Additions to the Archive with Sullivan Summer

Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies (University of South Carolina Press, 2026) counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book’s contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coast...

In 2006 poet Amanda Johnston went in search of community and, when she didn’t find what she was looking for, Amanda built her own. Today, Torch Literary Arts is a resource and a destination for Black women writers and readers across the diaspora. Fueled by wisdom and writings from poets, novelists, and screenwriters, the organization’s exceptional programming and award-winning magazine amplify Bla...

A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Fu...

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfr...

In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite’s invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.’s newly rechristened “Sugar Hill.”Settling in at a local actress’s energetic boarding house, Charlie discovers a different way of life—one brimming with opp...

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close. When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confr...

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was...

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,’ we said in those days, ‘for God’s sake, make sure it's a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, becaus...

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around th...

We know who Martin Luther King Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism? Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institut...

In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about sl...

Get It While It’s Hot (LSU Press, 2026) is an innovative collection that examines an increasingly commonplace belief across the U.S. South—that some of the best, most enjoyable food comes from places you would not expect: a gas station, the back of a pickup truck, or a ramshackle building made of plywood. These essays bring together scholars, food writers, influencers, and even a CEO to discuss th...

From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only author...

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers becam...

Sullivan Summer presents conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive.

This powerful work by award-winning poet Crystal Simone Smith exposes the uncomfortable truth about America’s founding text: while Common Sense is celebrated as a cornerstone of American democracy, Thomas Paine’s arguments for “total freedom and equality” were written exclusively for white men—completely excluding women and people of color from his vision of liberation. Through a clear-eyed point...

Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black peop...

Winner of the 2025 James Laughlin Award from The Academy of American Poets  When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the...

My God’s Been Silent (Writ Large Press, 2026) is a poetry collection that lives at the intersection of faith and fury, grief and grace. Written in the aftermath of loss and disillusionment, these poems are elegies and incantations-each one a plea, a protest, a prayer left unanswered. This collection excavates the silence of God through the body of a Black man who has known both sanctuary and aband...

In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in ea...

Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential a...

Three people—two enslaved, one indentured—living beside each other, struggling against their circumstances, trying to bend destiny. As the seventeenth century burns to a close in Tidewater, Virginia, America’s character is wrought in the fires of wealth, race, and freedom. Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the...

Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence (Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death inves...

Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story. Mississippi native and award-...

The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and...