Alden Carrow
Alden Carrow's Poetry Podcast
🎙️ Step into the world of indie poetry with Alden Carrow — a weekly poetry podcast where every verse has a story, and every story finds its voice. New episodes drop every Wednesday, taking you behind the scenes of the raw, real, and rewarding life of an independent poet, self-published author, and creative entrepreneur. Whether you're a working writer, aspiring self-publisher, spoken word fan, or simply someone who finds magic in words, you'll feel right at home here. What you'll get every week:• Honest conversations about the indie writing life, creative freedom, and the modern poet's journey...
Where to listen?
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Episodes
Nothing Here Is Lost, It Is Only Changing State: Shelley's Cloud, Wainwright's Beloved Haystacks, and Writing the Landscape You Want to Become 08.07.2026 28:11
On a fell above Buttermere, a mountain is quietly coming apart. This is Haystacks — Alfred Wainwright's favourite fell in all of Lakeland, the one he asked to be scattered upon when he died. In 1991, near the tarn called Innominate, he was. In this episode, Alden Carrow asks a question that follows every walker eventually: is anything ever truly lost, or does it only change its form? The guest poe...
The Silence Here Is Not Peace, It Is Exhaustion: Coleridge's Work Without Hope, the Iron Town of Cleator Moor, and What Remains When the Work Is Gone 01.07.2026 20:16
Some towns are built to do one thing. Cleator Moor was built to dig iron. Beneath this small West Cumbrian town runs hematite — the rich red ore that, in the nineteenth century, turned a quiet rural settlement into a boom town almost overnight, so busy and so Irish it was known for a time as "Little Ireland." Then the ore ran out. The mines were capped. The work was shipped to the coast and never...
The Brass Was Played by Coal-Black Hands: Elizabeth Barrett Browning's Cry of the Children, Camborne, and the Cost of the Work 24.06.2026 21:04
Beneath the streets of Camborne, the engines once roared. This was the capital of the Cornish mining world — the town of Richard Trevithick and the Camborne School of Mines, whose engineers sank shafts on every continent on earth. A place that genuinely changed the world. And a place that paid for it, in lungs full of dust and lives cut short in the dark. In this episode, Alden Carrow asks one of...
A Place Does Not Die When Its Work Ends. It Dies When It Forgets How to Begin Again. — Goldsmith's Deserted Village, the Cornish Town of Callington, and What We Lose When the Work Leaves 17.06.2026 21:37
In 1770, Oliver Goldsmith stood in the ruins of a village and wrote its elegy. The mill was silent. The brook was choked with weeds. The people were gone — driven off their own land so a wealthy man could enlarge his private park. Ill fares the land, Goldsmith warned, to hastening ills a prey, where wealth accumulates, and men decay. He was describing one English village. He could have been descri...
Some Places Are Not Weathered. They Are Practised. — Byron's Apostrophe to the Ocean, the Cornish Coast at Bude, and What Small Towns Know That Cities Forgot 10.06.2026 26:41
In the autumn of 1817, exiled from England and on the run from a continent's worth of scandal, Lord Byron sat at a desk above the Adriatic and addressed the sea. Roll on, thou deep and dark blue Ocean — roll! He had watched his reputation collapse, his marriage break, and a society close its doors against him. And in the ocean he found, with something close to relief, a force that had noticed none...
Solitude Is Not a Punishment. It Is an Instrument. — W. B. Yeats's Stolen Child, the Cornish Island of Bryher, and the Quiet Art of Being Alone 03.06.2026 23:55
On a rocky water-edge in County Sligo, a young William Butler Yeats hears voices on the wind. They are not human voices. They are the faeries of Irish folklore, and they are calling a human child away — out of his mother's house, into the wild lakes and woods and waters, beyond the reach of a world that has grown too noisy with its grief. Come away, O human child, they sing, four times across the...
Some Places Do Not Raise Their Voices: Thomas Gray's Country Churchyard, Bodmin Moor, and the Quiet Art of Listening to History 27.05.2026 27:09
In a country churchyard at the close of the eighteenth century, a poet stops at a moss-covered headstone and reads a name no one has spoken aloud in a hundred years. The curfew tolls. The village dead sleep on beneath unread inscriptions. And Thomas Gray, looking down at the rude forefathers of the hamlet, makes one of the quietest, gravest claims in English poetry: that beneath these obscure ston...
The Whole Truth in Quiet Places: From Browning’s Orchard to Bedale’s Gentle Bloom 20.05.2026 24:10
In this episode, we step into the quiet power of locality — from Browning’s aching orchard to the gentle, truth‑telling streets of Bedale — and discover why the surface of a place can sometimes be the whole truth. We explore how a single parish can hold an entire universe, how the smallest details become the deepest poetry, and why noticing is an act of love. You’ll hear Robert Browning’s *Home Th...
The Surface Is a Lie: Tennyson’s Kraken, Buttermere’s Depths, and the Hidden Truths of a Poet’s Life 13.05.2026 24:10
In this must‑listen episode of Alden Carrow’s Poetry Podcast, Alden descends beneath the bright surface of things — from Tennyson’s abyssal Kraken to the steep, enclosing walls of Buttermere. Guided by the theme “the surface is a lie that holds the light,” Alden explores what lies beneath the calm, polished appearances we trust: the millennial darkness of the deep sea, the silted cold of a Lakelan...
The Mountain Needs No Audience. The Poem Does. — Coleridge's Frost at Midnight, Skiddaw in the Dark, and Why Open Mic Nights Matter 06.05.2026 24:11
In a small cottage in Nether Stowey, on a frozen February night in 1798, Samuel Taylor Coleridge sits beside his sleeping infant son and listens. The frost is performing its secret ministry, unhelped by any wind. The world is asleep. The world does not know it is being watched. In this episode, Alden Carrow asks the question that haunts every poet who has ever stood before something older than the...
The Gale of Life: Housman's Wenlock Edge, Ambleside in the Rain, and Why a Poet's Mailing List Outlasts the Algorithm 29.04.2026 17:48
On Wenlock Edge, the wood is in trouble. The Wrekin heaves under the gale, and A. E. Housman watches a wind so ancient it once tore through a Roman city — a city now lying in ashes beneath the same hill. Two thousand years of human trouble, and the wind has not noticed. In this episode, Alden Carrow walks from the Shropshire ridge to the heart of the Lake District, asking the same question Housman...
The Sea Is Merely Late: Hardy's Darkling Thrush, Grange-over-Sands, and the Poet's Permanent Address 22.04.2026 24:38
The sea left Grange-over-Sands quietly — season by season, the tide lost interest, the Spartina grass crept in, and a town built on the Victorian promise of salt air was left standing on its promenade, stiff-collared, looking out at a marsh where the water used to be. It is still waiting. In this episode, Alden Carrow explores the peculiar dignity of things that refuse to admit they are finished....
Waiting for the Concrete to Yield 15.04.2026 32:38
What lies beneath the motorway? Beneath the concrete, the glass, the endless digital noise of modern life — the ancient earth is waiting. Patiently. Permanently. And it has all the time in the world. In this episode of Alden Carrow's Poetry Podcast, we explore one of the most profound and humbling ideas in all of literature — that geological and historical permanence quietly, stubbornly resists th...
Nothing Leaves Hawkshead: Arnold's Eternal Sadness, Silence Packing Like Silt & Why Substack is Geological Accumulation 08.04.2026 29:54
Nothing leaves Hawkshead. Day drains from the square, but it doesn't disappear—it settles. Silence packs like silt into the lime. The memory of wool sweats from stone walls. Everything stays. Everything accumulates. The town has developed what I call the geological habit of standing exactly where we are. In this episode, we explore landscapes that refuse to transform—places that choose instead to...
Standing on Compressed Mud to Look at Fire: Wordsworth, Orrest Head's Humble Grandstand & Self-Publishing as Democratization 01.04.2026 29:57
**Stand at a train station platform. The guidebook says climb Orrest Head first—a gentle twenty-minute walk. You reach the summit. And suddenly, you're standing on compressed ocean mud, looking at fire.** **The best view of drama comes from the undramatic.** In this episode, we explore who gets to observe landscapes, how we observe them, and the beautiful irony that the most spectacular views of g...
The Grit Persists: Hopkins' Falcon, Ulverston's Hidden Industry & How TikTok Can Actually Sell Poetry 25.03.2026 30:26
Walk down a narrow ginnel in Ulverston. The walls are painted ochre, pastel blue—cheerful, tourist-ready. Look closer. Through the cracks, you can see the rubble-stone underneath. Industrial. Dark. Unforgiving. The grit persists underneath the paint. In this episode, we explore what endures when surfaces transform—from Hopkins' soaring falcon to a Cumbrian market town hiding its industrial bones b...
The Dominance of Fluidity: Thomas Hardy’s ‘Beeny Cliff’ and the Shifting Tides of ‘The Solway Firth’ 18.03.2026 27:24
Join Alden Carrow, author of Cumbria In Verse – Lakes To Fells In Poetry, for an immersive exploration of the "Dominance of Fluidity and Constant Change". This episode journeys from the vertical heights of Cornwall to the horizontal expanses of the Anglo-Scottish border, uncovering how landscape poetry captures the friction between permanence and the "ever-changing tide". Featured in this Episode:...
The World Is Charged: Hopkins' Electric God, Collapsing Mountains & Why Your Poetry Needs Draft2Digital 11.03.2026 24:51
"The world is charged with the grandeur of God." But what happens when that charge meets the crushing pressure of industry, geology, and time itself? In this episode, we explore violent transformation—from Hopkins' soot-blackened Victorian England to the collapsed volcanic caldera of Langdale Pikes. This is poetry forged under pressure, where beauty emerges from being crushed. Gerard Manley Hopkin...
The Shirt That Kills: Victorian Sweatshops, AI Poetry Tools & Why Mountains Remember Everything We Take 04.03.2026 24:19
What if the clothes you wear cost someone their life? In 1843, Thomas Hood wrote "The Song of the Shirt"—a brutal, rhythmic masterpiece that exposed the death-by-exhaustion of Victorian seamstresses. This wasn't poetry for poetry's sake. It was activism in verse. A woman sits in a freezing garret, stitching shirts until her fingers bleed, her eyes fail, and her body becomes a ghost. Hood's genius?...
The Cartographer's Verse: Reading the Landscape Beneath the Landscape — Kipling & Cumbria Awaits 25.02.2026 19:49
**Episode 14 — But There Is No Road Through the Woods** Seventy years ago, they closed a road through the woods. Planted over it. Erased it from every map. And yet — the badgers still walk it. The atmosphere still carries the echo of horses' hooves. The land, it turns out, has a far longer memory than we do. We open with Rudyard Kipling's *The Way Through the Woods* — one of the most quietly extra...
When the Map Runs Out of Ink: Percy Bysshe Shelley, Grizedale Forest, and Using Instagram Without Losing Your Soul 18.02.2026 30:40
Episode 13 – When the Map Runs Out of Ink What happens when human ambition meets a force that simply doesn't care? In this episode, we explore one of poetry's most electrifying themes: the tension between the world we impose upon the earth and the raw, indifferent power that quietly reclaims it. We begin in the Alps. Our guest poem is Percy Bysshe Shelley's monumental 'Mont Blanc,' written in 1816...
Ozymandias, Deep Time, How To get the most out of Threads, and the Stone‑Dark Silence of Black Combe 11.02.2026 24:15
A journey through deep time, human smallness, and the quiet power of landscape. In this episode, Alden explores Percy Bysshe Shelley’s Ozymandias through a geological lens—shifting the focus from fallen empires to the slow, patient forces of sand, wind, and stone. From there, he reads and unpacks his own poem, The Black Combe Outlier, a meditation on isolation, slate geology, and the strange comfo...
Alden Carrow reads… John Clare’s “The Flood,” Ambleside’s Stone Funnel, and Why Poets Are Moving to Bluesky. 04.02.2026 25:46
In this episode, Alden Carrow reads John Clare’s “The Flood” and explores how landscapes—both physical and digital—shape the way we live, write, and connect. Moving from Clare’s turbulent Northamptonshire waters to the tight stone throat of Ambleside in the Lake District, Alden reflects on constriction, flow, and the pressures that carve both valleys and creative lives. You’ll hear a full reading...
Alden Carrow reads Nature’s Stage: From Emerson’s Cosmic Voice and Cornwall’s Sea-Carved Theatre to Mastering Poetry on X 28.01.2026 19:18
In this immersive episode, Alden Carrow, author of Cornwall In Verse — Tide To Tor, invites you to step onto the oldest stage in existence: nature itself. The Cosmic Voice: Ralph Waldo Emerson We begin with a sweeping exploration of Ralph Waldo Emerson’s "Song of Nature". Moving beyond the idea of nature as a passive backdrop, Alden reflects on the Transcendentalist belief that the environment is...
Alden Carrow reads Mist and Myth in the Landscape: Exploring Keats, Cornish Lore in Boscastle, and Authentic Facebook Marketing for Poets 21.01.2026 23:53
In this episode of the podcast, host Alden Carrow—author of Cornwall In Verse – Tide To Tor In Poetry — explores the thin lines between the known world and the realm of myth. This show focuses on slowing down to discover the poetry living in both the extraordinary and the everyday. Stepping Into the Mist: John Keats The journey begins with a guest poem from the Romantic era: John Keats’ "La Belle...
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