Xavier Bonfill

Xavier Bonfill

I make music that's either strangely beautiful or beautifully strange. From Barcelona. Based in Copenhagen.

Auteur

Xavier Bonfill

Catégorie

Music

Site du podcast

xavierbonfill.com

Dernier épisode

5 juil. 2026

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Épisodes

is this thing on? 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

traces... 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

xtatic 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

...of ourselves 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

(a collection) 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

...of traces... 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

halvdør 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

low-key-minor 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

patufet 05.07.2026

(a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits released June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Composed, produc...

b2b2b 26.06.2026

(vessels)1 (a collection) will there ever be a dawn floating in a place somewhere looping erratically in someone else's ~~voice~~ credits releases June 26, 2026 (vessels1) was created using vssl: a perceptual sampler and granular synthesizer designed, programmed and built by Xavier Bonfill. Sample libraries feature Ragnar Jónsson on Halldorophone and Flemming Valmundsson on button accordion. Compo...

brawnze - MBK 09.05.2026

brawnze - MBK by Xavier Bonfill

brawnze - DCV 09.05.2026

brawnze - DCV by Xavier Bonfill

brawnze - ADX 09.05.2026

brawnze - ADX by Xavier Bonfill

brawnze - FLF 28.04.2026

brawnze.bandcamp.com/album/bronze

2x2x2 (bell plate version) 31.05.2024

2x2 is, in itself, a riddle. Two performers play a middle C, over and over, on the instrument of their own choice. The instrumental sound is extended through the use of live electronics, exploring repetition, variation, texture, counterpoint. Originally commissioned by Christian Tscherning (trombone) and Jason Alder (bass clarinet), the piece has since been performed in a number of different instr...

2x2x2 (vocal version) 31.05.2024

2x2 is, in itself, a riddle. Two performers play a middle C, over and over, on the instrument of their own choice. The instrumental sound is extended through the use of live electronics, exploring repetition, variation, texture, counterpoint. Originally commissioned by Christian Tscherning (trombone) and Jason Alder (bass clarinet), the piece has since been performed in a number of different instr...

three_four_maybe III (4.1271) 30.04.2024

DLB2305 three_four_maybe (composed 2020-21, recorded 2023) for 3 musicians: midi controllers, prepared piano, 24 solenoids, 3 LED panels When I was a child, before I started writing my own music, I used to write short stories. My poor handwriting made it difficult for others to read, and we didn’t have a computer at home at the time. So my parents got me a typewriter for my birthday. I loved it so...

encore 14.04.2024

DLB2304 "I wrote "entrée / en mouvement / encore" back in 2016-17. The title reflects the starting idea for the piece, which was to reflect on the concert situation as some sort of ritual that has its entrance, which later generates movement and which keeps on moving after this energy has been thrown into the room. A ritual consisting on both artists and audience, unable to exist without each othe...

III (church) 06.02.2024

Digital liner notes: haknam.dk/twp.html "During the Christmas holidays in 2019, I went on a trip to China with Fei, my life partner. We visited her hometown Beihai and its surroundings in the Guanxi province, as well as Shanghai. I brought a sound recorder with me and did some field recordings during the trip. I decided I would make a piece based on those field recordings, where the music is built...

II (island) 25.01.2024

Digital liner notes: haknam.dk/twp.html "During the Christmas holidays in 2019, I went on a trip to China with Fei, my life partner. We visited her hometown Beihai and its surroundings in the Guanxi province, as well as Shanghai. I brought a sound recorder with me and did some field recordings during the trip. I decided I would make a piece based on those field recordings, where the music is built...

that's fine (milgram) 05.01.2024

Please continue or Please go on. The experiment requires that you continue. It is absolutely essential that you continue. You have no other choice; you must go on. (that's fine)

make them count 08.12.2023

make them count by Xavier Bonfill

three_four_maybe II (4.063) 12.05.2023

DLB2305 three_four_maybe (composed 2020-21, recorded 2023) for 3 musicians: midi controllers, prepared piano, 24 solenoids, 3 LED panels When I was a child, before I started writing my own music, I used to write short stories. My poor handwriting made it difficult for others to read, and we didn’t have a computer at home at the time. So my parents got me a typewriter for my birthday. I loved it so...

entrée 14.04.2023

DLB2304 "I wrote "entrée / en mouvement / encore" back in 2016-17. The title reflects the starting idea for the piece, which was to reflect on the concert situation as some sort of ritual that has its entrance, which later generates movement and which keeps on moving after this energy has been thrown into the room. A ritual consisting on both artists and audience, unable to exist without each othe...

en mouvement 14.04.2023

DLB2304 "I wrote "entrée / en mouvement / encore" back in 2016-17. The title reflects the starting idea for the piece, which was to reflect on the concert situation as some sort of ritual that has its entrance, which later generates movement and which keeps on moving after this energy has been thrown into the room. A ritual consisting on both artists and audience, unable to exist without each othe...

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