Attention — Audio Journal for Architecture

In this episode, titled “Pluralism is Not Enough,” Joseph Bedford offers some provisional thoughts interpreting the situation of this generation of academic architects in the United States. He argues that, in contrast to previous generations concerned with the digital and pragmatism, this generation has reasserted architecture’s cultural, critical and disciplinary autonomy. Yet he also argues that...

In this episode, Tim Cox reflects on this issue of attention, and reads the aesthetic and ideological output of the interviewees as in conversation with the discipline of architecture’s waning cultural authority. He argues that this generation’s adoption of pluralistic language is a response to contemporary labor conditions in the neoliberal university, and questions what power architects and acad...

In this episode we hear from this generation on their experience with building practice in contemporary America. The cohort is focused on moving away from speculative or gallery work and towards substantial built projects, but they describe the challenges in getting a small, academic building practice off the ground. They highlight the ways that academic bona fides no longer translate to meaningfu...

In this episode we address the affordances and constraints of architectural academia. This generation highlights the important freedom academia provides to work through ideas that are not directly applicable to architecture as a service industry, but they also acknowledge the ways that labor structures like the tenure track process, or fellowships, push designers towards exhibitions, installations...

In this episode, we heard this generation struggle with their ambivalence around the discipline of architecture, which they saw as essential for maintaining a shared conversation, but also as exclusionary, politically suspect, and frequently irrelevant to the broader world. There was consensus around a need to expand the discipline, returning to this generation’s political and ideological commitme...

In this episode, our discussion of contemporary architectural theory is framed by the question of why there is no contemporary discipline-defining book of theory like Delirious New York, Complexity and Contradiction, or Animate Form. This generation explains the myriad reasons why this is the case, from their professional priorities, critiques of singular authors, the rise of the internet, the pro...

In this episode, we hear about the lack of ideological debate and disagreement within contemporary academic architectural culture. This generation airs their critiques of the performative, chauvinistic, binary debates of the past and argue instead for a pluralistic approach to ideology, where the approaches of varying practitioners can coexist without producing conflict. The merits of this approac...

In this episode, we address the political context of the interviews: the after effects of 2020’s COVID-19 pandemic and George Floyd uprisings. This moment produced a politicizing discourse within architecture which asked academics to address politics through pedagogy, aesthetics, and labor practices. Despite a shared feeling that the political concerns of the moment were critical, there was anxiet...

In this episode, we hear about the difficulty of constructing coherent aesthetic camps in this generation, exemplified by responses to Michael Meredith’s “Indifference, Again” (2017). Instead, we list a range of aesthetic keywords that this generation identified as representing areas of interest: formlessness, informality, discrete parts, messiness, crudeness, simple construction, and familiar for...

In this episode we hear from this generation on their relationship to the digital. They discuss broad, societal experiences like watching the internet and social media emerge, and they grapple with the broken promises of connection and progress that these technologies once represented. Within architectural culture, they unpack their relationship to digital tools for design and fabrication, and out...

In this episode we trace the genealogies of this generation through academic lineages, their movements through the geography of American Academia, and the post-critical or projective discourses which defined much of their time as students.

In this introduction we hear from Joseph Bedford addressing what this issue is about, who he interviewed, what their work is about, what questions he asked everyone, why he undertook the project, and how his interests in this generation intersect with his larger interest in the fate and future of theory, and the understanding of architecture as a discipline.

In this episode we hear from the group of American academic architects that has been brought together by this issue of attention. The group pushes back against their characterization as a generation, though there are throughlines in the group— namely their responses to the digital project, the crash of 2008, and their individual, pluralized approaches to architecture.

In this episode, Megan Eardley interviews the investigative journalist and veteran beat reporter Caryn Dolley about the use of biometric and building surveillance devices in organized crime networks. With reference to her journalism and research for her book “The Enforcers” (2019), Dolley describes the movement of illicit and counterfeit goods through night clubs and the duplication of the state s...

In this episode, Megan Eardley interviews the artist, puzzle-maker, and escape room designer Laura E. Hall about the design of escape rooms for the public, building community, and the politics of play. Together, they reflect on the popular appeal of detective work in an era of corporate dragnet surveillance.

In this episode, Megan Eardley introduces Issue 7 by relating contemporary spatial practices to the literary detective story and present day political realities of surveillance, state violence, and justice work.

In this episode, Megan Eardley invites listeners to reflect on the way that detective work operates between form and event. She interviews the artist Janice Kerbel about the use of detective work in pieces such as “Bank Job” (1999), “Doug” (2014), and “Sink” (2018). They discuss how detection can be built into form, Kerbel’s experiments using plans to foreclose events, her relationship to language...

Like proof, evidence typically refers to things, traces, marks, or signs, that can be studied to establish relevant facts and evaluate competing theories. But while proof has been associated with tests and verification procedures since the thirteenth century, evidence (or the Latin evidentia) refers to something that is “manifest to the senses” and “obvious”– there in a way that is not subject to...

In this episode, Megan Eardley interviews the writer and artist Bryan Finoki. He describes how he came to study the security industry and reflects on his process of harvesting his own field recordings, synthesized sounds, and files scraped off the web, to make Dark Freqs, an original sound composition produced for Attention and this issue on Detective Work.

This episode presents Dark Freqs, an original sound piece by Bryan Finoki. Please note that the piece incorporates recordings of police brutality.

In Episode 1, Anna Goodman explains how contemporary architects in the United States often pursue community-engaged work through the design of processes. Analysis from the architectural historian Susanne Cowan helps demonstrate how this contrasts with early modern designers’ strong association of community and territory. The episode features excerpts from interviews with Jeff Hou, Maria Sykes and...

In Episode 2, Anna Goodman describes a shift in the way architects in the United States viewed community starting in the early 1960s. Using audio clips from participants in an experimental park and playground built under that leadership of the influential community designer Karl Linn, it documents a transition from practices that linked community to the space of the neighborhood to those that focu...

In Episode 3, Anna Goodman explores how a focus on the process of design over its products located community design at the intersection of anti-institutional activism and other social movements. It focuses on a series of events catalyzed by the construction of Berkeley’s People’s Park, using audio clips of participants provided by the Pacific Radio Archives, the documentary Design as a Social Act...

In Episode 4, Molly Esteve describes the life and work of the architect and environmental justice advocate Carl Anthony. Using Anthony’s own words and commentary from Jah Sayers, the episode demonstrates how the Black radical tradition pushed designers and planners beyond the neighborhood to a metropolitan approach to community liberation.

This piece asks the question: “what is theory?” It begins by attempting to define “theory” as a term or as a concept, a task that involves addressing ideas of abstraction, generalization, science, discourse, language and rhetoric, as well as the persistent oppositions between theory and practice, theory and history, theory as engaged and instrumental or theory as reflective and critical.