Tim Benjamin

Tim The Composer

Join composer Tim Benjamin as he reveals the untold stories behind history's greatest music. From the earliest notation of medieval times to Beethoven's musical revolution, from Shostakovich's struggles under Stalin through to composers of the present day, discover the political intrigue, personal struggles, and creative risks that shaped 1000 years of music. Each episode focuses on a single work, exploring what moved the composer to write what they did. No musical knowledge required - just curiosity about the extraordinary human stories behind immortal art. Literate music from the inside out.

Auteur

Tim Benjamin

Catégorie

Music

Site du podcast

www.timbenjamin.com

Dernier épisode

14 juin 2026

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Épisodes

8. Silence 14.06.2026

Episode 8 of Tim The Composer's podcast, with host Tim Benjamin, is the second of two episodes featuring music by Tchaikovsky. After presenting the 1812 Overture last time, in this episode, Tim explores Tchaikovsky's Sixth Symphony and the composer's life from the time of the 1812 Overture up to his death, just a few days after the first performance of this symphony. By contrast to the...

7. Cannons 25.05.2026

Episode 7 of Tim The Composer's podcast, with host Tim Benjamin, is the first of two episodes featuring contrasting music by Tchaikovsky. In this episode, Tim explores in detail Tchaikovsky's famous 1812 Overture, which depicts almost cinematically the Russian defeat of Napoleon, with many performances featuring real cannons. However, despite this being one of Tchaikovsky's most popula...

6. Forty 02.04.2026

Episode 6 of Tim The Composer's podcast explores Thomas Tallis's forty-part motet "Spem in alium" and its turbulent Tudor context. Tim tells the story of Tallis's life as a secret Catholic through the reigns of four monarchs, how and why "Spem in alium" came to be, the mysterious numbers and symbolism within it, why it may be a piece of cunning subversiveness in dangerous times, and how Tallis cre...

5: Farewell 24.01.2026

Episode 5 of Tim The Composer's podcast tells the story of Haydn's Symphony No. 45, the "Farewell". Tim explores how a group of homesick musicians, stranded at a remote Hungarian palace by their fabulously wealthy employer Prince Nikolaus Esterházy, turned to their Kapellmeister for help. Haydn's response was a symphony in an impossible key, ending with musicians walking off...

4: Orfeo 27.09.2025

Episode 4 of Tim The Composer's podcast is all about Monteverdi's opera, Orfeo, one of the very earliest of all operas. Tim discovers the fascinating story behind the opera's creation, exploring how and why Monteverdi and his collaborator Striggio ended up picking on this story in particular and creating this new artform, and the background in the Duchy of Mantua and the influence of t...

3. Ut 03.08.2025

In Episode 3 of Tim the Composer's Podcast, Tim goes back to the earliest origins of reliably written music, and talks about Guido d'Arezzo, his life, and his solutions to the problem of writing down music such that it can be reconstructed precisely years, decades, or centuries later. Tim also discovers a number of surprising and entertaining connections between Guido d'Arezzo and the...

2. Tempered 13.07.2025

In Episode 2 of Tim the Composer's Podcast, Tim looks at J.S. Bach's "Well-Tempered Clavier". He explains what both "well-tempered" and "clavier" mean precisely, and then explores the music itself in the dramatic context of Bach’s life at around the time of the music’s composition. Spotify Playlist for Episode 2: Tempered

1. First 13.07.2025

In this first episode of Tim the Composer’s Podcast, Tim explores Beethoven’s First Symphony. The story starts as Beethoven leaves home in Bonn for a new life in Vienna and his friends give him a send-off, and ends 8 years later with the first performance there of his first symphony - a revolutionary moment in music! Spotify Playlist for Episode 1: First

0. Intro 13.07.2025

In Episode 0 of Tim The Composer's Podcast, Tim introduces the podcast and explains what it's all about, including why he doesn’t call it "classical" music!

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