Cities and Memory - remixing the world

This has been the most difficult piece I have ever written for Cities and Memory. What could I add to a recording made by Patti Langton of a young Moru man - Timon Beri? The recording was of Timon singing and playing a lamellophone. Whatever I ever I did, it felt like cheap exploitation. The recording was beautiful, authentic and real. In my research I came across a paper by Patti Langton called P...

I saw this recording before I heard it. At the Pitt Rivers Museum at the start of the project. The physical object: an original Edison wax phonograph cylinder from 1914. I was struck by how modern it seemed in some ways; the corporate branding on the label. I imagined it being purchased from a shop.  Then I saw it was a recording made in Nagaland and I thought of my friend, Temsu, an artist from N...

The field recording that I worked with was a wax cylinder recording of a Zande funeral song. One of the things that really struck me when I first listened to it was how this funeral song is buried beneath the imperfections of its recording medium – you just hear this single impassioned, grieving voice breaking out through layers of noise and obfuscation. I thought there was something strangely poi...

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987. Recorded by David Mowat. Copyright Pitt Rivers Museum, University of Oxford. ——— Part of the project A Century of Sounds, reimagining 100 sounds covering 100 year...

The Land is Our Mother is based on a collection of field recordings of digeridoos made for the Australian Institute of Aboriginal Studies from the archive of the Pitts River Museum. Information about the recordings is limited but they were originally recorded on reel to reel tape. The recordings are rich and varied, some including song, but I eventually had to choose some of my favourites to build...

Sanza (lamellophone) music performed by young Moru man Timon Beri. From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980. Recorded by Patti Langton. Copyright Pitt Rivers Museum, University of Oxford. ——...

"Ishi no ghi sholu": an agricultural work song performed by a group of Sümi Naga male singers. From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919. Recorded by John Henry Hutton. Copyrig...

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930. Recorded by Edward Evan Evans-Pritchard. Copyright Pitt Rivers Museum, University of Oxford. ——— Part of the project A Century of Sounds, r...

Korea: three instrumental pieces of music, featuring the hyang piri (double-reed wind instrument or oboe) and hojok (double-reed wind instrument, also known as taepyeongso), recorded at the Institute for National Classical Music in Seoul. From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcasting...

  "Didgeridoo music": collection of didgeridoo recordings prepared by the Australian Institute of Aboriginal Studies (now the Australian Institute of Aboriginal and Torres Strait Islander Studies), with commentary. From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a rec...

The sound that I was allocated for this track was described as a Zande drinking song, from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.  I spent some time thinking about the collection of songs that was taking place across the world from the end of the 19th Century right...

I chose this recording - an orchestral Korean recording from Seoul, 1972 - after initially earmarking another sound, but this one spoke to me with its uplifting, playful and mischievous spirit & felt right. Atmospherically, it evoked a busy market place or a ceremonial dance, putting me in mind of the benevolent chaos of the ‘hungry ghost’ concept - more of which later. The instruments feature...

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930. Recorded by Edward Evan Evans-Pritchard. Copyright Pitt Rivers Museum, University of Oxford. ——— Part of the project A Century of Sounds, r...

Hearing the vocal music of the BaAka for the first time was a powerful, emotional experience for me. This led me to explore some of the other sounds in the Louis Sarno archive, and to his book and film "Song from the Forest", where I learned more about the context and culture behind this music. In arranging and orchestrating my piece, which blends electronica with neocIassical elements, I wanted t...

This track is based on the recording of Metimbo of the Aka tribe in the Central African Republic playing the Bubulu (Potbowl). I chose this recording because the rhythmic complexity of the playing was so interesting to me. At first, I was thinking of approaching this exciting recording through many pre-planned ways, but it was proven to be unsuccessful. So I decided to return to the recording itse...

Bayaka women singing yeyi (polyphonic song) in the forest. From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009. Recorded by Louis Sarno....

This was one of the more difficult pieces I’ve worked on, although it was enjoyable working through the process. I struggled quite a bit at the beginning, as the field recording has both harmonic & rhythmic structure which varies in tempo quite a bit… so I wasn’t sure how to approach this initially. After some thought and a fair bit of trial and error, I decided to pick up my guitar (and play...

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009. Recorded by Louis Sarno. Copyright Pitt Rivers Museum, University of Oxford. ——— Pa...

Created in collaboration with Kinnauri filmmaker Himanshu Negi Regesoi, this piece is a meeting of old and new, bringing a sonic archive to life from the Western Himalayas.  From the Pitt Rivers Museum's sound collection, a field recording of women singing in the early 1980s (recorded in Kinnaur, Himachal Pradesh, India by anthropologist Nicholas Allen) now becomes a portal for a young Indigenous...

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981. Recorded by Nicholas Justin Allen. Copyright Pitt Rivers Museum, University of Oxford. ——— Part of the project A Century of Sounds, reimag...

Geedal (bow harp) played in the forest with male voices accompanying. From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009. Recorded by L...

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958. Recorded by Sonja Lois Mitchison. Copyright Pitt Rivers Museum, University of Oxford. ——— Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years fro...

My chosen sound was a sample of a geedal (bow harp) being played in the forest with accompanying male voices, recorded in Dzanga-Sangha Special Reserve. by ethnomusicologist Louis Sarno in 1987. I was drawn to the sample on account of its musicality, not just in terms of the music and vocals, but the lilting patter of conversation and laughter that resonates in these conversational intervals, conv...

I ended up listening to this recording a lot in my everyday life, just putting it on and going to work, walking around the city I live in, in idle moments between work.  I didn’t know an awful lot about Vanuatu, where the recordings were taken by Raymond Clausen in 1962. Having read the Pitt Rivers blog, I thought a lot about how people and societies move on and are changed, sometimes forcibly, by...

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009. Recorded by Louis Sarno. Copyright Pitt Rivers Museum, University of Oxford. ——— Pa...