Kenneth Chang & Marilyn Gans

Beyond the Notation

Arts EN ↓ 11 epizód

Two musicians present an ongoing reading of The Notation Is Not the Music, in which perspectives on research and practice in performing old music clash with modern playing today. Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

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Kenneth Chang & Marilyn Gans

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Arts

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kccello.com

Legutóbbi epizód

2026. okt. 25.

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Epizódok

11. Performer Type, Please 25.10.2026

We didn't really know that there was a harsh truth with the different types of performers... And the audio in the beginning is a little soapy (sorry...). Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

10. Authenticity Has No Definition 11.10.2026

In which we clarify ourselves in the fact that each individual holds to their heart a different meaning of what authenticity is to themselves and others. Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

9. Objects in the Mirror Are and Aren't Closer than They Appear 03.10.2026

In which we invite ​Music Performance Department Chair of DePaul University and conductor Michael Lewanski to the tables, where he gives us some wisdom on seeing the world through the lens of performing music new and old. Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

8. Finis Intermissionis 05.09.2026

In which we return from our almost month-long hiatus... Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

7. America's Orchestral Seating Problem 08.08.2026

In which we might have discovered the root cause of how the United States' orchestra seating is the way it is today, with a helpful guest to illuminate the path. Daniel J. Koury - Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating (UMI Press 1986) Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuij...

6. Darwinism and Music Over Time 01.08.2026

In which we invite a guest to discuss big ideas of orchestration and instrumentation, and where Kenny's mic was having trouble. Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

5. LOUD soft 25.07.2026

In which we sound a little different because of our mics. Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

4. Zin, Not Zyn 18.07.2026

In which we discover that phrasing in music is more complicated than it seems... Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

3. A Well-Tempered Fallacy 11.07.2026

In which we find that "allegro" could mean more than a dozen speeds... Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

2. A≠440 Hz 04.07.2026

We discover that there are many different types of pitches and temperaments you can play at. Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

1. Preface 27.06.2026

In which we discover that music by Bach, Mozart, and many others from the past was played differently back then!!! Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.

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