Cinematography Salon

Clair Popkin joined Everest: The Other Side in 2022, after a climbing accident the year before kept him in the hospital for months. The film, directed by Elizabeth Chai Vasarhelyi and Jimmy Chin, his collaborators since Free Solo, follows Jim Morrison's attempt to climb and ski the North Face of Everest after the death of his partner, Hilaree Nelson. Popkin, one of three credited directors of...

Giorgio Scali, ASC had worked with Debora Cahn and Alex Graves on Homeland, and when The Diplomat moved to New York for its third season they called him. He is credited on four episodes of that season. Three are shared with Julian Court, who shot the England scenes, and Scali lit the New York work to match, with more fill than he would use by habit. The sixth episode, "Amagansett," is hi...

Xavier Dolléans, AFC spent five to six months in Cairo photographing High Value Target: The Hunt for Saddam, the TNT limited series directed by Leslie Greif, with a local crew he met on arrival. He calls himself "a big anamorphic guy," but chose ARRI Signature Primes here. "We want almost the frame to be a window on the story," he tells host Jared Levy. Halation and grain came...

Doug Emmett made Lucky in Los Angeles through the spring of 2025, took three weeks off, and went straight to New York to prep Furious with Brian Kirk, who directed the first two episodes. He got the job after an interview at 4:45 in the morning from a trailer in the desert, where Kirk told him the deck he had built was the opposite of what he had in mind. Showrunner Liz Meriwether then had the dep...

The Death of Robin Hood is Pat Scola's third film with Michael Sarnoski, made an hour outside Belfast on a production budget of around eleven million, somewhere between the scrappiness of Pig and the scale of A Quiet Place: Day One. Sarnoski wanted grit, and Scola is precise about the word. He does not mean film grain. "Grit comes from restraint and control," he says, and a large pa...

The Invite, Olivia Wilde's comedy for A24, plays out almost entirely inside one San Francisco apartment, where a couple played by Wilde and Seth Rogen host an evening that goes sideways with visitors played by Penélope Cruz and Edward Norton. Adam Newport-Berra, ASC photographed it on 35mm, in story order, on a Los Angeles soundstage with a single day of exteriors in San Francisco. The brief h...

Gustav Danielsson, FSF got the job by text message. "Do you wanna shoot a sequel to Game of Thrones?" arrived from director Owen Harris, who had made San Junipero with him, and it landed while Danielsson was at home rewatching the original series with his kids and buying them the board games. He cut short a show in Sweden to take it. The result, A Knight of the Seven Kingdoms, is HBO&#x2...

James Laxton, ASC came to Beef for its second season as the one new voice in a room that had already made something people loved. His job, as he saw it, was to carry forward what Beef is at the level of shot structure, whose shoulder the camera sits over, whose scene it is, how far back the wide holds, while telling a different story than Season 1. He and host Jared Levy get into the season's...

When Tari Segal, ASC, took over the Las Vegas block of Margo's Got Money Troubles, the A24 series for Apple TV adapted by David E. Kelley from Rufi Thorpe's novel, she had three days and a working casino floor on which to extend a look someone else had established. It is the episode that earned her an ASC Award nomination, and in this conversation with host Jared Levy she is candid that th...

Against the backdrop of industry upheaval and the rise of AI, Nicholas Lam joins hosts Ava Benjamin Shorr and David Kruta to explore what it means to future-proof creativity. Lam critiques performative diversity initiatives, warns against chasing trends, and makes a case for human, low-fi storytelling as the antidote to algorithmic content. Taking a personal turn, Lam recounts losing his home in t...

Director Mike Pecci joins host David Kruta to dissect the chaos of post-COVID Hollywood, the false promises of AI disruption, and the suffocating gatekeeping of the studio system. Pecci lays bare the existential challenges of trying to create authentic work in an industry gripped by fear, algorithmic control, and vanishing opportunities. In a world where pitching feels like shouting into a void, P...

As fears mount over AI’s impact on creative labor, cinematographer and technologist Jim Geduldick joins host David Kruta to dissect the frenzy surrounding artificial intelligence and its encroachment into the film industry. As AI-generated imagery floods social media and marketing departments chase cost-cutting automation, Geduldick challenges the doom-and-gloom narrative with a nuanced, insider p...

This week, we’re joined by Matt Workman—filmmaker, developer, and creator of Cine Tracer—for a candid look at the shifting landscape of cinematography. We explore how filmmakers can better communicate, justify resources, and protect their creative choices in a rapidly evolving industry, and why futureproofing your skillset now means knowing both a light meter and a game engine. From the emergence...

Rachel Clark, BSC, brings a poetic realism to the screen, and in this special edition episode recorded at the Camerimage Festival, she reveals how she constructs that visual language. Joining hosts Ava Benjamin Shorr and Lauren Guiteras to reflect on the making of “Edge of Summer”, a lyrical coming-of-age film set in the haunting landscapes of Cornwall. Clark unpacks her immersive handheld approac...

What does it mean to carry someone else’s artistic legacy forward? Bianca Cline joins the Cinematography Salon Podcast to share a rare and deeply moving look behind the lens, stepping into the unfinished production of Rust following the tragic death of cinematographer Halyna Hutchins, ASC. Bianca discusses the moral and emotional calculus behind accepting the role, her consultations with Hutchins’...

Joining us this week is Zach Kuperstein, a New York-based cinematographer known for his work on "Barbarian" and his collaboration with Anna Kendrick on her highly anticipated directorial debut, "Woman of the Hour". Zach sits down with host David Kruta to discuss why he’s running for office in Local 600, breaking down contract negotiations, leadership stagnation, and why democra...

Sam Levy’s body of work has helped define contemporary American independent cinema. In this episode, Levy pulls back the curtain on his methodical, deeply personal approach to cinematography, revealing how scripts, performances, and even sleep all shape his lens. Levy revisits career-defining moments with Greta Gerwig, Noah Baumbach, and Kelly Reichardt, and speaks on how technical mastery is ofte...

When the realities of censorship made filming in Cuba impossible, production of Los Frikis moved to the Dominican Republic, where cinematographer Santiago González and his team worked tirelessly to create a world that felt authentic down to the sodium vapor streetlights. In this special Camerimage episode, Ava Benjamin Shorr and Lauren Guiteras sit down with Santiago and break down how the film’s...

In an age of pristine, digitally clinical imagery, cinematographers are increasingly drawn to imperfection—the swirl of a bokeh, the dreamlike haze of vintage glass. The Soviet-era lenses that once defined an era of photography are experiencing a rebirth through IronGlass, a Ukrainian company turning vintage optics into modern cinema glass. Hosts Peter Pascucci and Ava Benjamin Shorr sit down with...

With the proliferation of accessible cinema cameras, affordable lighting, and the democratization of filmmaking tools, cinematography is changing with breathtaking speed. Hosts Peter Pascucci and Ava Benjamin Shorr speak with Jomo Fray and Oren Soffer about the unprecedented access to filmmaking tools, the impact of shifting industry models, and the dangers of complacency. As filmmakers navigate A...

On this special edition of The Cinematography Salon Podcast, recorded at the 32nd Camerimage Film Festival, hosts Ava Benjamin Shorr and Lauren Guiteras sit down with cinematographer Lol Crawley to dissect his latest collaboration with Brady Corbet, The Brutalist. Crawley discusses the philosophy behind his bold visual choices, the interplay between maximalism and minimalism, his daring use of und...

In this episode of the Cinematography Salon podcast, Jomo Fray discusses his distinctive approach to image-making on films such as All Dirt Roads Taste of Salt, Selah and the Spades, and Port Authority. He delves into the humanism shared by the directors he collaborates with and the significance of specificity in storytelling. Fray also explores how expanding his emotional spectrum enhances his wo...

In this episode of the Cinematography Salon podcast, we are thrilled to welcome Kira Kelly, ASC. Known for her work on the documentary 13th, the FX series Y: The Last Man, and the Hulu miniseries Echo, Kira has made a significant impact in the industry. With two Primetime Emmy nominations for Insecure and 13th, she shares insights into breaking barriers, pushing artistic boundaries, and the power...

Ava Berkofsky, ASC, joins hosts Peter Pascucci and Ava Benjamin Shorr on the Cinematography Salon podcast to provide a view into their methodical approach to cinematography. They explore how their work aims to forge emotional connections between the subject and the viewer, particularly in their approach to lighting and composition in projects like HBO's Insecure. Ava also speaks candidly about...

In the latest installment of the "Cinematography Salon Podcast," we sit down with renowned cinematographer Frederick Elmes, ASC, whose career has seamlessly intertwined with some of cinema's most innovative directors. Elmes, who is celebrated for his emotional and visionary approach to cinematography, shares insights into his collaborative processes with directors like David Lynch, J...