Benn DeMole

An edit of the 3 hour DeSloMol set on the Chill Stage at the 2018 Subsonic music festival. DeSloMol Bio He works at bottom of time. Tempos between 10-25BPM. From pieces created for the 10BPM Dance Club an interest was sparked, explorations made and an understanding of how the slow time works developed. DeSloMol is a new AKA of Benn DeMole an experimental musician and composer who has been working...

A version of Erik Satie's "First Gymnopédie" by DeSloMol at 24bpm. Thanks to: http://www.free-scores.com/download-sheet-music.php?pdf=353 for the score & MIDI More on this 363rd weekly Disquiet Junto project — Gymnopédie Rats: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre — at: https://disquiet.com/0363/ Many thanks to Peggy Nelson and Alex Hawthorn for having proposed this projec...

As segment of my 3 hour DeSloMol set at Subsonic festival last weekend. Whilst listening and editing I realized this piece fits nicely with: Step 1: Make something as “beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella.” More on this 362nd weekly Disquiet Junto project — Operational Surrealism / The Assignment: Make a piece of music informed by a key text fro...

"Smoothing the edges" of: https://soundcloud.com/jorgenkjellgren/night-music-for-fragile-minds . Thank Jorgen! A 'remix' aimed at removing the transient attacks from the original piece. More on this 351st weekly Disquiet Junto project (Selected Insomniac Works Volume II / The Assignment: Rework some very quiet music by making it even more sedate) at: https://disquiet.com/0351/ More on the Disquiet...

Made in response to the Haiku: The wild geese take flight Low along the railroad tracks In the moonlight night and the image seen here: https://soundcloud.com/naviar-records/sets/haiku-225-the-wild-geese-take For more information visit http://www.naviarrecords.com/about/naviar-haiku

"Compose a short piece of music using only sine waves and the surface sounds of vinyl played on a turntable." Part of the Disquiet Junto composing group. Not currently having a turntable in the house I turned to the net and found this wonderful collection of vinyl sounds: http://99sounds.org/vinyl-noise-sfx/ Thanks Chia! I found some rhythmic activity that inspired me in the collection so pulled s...

This is an asynchronous collaboration between three musician, each recorded one week apart. Left channel recorded first by encym (https://soundcloud.com/encymlll/first-chair-by-encym-disquiet0315) the right channel second by Nate Trier (https://soundcloud.com/triermusic/they-call-me-the-backwoods-debussy-disquiet0316) then I added the saxophone in the centre. The harmonic space created by encym an...

Thanks to Proxemia for the left channel: https://soundcloud.com/proxemia_disquiet/framed-and-enabled-disquiet-0315 The sax on the right was recorded through a little modular rig. Thanks to Photos by Vitalis Hirschmann & Elijah Hiett on Unsplash More on this 316th weekly Disquiet Junto project (El Segundo: Record the second third of a trio, adding to a pre-existing track.) at: https://disquiet.com/...

A hand on my chest. Pushed away. Recorded in a wine cellar with a gale blowing outside. Tenor Saxophone in D Phrygian > Zoom H6 > Logic X > Soundcloud More on this 315th weekly Disquiet Junto project (First Chair: Record the first third of a trio) at: https://disquiet.com/0315/ More on the Disquiet Junto at: https://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.com...

He works at bottom of time. Tempos between 10-25BPM. From pieces created for the 10BPM Dance Club an interest was sparked, explorations made and an understanding of how the slow time works developed. DeSloMol is a new AKA of Benn DeMole an experimental musician and composer who has been working in the ambient, trip hop and downbeat genres for over 20 years. His love of combining the organic with t...

A 10 BPM waltz..... Made for the 10BPM dance club in Copenhagen: https://tenbpm.tumblr.com/ More on this 299th weekly Disquiet Junto project — 10bpm Waltz: Make super slow music in 3/4 time — at: https://disquiet.com/0299/ Thanks to all the folks in the Junto Slack for proposing and helping to shape this prompt. More on the Disquiet Junto at: https://disquiet.com/junto/ Subscribe to project announ...

Created in response to a poem and a sad part of history. "Poisoned Waterhole: Violent disregard echoes. Keenly felt today." by Peita Vincent This poem and history has particular personal significance for me. The being a white man as part of a land that was so violently colonized has been part of my journey of knowing myself: the sadness and guilt and anger and activism and acceptance and hope and...

Flood waters recede Narrandera eucalypts reflected Which way is up? Haiku by Julie Briggs Seven days to make music inspired by Julie’s haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku http://www.naviarrecords.com/2017/08/02/naviarhaiku187-flood-waters-recede/

MAde using only the samples provided in the first challenge in the Bellingen Ableton Project group.

"Record a piece of music that that is inspired by the constituent elements in (the various facets of) an eclipse, what it means in terms of sensory experience — in cultures ancient and contemporary." I was just about to have a quick saxophone practice when I read the instructions for this weeks Disquiet Junto. Then the idea of doing a response just with the sax appeared. I set up some mics and sta...

This was created from a sample from "Lost Souls Introduction" part of the "Across The Top Suite" by Paul Cutlan with Brett Hirst and The Noise. See: http://www.paulcutlan.com/across-the-top

Flying into a new solar system, each planet appears, feeling the resonance of the system, then a slight dimension shift and life is found. TRAPPIST-1. More on this 272nd weekly Disquiet Junto project — “Exoplanetary Intervals: Use music to express the relationships between planets” — at: http://disquiet.com/0272/ Major thanks to Junto participant Mark Lentczner for having taken the lead in proposi...

Waking early I took myself and a flute down to the beautiful creek. After an hour of Chi Gung I sat next to the creek and thought of everyone I have ever met all around the world, everyone that I have smiled at, that I have shared a space, a room, a plane, that I have walked passed in the street and everyone that all those people love, and everyone else in the world where I have never been. I will...

Talking to the drone. Chose to plug a mic into modularland, mainly Mutable Instruments Clouds, then out into DOD VGS50 guitar pedal board, then into LogicX. Levels low and noisy yet too late at night to bother fiddling with it too much. Played [https://soundcloud.com/papernoise/kurodama-half-a-duet-disquiet0269] though a couple of times whilst getting it set up, then was happy with the first take,...

Traveling today, 8 hour drive on the Pacific Highway. At a road side stop I recorded (Zoom H4N) this, one take, no edits, as half of a future duet.... As per: More on this 269th weekly Disquiet Junto project, “Duet Portion: Record half of a live duet” at: http://disquiet.com/0269/ More on the Disquiet Junto at: http://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.c...

This piece was created in response to the Haiku by Amy Lowell: The chirping of crickets in the night Is intermittent, Like the twinkling of stars. As part of the 161st Haiku challenge by Naviar Records. It was recorded on a Zoom H6, which was pointed into the orchard whilst I sat on the balcony listening to the night, looking at the sky and playing flute. One take, no edits, just some compression...

Create a piece of music using only two provided samples...... I used Photosounder to stretch the Nebelhorn sample to 3 minutes as well as a subby version of the same. Then in Logic actually got inspired by the clicks at the end of the Distant Train sample, Found a loop, made a kick thing from the subby version of Nebelhorn, Made a beat. Layered what I had and arranged it all making adjustments, in...

When first thinking about this project I had two ideas. One was to use Photosounder to make an ambient piece that was identical forwards and backwards, maybe using the image with this weeks challenge as part of it. The other was to write a simple melody that would sound good forwards and backwards. Taking "Never odd or even" as a palindrome would mean that the spaces between the letters (or notes)...

Disquiet Junto Project 0250: Soothing Sounds for Junto Make some peaceful music for an infant child. This one I pretty much composed in my head whilst gardening then quickly put it together in the studio at night. Logic X, East West Sample library, field recording at home. More on this 250th weekly Disquiet Junto project — “Soothing Sounds for Junto: Make some peaceful music for an infant child” —...

2, 4, 6, Base, 2, 4, 6, 12, 24, 36..... Step 2: Record a simple, rhythmic piece of music increases speed as it proceeds. First it will double, then it will quadruple, and then it will sextuple. (It can do this once, or it can do it in repeating cycles.) So I sampled myself, from my 2009 album "Ciudades Del Alma". A groovy Sax jam, slowed it down to speed it up then sped it up to too much. Followin...