Critical Readings

The panel adds a new member, and begins a discussion of the first half of The Faerie Queene, Book III, by focusing on the character of Britomart, her historical and mythological characterisation, potential allegorical connexions, and chivalric impact. Continue reading

The panel reviews the second half of Book II of Edmund Spenser's Faerie Queene, with particular attention shown to the allegorical representation of the seven deadly sins and the means by which they can be overcome through the virtue of temperance. Continue reading

The panel reviews selections from the first six cantos of Book II of Spenser's Faerie Queene, with particular attention to Guyon's interactions with Belphoebe (and her connexion to Diana and Venus), the character of Palmer, and the return of Archimago. Continue reading

The panel examines the second half of the first book of The Faerie Queene, with particular attention to the foundations of textual analysis, demonstrating readings grounded in the texts themselves and in the material and tropes available to the author. Continue reading

The panel welcomes two additional experts to begin a several-month-long survey of Edmund Spenser's Faerie Queene in its entirety, in this episode examining Spenser's personal history, his letter to Sir Walter Raleigh, and the first half of Book I. Continue reading

The panel discusses two of Robert Frost's best-known nature poems, including "The Road Not Taken" and "Stopping by Woods on a Snowy Evening", and their common misreadings, before discussing the unusually urban setting of his "Acquainted with the Night". Continue reading

The panel bridges McGonagall's Railway Bridge of the Silvery Tay to a discussion of twentieth-century poet laureate John Betjeman, who had an abiding fascination for railway buildings both architecturally and as a connecting point for human experiences. Continue reading

In the first podcast of April, the panel examines the work of a truly exceptional poet--the unparalleled and indefatigable William Topaz McGonagall--and discusses three of his poems related to the Tay Bridge (near by Dundee and the Magdalen Green). Continue reading

After a brief delay, the panel concludes its review of Eliot's Four Quartets with a discussion of Little Gidding, focusing on its cyclicality, pentecostal imagery, connexions to Dante's Commedia, and what the poem suggests about the communion of saints. Continue reading

The panel examines 'The Dry Salvages' (rhymes with 'assuages'), the third of Eliot's Four Quartets, and ponders over the speaker's shift away from temporal considerations and towards intercessory prayer and overtly Christian theological symbolism. Continue reading

The panel examines 'East Coker', the second of Eliot's Four Quartets, with particular attention to the poet's developing understanding about the search for meaning in life, the connexion to ancestral history, and the necessity of identifying a telos. Continue reading

The panel begins a four-week reading of T. S. Eilot's 'Four Quartets', beginning with 'Burnt Norton', and with particular attention to the ways in which the poem develops the ideas of the Eternal Present and the human experience of the passage of time. Continue reading

The panel concludes its two-week survey of Irish poets, ending with Peter Fallon's 'The Old Masters', Patrick Kavanagh's 'Address to an Old Wooden Gate', and Seamus Heaney's 'Fosterling'. Continue reading

The panel begins a two-week survey reading Irish poets, beginning with William Allingham's 'The Fairies', James Joyce's 'A Prayer', and Louis MacNeice's 'Prayer before Birth'. Continue reading

The panel reads three poems by Thomas Hardy (including some with an appropriately hibernal theme), discusses Hardy's role in contemporary literature, and plans some short story readings for the summer, along with one especially long poem. Continue reading

The panel considers multiple, potentially competing, readings of three poems from the early, middle, and late work of W. B. Yeats, covering three of his poetic interests: faerie, Irish political events, and a longing for spiritual engagement. Continue reading

The panel examines three poems by W. H. Auden, including his much-anthologised and potentially ironic 'Funeral Blues', the literary biography 'A Thanksgiving', and the seasonally-appropriate conclusion to 'For the Time Being: A Christmas Oratorio'. Continue reading

The panel reads and surveys three poems by Longfellow: 'The Cross of Snow', 'The Day Is Done', and 'Excelsior', and makes a case for Longfellow's narrative and emotive expression, in contrast to modern critical demands for abstraction and complexity. Continue reading

The panel looks at three poems by Dickinson (nos. 280, 311, and 712) which all centre on a theme of mortality and endings, and discusses their important relevance to modern life, with its focus on perpetual youth and its delusions of immortality. Continue reading

The panel examines four poems by William Blake from Songs of Innocence (Night, The Chimney Sweeper) and Songs of Experience (The Chimney Sweeper, A Poison Tree), and discusses Blake's mysticism, child-like wonder, and poetic depictions of Christianity. Continue reading

The panel examines 'Ode on a Grecian Urn' and 'Ode to a Nightingale' by Keats, focusing on the role of transience, mortality, stasis, truth, beauty, and nature--and imagining whether Keats frames his poems within an 'epistemology of aesthetics'. Continue reading

The panel discusses two 'sleep poems' of Dante Gabriel Rossetti: "Sleepless Dreams" from The House of Life, and the early poem "My Sister's Sleep", with special attention, for composition purposes, given to the formal structure of the two poems. Continue reading

The panel begins a fortnight-long feature on the Rossettis with an examination of Christina Georgina Rossetti's 'Goblin Market', including a reading of most of the poem with focus on the poem's elusive metaphors and multiple potential readings. Continue reading

The panel concludes their reading of Samuel Taylor Coleridge's "Christabel" by considering the function of Leoline's overabundant grief, examining the nature of Geraldine's magical influence, and speculating about possible conclusions to the poem. Continue reading

The panel welcomes James Smoker, a Coleridge scholar at the University of St. Andrews, to discuss Coleridge, Christian Theology, the British Romantics, and the first part of Christabel. Continue reading