Cinemapodgrapher

AFTRS is the National Film School and is widely regarded as the top film school in Australia. On this episode I go through the current prerequisites to be accepted, my experience of studying there in 2013 and what advice I have for people looking to apply. 

Speculative advertisements are a great way for you to build portfolio for work in the commercial world. On this episode I talk about how to go about it and what to look out for when planning one. 

Being a DP is the best job in the world but it can also be a lonely one. On this episode I talk about why it's important to have a few Cinematographer buddies in your career. 

We're back. Rachel Sieger and I talk through her upcoming workshop with the ACS designed to help people learn the essentials of camera dept before going on a drama set. A must listen for beginners. 

FPV Drones are taking off the industry (Yes I made that pun). This is a quick episode on some of the features of this exciting new tool from DJI. 

Virtual Production is here and it is going to be a big part of our industry. On this episode we discuss how Virtual Production works, what cameras work best, interactive lighting and the strengths and weakness of this new technology. Featuring Tim Schultz from Cutting Edge, Unreal Developer Dave Reece, Arri National Sales Manager Sean Dooley and Cinematographer Jason Hargreaves ACS. 

She's a Director, a Producer, a Camera Operator and she's worked with Sir David Attenborough. From studying Zoology to becoming a filmmaker, Claire Clements has now shot wildlife all over the world. This episode covers Claires inspirational career and her recent comeback from a severe injury. 

Tim Walsh takes us through the basics of Steadicam, how to work with an operator as a Cinematographer and what advice he has for people starting out. 

This is my own personal story of COVID, what I went through in lockdown and how I managed to turn things around through film making, American football, a podcast and Samoan guy named The Rock. I hope by sharing this story it helps you to bounce back like I did. Luck is always involved in stories like this but remember...the harder you work, the luckier you get. 

If you're new to camera operating chances are you're going to be the B or C Operator on a production. Cinematographer Alex Glucina and I go through how to get your foot in the door, process on set and what departments you need to collaborate to get the job done. 

A CV is key to getting you on the job. On this episode I discuss what employers are looking for and how a film industry CV should be formatted. 

Just graduated? Don't know where to start in the film industry as a freelancer? This episode is for you. I break it down to 10 quick easy steps to get your business off the ground and you a step closer to getting work in the industry.

More cameras for your toolkit as a cinematographer. This time its Sonys FX6, a full frame camera that packs a lot of punch. 

For those starting out this is an episode on what I think you need to shoot in order for you to get employment as a cinematographer.

Gimbal technology has gone from strength to strength. I chat with Director Tony Walsh about the Ronin S2 and why we think its one of the best one handed gimbals to come out.

I've been invited to host the ACS Instagram page the next 2 weeks. If you'd like to hear about some of my career head on over to @austcine and give it a follow!

The 2nd AC is a workhorse of the camera department. My best mate Danny Haneman takes us through the overall role of a 2nd, how to prioritise and delegate and why you should have a business approach to camera assisting.

Raising a child while working in the film industry is no easy feat. On this episode I chat with four incredible women Tania Lambert ACS, Sky Davies, Angela Cerasi and Hailey Bartholomew and how they juggle being a partner, parent and filmmaker. 

Martin has shot over 80 productions and is about to start shooting NBCs "Young Rock", a TV series on the childhood of Dwayne "The Rock" Johnson. We share a beer at my place to talk about what makes a great leader, how he prepares for a production and how he manages his work life balance as a cinematographer.

Branding is something we generally associate with large companies such as Coca Cola or Nike but it is still relevant to freelancers. In this episode I go through a few basics of how to start forming a more clear image of your brand.

Canon is on a roll and has dropped their latest Camera the C70. A small form camera that bridges the gap between Digital Interchangeable Lens Cameras and their EOS Cinema Cameras. 

I sit down with a few friends from the industry in the early stages of their career to discuss their thoughts on having kids. Next episode I'll discuss with actual parents who have kids who've managed to keep working in the film industry.

I still have a million topics to talk about but if you'd like a special request then make sure to send me a message.

Murray Lui has shot documentaries, TV shows and feature films around Australia. He is also one of the very few Torres Strait Islander filmmakers in our industry. I sit down to talk about Murrays career, his creative approach to shooting comedy and why it is important to tell indigenous stories.

Electronic News Gathering requires you to think on your feet in high pressure situations and tell a story as it unfolds. Geoff O'Rourke joins us to discuss his 11 years of experience shooting news and his new venture into freelance filmmaking.