conscient podcast

Hello, I’m interrupting my period of pause in the production of this podcast to share some very sad news.  A good friend and colleague, Chantal Dumas , passed away on May 17th 2026 after a long struggle with cancer. She was 66 and had much more to live and to give.  I invite you to share a moment of silence.  J’offre mes profondes condoléances à la famille de Chantal et à son cercle d’amis qui ont...

pressing pause An extended break from the production of conscient podcast, balado conscient , a calm presence  and related social media Why do this?  One reason is that I noticed that I sleep better when I don’t produce podcasts or essays about the end of the world as we know it. Imagine that. But it’s also because my learning and unlearning journey, which I began back in 2020, some 5 years ago, h...

Death might be one of the most relational acts possible. I think death is that threshold moment where that illusion is dissolved. Our death is a moment of redistribution of nutrients, of memory, of rhythm, of vibration into the wider field, from the illusion of a single self into the remembering of an entangled self. I love to think about death as a teacher of surrender and a trust in the intellig...

The thing about a preparedness mindset is that you are thinking into the future and so if one of those scenarios happens, you've already mentally prepared in some sort of way for it, so you're not dealing with the shock. That's a place as an artist that I feel has a lot of potential for engagement and for communication and bringing audiences along. When you're talking about realities, accepting th...

uplift here are some uplifting words for the new year drawn from 9 episodes of conscient podcast et 3 extraits du balado conscient This posting of a calm presence was designed as an audio listening experience though it also exists in written form, here . Ceci est un episode bilingue. Afin de faciliter la compréhension des extraits en anglais, j’ai ajouté une transcription de l’épisode en français...

Take care of the earth. We have grandsons and great-great-grandsons, and we have to, we, our generation, has to teach the young people what we lived, the beauty of the world that we lived, not the disaster we have today. Hello conscient podcast listeners, Many of us do international travel, probably a bit too much.  When I travel, I consider it a privilege that comes with responsibilities.  For ex...

In an era where pressures on climate and environments grow even stronger, we should not underestimate the transformative power of art. ( Ambassador of the European Union to Canada Geneviève Tuts ) When you do the trigger, the emotional part, you can go down hope and fear both. Both lead to action but ultimately, we need to transform being passive into really active contributors to solving this and...

The question the book asks is obviously transforming the system is not an individual task, it's a collective activity. But it still begs the question, if we're trying to contribute to that, what do we need to do? Not every four years when we vote, not every year when we go to a strategy workshop, but what do we do every day? And so the title is very straightforward: Everyday Habits for Transformin...

To me, there's three key things and it's community, beauty and nature. I think if we connect with nature and if we produce beauty, that is something that we as humans I think is our biggest gift. And I'm not just talking about creating art : speaking beauty, listening to beauty, creating beauty, opening our hearts to beauty in community. Because if we don't have a sense of the other in ourselves,...

I love policy because it allows for surrealism, it allows for creativity, it allows for dancing, it allows for all the skills and disciplines and interests and tools that as artists we have gravitated towards. We need to enter it with both the courage and the fear that all bets are off, that the house is on fire, that the dominant narratives of - whether it's the Canadian provincial governments, t...

This is a special edition of conscient roundtable featuring  Aaron Lui-Rosenbaum, Barry Truax ,  Jacek Smolicki (for more on Jacek’s work also see conscient  e113 part 1 and  e133 part 2 )   Kathy Kennedy, Lindsey French ,  Natalie Dusek , Sabine Breitsameter (all see conscient  e175 ) Vincent Andrisani and myself. We are part of the Sonic Research Group out of Simon Fraser University (for more fr...

Artistic practice, cultural traditions, cultural practice, folk traditions… These are all places where we have where wisdoms that might otherwise have been lost have been protected, sheltered or found refuge. And like, artists have this like hoarding tendency sometimes, right? Like maybe not all artists, but a lot of us, you know, we look for, for these neglected things, the things that people don...

The environmental issues currently at hand, including global warming, are related, but I believe that at their root lies the decline of our listening ability and the power of listening as humanity. This decline is not merely a matter of our listening ability weakening as we age, but rather it encompasses what we choose to listen to, how we perceive it, and all the various subjects of listening and...

My advice to artists would be drop every garb that you have, drop every piece of knowledge that you think you have. Head to the jungles, head to the rural places. We are living in a time of crisis. We need artists more than the scientists. We need artists more than the healers. We need artists more than anything because arts connect everybody. We need songs, we need stories, we need pictures, we n...

Alongside the responsibility of holding people accountable and calling out what they see as unjust, I think that there's also an element of hope with artists, even when we're maybe a little bit melancholic, or even when we're in heavier periods in our lives, the act of creating denotes hope, because why would you create something if you didn't believe that it was going to lead to something? Why wo...

If we start to pay attention to what we pay attention to then we start to naturally slow down. We disconnect from the urgency, the crisis, and we start to realize that care, and I don't just mean care for one another, although that's a piece of it, but care also for our surroundings, care for our time, care for those nearest to us. That is where it begins. That is valuable work that is not recogni...

Even being confronted with something that is weird or uncomfortable: it’s character growth. You have to ask the question: why is this person doing this weird thing? It's a good exercise in empathy, to be perfectly honest. Why is this person doing this thing? Why does that make me uncomfortable? What, what is it about my perception that has shaped this experience for me? I feel like those are reall...

Part of the answer to that question lies in the arts and culture understanding the role it can have in a time of collapse or crisis, and to understand that itself is not in crisis. I think that's a big point because we hear a lot right now around the crisis that is happening in cultural institutions and in the arts. And in fact, the crisis that is happening is in our world, right? It's an ecologic...

How can we reciprocate since the world keeps us alive on the one hand, and on the other hand, all these things, birds and you name it, right? Fish and moose and beaver, these are things we love. So, if this is the world we love, we're going to have feelings about how we might want to do positive things to keep this world we love as nurtured as possible. And we also hopefully want to ask, how do we...

There are a lot of people that don't have the kind of talent that you do, Claude, or for that matter, I do and they have voices, but you can't hear them. So our job in the art world, I would say, is to amplify those voices in a way that's comprehensive and understandable by the folks who should be paying attention to what's going on around them and not talking at people. So my complaint these days...

The role of artists is the role of dreaming. I've worked as a poet, as a multimedia artist, sound artist, storyteller. I think we hold the capacity to shape the narratives that build our present, our future, reshape the narratives that inform our past. I still believe in that role. I do believe that we have a call to work on the episteme, this epistemological call, this call to investigate the ide...

In a time when it's easy to become defeated, when one can succumb to despair and negativity, a question I use when I reflect on the state of the world right now is what gives me energy, what animates my imagination, and what do I need to defend in that context? So many, many questions. A lot of self-reflection, but then reaching out, looking for colleagues, for spiritual strengthening, for courage...

This is a special edition of conscient roundtable featuring  Lara Felsing ,  Adrian Avendaño ,  Hildegard Westerkamp , Toni-Leah C. Yake as part of the  Listening in Relation gathering at Emily Carr University of Art and Design on March 21-23, 2025 on the traditional, ancestral, and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations...

The first thing that comes to mind is my young activist in me that says, of course, let's just fight. Let's just do what we can to speak out against, be revolutionary, be, you know, like we were when we were young in the 60s, 70s. Now I think that my response is to stop and to slow down and to do some deep listening and some meditation and to ground myself because I don't know what to do at this p...

The approach of the  Canadian Centre for Food & Ecology ( CCFE) is what has been so attractive to me. It's a conviction around joyful, immersive experience and it starts with the conviction that until someone has experienced the sensory joy of experiencing food in a new way, there's little interest in understanding the facts or the cognitive issues surrounding our food system. One can focus on tha...