Blockbusters and Birdwalks

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “The Death of Stalin”. *** Referenced media in GATEWAY CINEMA, Episode 19A: “The Running Man” (Paul Michael Glaser, 1987) “The Jerky Boys: The Movie” (James Melkonian, 1995...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Heathers”. *** Referenced media in GATEWAY CINEMA, Episode 18A: “Rock ‘n’ Roll High School” (Allan Arkush, 1979) “Summer School” (Carl Reiner, 1987) “Dazed and Confused” (...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Welcome to the Dollhouse”. *** Referenced media in GATEWAY CINEMA, Episode 17A: “Anatahan” (Josef von Sternberg, 1953) “Ms. 45” (Abel Ferrara, 1981) “And God Created Woman...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “The Fabulous Baron Munchausen”. *** Referenced media in GATEWAY CINEMA, Episode 15A: “Westworld” (Michael Crichton, 1973) “The Empire Strikes Back” (Irvin Kershner, 1980)...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Joker: Folie à Deux”. *** Referenced media in GATEWAY CINEMA, Episode 16A: “Christmas Eve in Miller’s Point” (Tyler Thomas Taormina, 2024) “On Cinema at the Cinema” (Tim H...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Portrait of a Lady on Fire”. *** Referenced media in GATEWAY CINEMA, Episode 14A: “Predator” (John McTiernan, 1987) “Close Encounters of the Third Kind” (Steven Spielberg,...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Crank” and “Crank 2: High Voltage”. *** Referenced media in GATEWAY CINEMA, Episode 13A: “Survive Style 5+” (Gen Sekiguchi, 2004) “Magnolia” (Paul Thomas Anderson, 1999) “...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “The Night of the Hunter”. *** Referenced media in GATEWAY CINEMA, Episode 12A: “The Fabulous Baron Munchausen” (Karel Zeman, 1962) “Akira Kurosawa’s Dreams” (Akira Kurosaw...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Marie Antoinette”. *** Referenced media in GATEWAY CINEMA, Episode 11A: “Flash Gordon” (Mike Hodges, 1980) “Barry Lyndon” (Stanely Kubrick, 1975) “Sleepy Hollow” (Tim Burt...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Friday”. *** Referenced media in GATEWAY CINEMA, Episode 10A: “Force Majeure” (Ruben Östlund, 2014) “Triangle of Sadness” (Ruben Östlund, 2022) “Wattstax” (Mel Stuart, 197...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Bring Me the Head of Alfredo Garcia”. *** Referenced media in GATEWAY CINEMA, Episode 9A: “Nashville” (Robert Altman, 1975) “The Deer Hunter” (Michael Cimino, 1978) “Dersu...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Amadeus (Director’s Cut)”. *** Referenced media in GATEWAY CINEMA, Episode 8A: “Born to Kill” (Robert Wise, 1947) “Dillinger” (Max Nosseck, 1945) “Reservoir Dogs” (Quentin...

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “The Swimmer”. *** Referenced media in GATEWAY CINEMA, Episode 7A: “The Last Year at Marienbad” (Alain Resnais, 1961) “Survive Style 5+” (Gen Sekiguchi, 2004) “Magnolia” (P...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the H...