Chopping It Up

Freddy's back, but this time he's not avenging anyone — he's just really into leather bars, apparently. The crew chops up A Nightmare on Elm Street 2: Freddy's Revenge (1985), the film that's basically the poster child for queer horror whether the studio wanted it to be or not. We get into writer David Chaskin denying the gay subtext for 25 years (then admitting it — sort of), star Mark Patton's b...

Sledd's back from his self-imposed "sled season" break with maybe his most personal pairing yet: two movies about mothers who are, in his professional opinion, doing their absolute worst — and somehow still more sympathetic than the demon-summoning grandma in the attic. Jesse and Jeannie both watched The Babadook for the first time this episode and have feelings (mostly about insect chittering and...

The crew couldn't resist the hype — this week on Prime Cuts, Jesse, Jeannie, Joel, and Sledd dive into Widow's Bay, the new Apple TV+ horror comedy series from Parks and Rec creator Katie Dippold. A cursed New England island, a hapless mayor, folklore that turns out to be terrifyingly real, and commercials that will genuinely unsettle you — it's a lot. Jesse's all in, Jeannie's calling it horror c...

Slasher Season is back, and we're going all the way in on the greatest horror franchise of all time — no, Joel, you don't get a say in that. Jesse pairs Friday the 13th Part III and Jason Takes Manhattan as the alpha and omega of the franchise: the movie that gave Jason his hockey mask, and the movie that sent him packing to the Big Apple. Jeannie watched both for the first time and would like her...

This week on Prime Cuts, the crew watches a forgotten slice of early Oliver Stone — The Hand (1981), starring a very committed Michael Caine as a comic strip artist who loses his hand in a car accident and slowly loses everything else. His marriage, his sanity, and apparently several people in his vicinity. Jesse, Jeannie, Joel, and a special guest who definitely watched Conan the Barbarian instea...

This week we're chopping up the second entry in Carpenter's Apocalypse Trilogy — and we brought backup. Actor Thom Bray joins us to talk about landing the most memorable kill in the film, what it was actually like to get impaled by a bicycle with Alice Cooper, and why Carpenter told him to dial it back on the blood. We also get into the theology, the theoretical physics, the goo, and whether Princ...

What does it look like to live deliciously on the wrong side of sanity? Jesse brings the crew to 1971 Connecticut for John D. Hancock's haunting folk horror gem. Part psychological thriller, part vampire mythology, part counterculture eulogy — Let's Scare Jessica to Death is the kind of movie that asks you to do the work, and rewards you for it. The CIU crew unpacks Charon and the underworld, the...

We recorded this one back in February to close out Sled dSeason, and we've been sitting on it — but good things are worth the wait. A Black History Month double feature that earns its place: both films follow the same blueprint — a Black vampire dropped into a modern urban landscape, chasing a reincarnated love and dragging a Renfield-type ghoul behind him. The parallels are undeniable. Blacula is...

In this episode of Chopping It Up, the crew dives into the origins of found footage horror with The Blair Witch Project and Hell House LLC—and this one hits especially close to home. Literally. Jesse, Joel, and Jeannie all grew up in the Maryland area where Blair Witch was filmed, adding a personal layer to the conversation as they reflect on seeing the film during its original release and the ver...

The Chopping It Up crew teams up once again with Kellie and Sarah from The Final Girls to dig into the dreamy, unsettling cult oddity Messiah of Evil (1973). What starts as a missing-father mystery in a creepy coastal town quickly turns into a discussion about art-house horror, eerie atmosphere, and some truly unforgettable scenes (looking at you, supermarket). Along the way we debate whether this...

In this Prime Cuts episode, we sink our teeth into Ryan Coogler’s Sinners (2025) — a Southern gothic vampire tale set in 1932 Mississippi. When twin brothers return home to open a juke joint, the night spirals into bloodshed, forcing us to ask: is this elevated horror with bite, or a beautiful mess? We debate the film’s themes of race, religion, and cultural theft, argue about its pacing and vampi...

This week on Prime Cuts, we’re talking Heart Eyes (2025) — a Valentine’s Day slasher that mixes rom-com charm with masked-killer chaos. When the “Heart Eyes Killer” targets couples in Seattle, marketing exec Ally and her suspiciously charming coworker Jay find themselves fighting for their lives… and maybe catching feelings along the way. It’s self-aware, fast-paced, and packed with holiday-themed...

This week on Chopping It Up, the crew revisits two ’80s cult favorites with shared DNA but very different execution: Big Trouble in Little China and The Golden Child. The discussion explores why Big Trouble thrives as a confident genre mash-up—subverting the action hero, embracing mythological chaos, and fully committing to its weirdness—while The Golden Child often feels held back by studio expec...

n this Prime Cuts episode, the crew heads back to Derry, Maine to slice into Welcome to Derry, the newest dip into Stephen King’s ever-expanding IT universe—minus Jesse, who we’re told was “busy,” but we assume was avoiding homework and timelines. The gang breaks down how the show smartly uses Derry’s long history of trauma, structuring the story around past atrocities while keeping the “every 27...

This week on Prime Cuts, we tackle Blood Beat—a holiday-adjacent regional horror oddity that defies explanation. Featuring telekinetic samurai armor, psychic trauma, wooden performances, and vibes that feel more manifested than written, this film exists in a category entirely its own. We break down what Blood Beat is (and definitely isn’t), why it barely functions as a slasher, and how its surreal...

In this episode, the CIU crew plunges into the dark, deliciously deranged imagination of Clive Barker as we pair two of his most iconic cult classics: Hellraiser and Nightbreed. We break down Barker’s singular ability to fuse beauty with brutality, the way his creatures blur the line between monster and misunderstood outcast, and why his worlds feel like nightmares you want to keep dreaming. From...

On this Prime Cuts mini-episode, the Chopping It Up crew dives beak-first into Robert Eggers’s 2015 Puritan-nightmare masterpiece, The VVitch. The team revisits the bleak New England homestead, unpacking the film’s slow-burn tension, its suffocating dread, and the brutal unraveling of a family exiled for being too devout for the Puritans themselves. From baby-paste broomstick lore and “wet” witchc...

We’re back with a full episode and a double dose of rage. This time, it’s Danny Boyle’s 28 Days Later and the long-awaited 28 Years Later. From fast zombies to slow burns, we dig into the fear, the filmmaking, and the very British end of the world.

This Halloween, the Chopping It Up Horror crew—Jesse, Jeannie, Joel, Jay, and Sledd—dives pitchfork-first into Hack-O-Lantern (1988), the gloriously incoherent satanic slasher from Jag Mundra. Part hair-metal fever dream, part small-town cult drama, this movie has everything: incest, flannel-robed devil worshippers, a mid-movie stand-up routine no one asked for, and High Pike giving the most unhin...

In the final installment of our Chopping It Up: Prime Cuts schlock horror series, we tackle Claudio Fragasso’s 1990 insanity Night Killer. From Freddy Krueger knockoff masks and Spirit Halloween props to fried-chicken-fueled assaults, amnesia plots, and one of the wildest twist endings ever, we break down why this movie is equal parts trash, treasure, and total fever dream.

In this Prime Cuts installment of Chopping It Up, we wade into Dick Maas’s 1988 Dutch cult classic Amsterdamned. Join us as we follow Detective Eric Visser on the trail of a scuba-diving serial killer terrorizing Amsterdam’s canals. From outrageous chase scenes and giallo vibes to Members Only jackets, killer stunts, and a banger of a theme song, we dive deep into one of the most stylishly bonkers...

In this episode of Prime Cuts, the crew dives into Roger Corman’s 1980 cult oddity Humanoids from the Deep. From fish-monster mayhem and behind-the-scenes studio meddling to ventriloquist seductions, exploding boats, and themes of exploitation, we unpack the messy legacy of this notorious creature feature. Part film history, part irreverent commentary—this one’s equal parts laughs and disbelief.  

In this Prime Cuts marathon kickoff, the crew dives into Juan Piquer Simón’s Slugs (1988)—a schlocky eco-horror gem where toxic-waste-mutated slugs terrorize a small town. From wooden acting and bizarre subplots to surprisingly gnarly practical effects (yes, exploding heads and slug salad), the team slices through the absurdity, environmental themes, and unintentional comedy that make this cult cl...

In this Prime Cuts mini-episode, we dig into the premiere of Revival, Peacock’s new supernatural horror series adapted from the Tim Seeley/Mike Norton comic. Set in small-town Wisconsin, the story follows Deputy Dana Cypress as she grapples with townsfolk mysteriously dying and returning as “revivers.” The hosts weigh in on the familiar cop-show tropes, Dana’s uneven likability, and the more compe...

In this episode of Chopping It Up, the crew heads into the desert to tackle Wes Craven’s 1977 The Hills Have Eyes and Alexandre Aja’s 2006 remake. They swap meat cleaver ratings, with most agreeing the gritty, low-budget original nails its social commentary and unsettling atmosphere, while the remake delivers competent gore but misses the nuance. Discussion ranges from themes of American exception...