Books and Authors

"Even in winter, twice a month, the first postmen in Zanskar in the 1980s climbed rock faces and crossed frozen rivers -- if you fell in, you could die -- in a journey that took three days, to deliver the post. Then, there's the first allopathic nurse in the region, who once walked without stopping through deep snow for three nights to save a woman in labour. What extreme tourists do today for fun...

"The fossil fuel age gave us speed. This, on the one hand, allows us to think, 'I'm going faster', but it never defines 'faster to where, and to what?' You become a victim of speed -- always trying to catch up with yourself. The climate crisis is a result of chasing speed mindlessly, endlessly. Slow living is mindful; it's caring of the earth and of community. Healing our relationship with the Ear...

"The way I look at it, whydunnit is actually more important than whodunnit. There are only so many permutations and combinations you can think of in terms of whodunnit. It's finite whereas whydunnit is extremely important because what drives the person? I read a lot of news and I really wonder about the depths to which people can fall"- Salil Desai, author, 206 Bones; An Inspector Saralkar Mystery...

"We went in with urban confidence and rural reality hit us in the face at every turn! Establishing a farm is probably the most difficult thing I've done. I think everybody should do it."- Arti Dwarkadas, author, Two Bandra Girls Buy a Farm, talks to me about growing varieties of rice, mangoes, tomatoes and more on the patch of land in rural Maharashtra that she and her friend Suzann have been nurt...

"You may try to believe that you are living in a First World country and that your reality differs from that of a poor person in your vicinity. But, at the end of the day, you will face the same existential threats that they do. Through my comics and the essays in this book, I'm trying to reach people who have the same privileges as I do; those who tend to ignore politics because it benefits them....

"Comics and literature allow us to enter worlds through our imagination; it is a medium of not-saying. We read because we want to get into the interior worlds of say, a family living in a room in Algiers. Cinema does not give that because the director decides, though TV sometimes does give that. But through comics and literature we get into the extraordinariness of the interior world." - Sarnath B...

"The Salman Khan story reached the headlines and people thought, well, if the Bishnois can go for him so effectively, it's not safe to poach there. It has actually reduced poaching. So many Bishnoi die protecting nature; they will go unarmed against poachers. The Bishnois all share the horror of what Salman Khan did but the Lawrence Bishnoi method is completely the opposite of what the community b...

"I don't think you will find anyone in India who doesn't wear a piece of jewellery [of some sort]. The Amrapali Collection is a pan Indian one. The jewels in this book are worn by pastoralists, the agricultural communities, the villagers of our country. I look at jewellery as works of art. Our villagers are no longer what they were. So it was important for me to document this art form before it va...

"Poop acts like social media for many herbivores. Besides, the droppings of whales tackle climate change, while elephant waste helps regrow forests. Wild animal poop is helping science and conservation and is also used in zootherapy" - Shweta Taneja, author, The Big Book of Wild Poop, talks to Manjula Narayan about everything from the finicky housekeeping habits of ants and how some DNA researcher...

"I used to be very possessive of my recipes. I didn't want to give them away until a senior chef told me, "Listen, even if you give the recipe, everybody's hand is different; it will not be the same." Then, as time went on, I said, actually, some of these recipes should be preserved and if my children are not going to carry it on then at least other people in the community should know about them....

"The thing about being a writer is that we write from a sensitive, empathetic place but we are also ruthless in that when we are grieving, we take notes of our grief. Ruskin Bond told me that the best way to write about people is just to live long enough that they all die before you. It succeeded with him; hopefully, it will succeed with me!"- Twinkle Khanna, author, Mrs. Funny bones Returns, talk...

"To be alive is, in many ways, to travel; it's to journey through time. We tend to think of travelling as something that involves space or place or geography; moving from one place to another. But the other aspect of travel is just journeying through time; every human being alive journeys through it. I write about journeying through language, grief, parenting...These are universal milestones. I lo...

"Science and speculative fiction has always been about responding to the preoccupations of the time. I was attracted to the genre by the imaginative possibilities it offers by allowing the creation of a different world that then lets you shine a light back onto our world. While putting this anthology together we were looking for anything that could broadly fall under the category of spec fic. If c...

"Trains in India are public sites and they are sites for social exchange and its a collective identity but what the smartphone has introduced is not only the private sphere into the public one, but also a flagrant abuse of the public sphere by making it totally private! This includes the watching of shows at a loud volume and having conversations like that too."- Amitava Kumar, author, The Social...

"I don't take the usual dystopian view of the Internet. I see it as a unit of society and use it to understand the self, the nation and politics. So, I didn't want to look at caste from the usual Dalit-Savarna perspective - a different kind of system is playing out on the Internet. Many middle castes are anxious to move up the ladder. No one can become a Brahmin but the Kshatriya space is open so...

"In my father's view, the making of a filmmaker wasn't just about teaching the art, craft, and science [of filmmaking], but also about allowing the filmmaker to find their own unique voice and have the confidence to be their authentic self." - Radha Chadha, author, The Maker of Filmmakers talks to Manjula Narayan about Jagat Murari, who played a key role in the emergence of the FTII, the conflicts...

"What I wanted to say about the global dimension of caste was to look at it from the subjectivity of its victim. So Dalit as a subject takes a central place in this text, and this Dalit subjectivity travels to nearly 15 countries with us [the diaspora]. These constituents are similar but the geographical,political and local [elements] that interact with it give a new dimension to caste. Though it...

"Some call them ghosts but I look at them more as energies that coexist with us. In many ways, like the Buddhist and other Indian philosophies say, we are on a continuum of Time and many souls can go back and forth, in some sense. While you never really get used to it (ghosts and supernatural elements), you get used to the fact that not everything is ordinary. I have very acute hearing and maybe t...

"We travel on the river but the real traveller is the river, and to understand it one has to make a substantial effort" - Sanjoy Hazarika, author, River Traveller; Journeys on the Tsangpo-Brahmaputra from Tibet to the Bay of Bengal talks to Manjula Narayan about his earliest memory of seeing dolphins dance in the river in Guwahati, following the great stream through Tibet, Arunachal Pradesh, Assam...

"I wanted to use fraud as a way to look at our society today. We have a fraud underworld industry that employs multitudes. If you have such a large number of people who will readily go over to the ethically grey zone -- they join to help family and then they find there's no coming back -- they are an incredible asset not just for someone running a scam in India but anyone anywhere in the world who...

"I have my own history. I was evicted from Kashmir like many thousands of others. But when I went to Bastar and when I looked at other conflicts and what it was doing to other people, my own misery faded in comparison; because even in the worst of my situation, I had not touched the kind of pain and marginalisation I touched while travelling in the hinterland of India"- Rahul Pandita, author, Our...

"In India, we don't use the word 'cult' but the photo of a godman hangs in every other home and it's all placed under the umbrella of culture. Cults go after the most vulnerable, those who are not thinking with their rational mind. That's exactly what happened with my parents. When they saw death, they gravitated towards what gave them most certainty. The majority of people going to such gurus are...

"Life is uncertain, which many of us tend to forget, and there are many things we can't explain; for those things that are inexplicable, we have stories. I was born into conflict, and growing up in Shillong in the 1990s, literature was a lifeline. It allowed us to see that, whatever the past we had inherited, there were other possibilities. Literature gives clarity to the messy parts of life, even...

"I was picked to cover Punjab in 1984 and that's how my journey began. After that, I was sucked into the lives of people living with everyday violence. For me, it was about being a storyteller and about the sociology and the psychology of violence and why it had taken root in the different conflict zones that I've mapped. I'm talking about conflicts that are still relevant. I've tried to trace the...

"I love travelling and I was sad to leave my dogs all the time. I had to find a way of travelling with them so Indian Railways came into the picture. Our first journey was from Nizamuddin in Delhi to Madgaon in Goa and the dogs were really well behaved. They really took to it. Tigress fell in love with the pantry! Since then we've done over 75 train journeys across India and by the end of it there...