Critical Readings

The panel discusses theological readings of three of Coleridge's most famous poems, all of which share the occasion of sleep as central to their action: 'Kubla Khan; or, the Vision in a Dream'; 'The Pains of Sleep'; and, 'This Lime-Tree Bower My Prison'. Continue reading

The panel discusses the second half of The Rime of the Ancient Mariner, with particular attention given to the theology of the Mariner's sin, contrition, and absolution, and the relation of that theology to and within the Romantic conception of Nature. Continue reading

The panel discusses the first three parts of Coleridge's Rime of the Ancient Mariner, proposing the Ancient Mariner as a figure in transition from the Enlightenment to Romanticism, and including overviews of Critical moves and an analogy to T. S. Eliot. Continue reading

The panel begins to cross over from Wordsworth to Coleridge in the second of three episodes focused on Lyrical Ballads, addressing the role of nature, emotional state, and parenthood in both Wordsworth's "The Mad Mother" and Coleridge's "The Nightingale". Continue reading

The panel discusses Romanticism and begins a three-week examination of selected poems from Lyrical Ballads, the experimental collection by Wordsworth and Coleridge. This week's selections are Wordsworth's "The Female Vagrant" and "Tintern Abbey". Continue reading

As the panel continues the transition from the Augustans to the Romantics, they turn their attention to the notoriously self-critical Thomas Gray, who refused the Poet Laureateship and died at the age of fifty-four, leaving only thirteen published poems. Continue reading

The panel continues its focus on the poetry of the Augustan era of British letters, this time examining Goldsmith's poetic response to the increase of British wealth and the destruction posed by cultural shifts and legislation such as the Inclosure Acts. Continue reading

Having concluded Paradise Lost, the panel moves from the poetry of Milton to the opposing views of one of his contemporaries, examining John Dryden, and his panegyric Astræa Redux, written to celebrate the restoration of Charles II to the throne. Continue reading

The panel concludes Paradise Lost with an examination of Adam's hope and despair, differences between Michael and Raphael, biblical kingship, the worthy triumph of Christ, and--finally--the quality of Milton as an author and Paradise Lost as a work. Continue reading

The panel tackles the difficult problems of Adam's guilt, the nature of heavenly justice and its parallels with English Common Law, Milton's conception of the natural order, and Adam's acceptance of guilt and act of contrition for the sin of disobedience. Continue reading

The panel discusses the ninth book of Paradise Lost, with a special focus on Milton's depictions of gender roles, guilt and innocence, division of labour, and free will, to determine how the balance of Original Sin is divided amongst Adam and Eve. Continue reading

The panel considers whether the Garden of Eden required a robust space exploration programme (yes), whether Angels are real (yes), whether human beings turn into angels when they die (no), whether Dr. Cooper is an Anglophile (no)... oh, and Milton, too! Continue reading

The panel examines the moment of creation, the etymological development of atheism and chaos, divine warnings against transgressing the proper bounds of intellectual curiosity, and the potentially physical nature of Creation's hymn of praise to its Maker. Continue reading

The panel welcomes Zac Watson as special guest to discuss questions about Paradise Lost, before examining the War in Heaven, Classical cosmogeny, Satan's parodic inventiveness, angelic biology, and an unlikely connexion to Anne Rice's Vampire Chronicles. Continue reading

Clinton and Dr. Cooper examine the fifth book of John Milton's Paradise Lost, with a particular focus on Milton's Arian Christology and whether Satan is a reactionary against a revolutionary God who is rhizomatic in the sense of Deleuze and Guattari. Continue reading

The panel examines John Milton's prosody (particularly in the light of Dr. Johnson's comments) and reflects upon his troublesome Christology and potentially Arian leanings, before proffering the merest hint of a speculation about Milton's Mariology. Continue reading

The panel discusses the third book of John Milton's Paradise Lost, with special attention on aspects including the ambiguously diabolical imagery of the opening, and Milton's philosophical approaches to the problem of evil, free will, and predestination. Continue reading

The panel discusses Book II of John Milton's Paradise Lost, with a focus on the fallen angels as an inversion of divine imagery, the politics and plots of Pandaemonium, the natures of Sin and Death, and a possible instance of Miltonian heresy. Continue reading

In the first episode of Critical Readings, the panel begins a twelve-week discussion of Milton's Paradise Lost, with discussion focused on the poem's nature as an epic and the apparent ideological conflict between Milton's politics and his protagonist. and Continue reading