Anglo-Saxon roots. Heaney sees Germanic word choices as integral to Hughes’s attempts to evoke “the being-thereness. . . of sea, stone, wind and tree.” So Heaney makes critical mileage of the...

Ben Ennis-Butler – Just put it on a Map! 28.04.2026

Abstract  This seminar explores the complexities behind a deceptively simple directive: just put it on a map. Drawing on recent web-based mapping projects, I will unpack the messy realities of transforming research data, often buried in Word documents or scattered across unstructured formats, into meaningful digital interfaces. From wrestling with datasets to navigating design dilemmas, I wil...

Lucy Neave – Technology, Pandemic and Art in Ali Smith’s Summer (2020) and Companion Piece (2022) 24.04.2026

Abstract  Technological innovation has evoked anxiety in (some) contemporary writers. But writers are also well-placed to adapt to technological change by virtue of the multiple worlds they already inhabit. This paper examines two novels written contemporaneously with the pandemic by Ali Smith as a way of tracing the heightened embedding of people in the virtual world, made possible by improv...

Dr Sally Farrah – National Capital Development Commission Unearthed 26.08.2025
Prof. Damith Herath, Dr Maleen Jayasuriya, Piumi Wijesundara – Exploring the Dramaturgical Potential of Human-Robot Ensembles Through Devised Physical Theatre 22.08.2025
Tracy Ireland and Ashley van den Heuvel – Nuclear Nation: A Contemporary Archaeology of Australia’s Atomic Heritage 19.08.2025
Dr Emma Philllips – Too much? The Aesthetics and Feminist Politics of Sexy Self-Representation 15.08.2025
Dr Hamed Golzad – Gender-Diversity and Barriers for Women in Construction 12.08.2025
Dr Kim Huynh – A Statement from Australia’s Carers: A (failed) Quest to Write with Meaning in Public Life 08.08.2025
Assoc. Prof. Wayne Applebee – Who am I on Ngunnawal Country? 05.08.2025
Dr Mike Louw – Architecture In and Out of Time 01.08.2025
Assoc. Prof. Alison Wain 29.07.2025
Prof. Paul Magee – ‘His bellyvoid of nebulose with his neverstop navel’: On the ghostly smatterings of meaning in James Joyce’s Finnegans Wake 25.07.2025
Dr Wendy Somerville – First Nations Collaborative Research Web 22.07.2025
Art as a Way to Community 04.06.2025
Writing on Country in Barkindji, Yuin, Ngunnawal and Ngamberi Lands 02.06.2025
Vic McEwan – The Potentials of Artistic Engagement in Clinical Spaces: “It’s Like Being Re-connected to my own Humanity” 30.05.2025

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