TAXI TV

Does your music sound dated? Have you ever received feedback that your production sounds outdated, but nobody can explain exactly why or what you should change? In this episode of TAXI TV, acclaimed engineer and producer Ronan Chris Murphy breaks down common music production mistakes that can make songs sound dated, less contemporary, or inconsistent with the sound you're trying to achieve. Ronan...

Can you use AI-generated music for sync licensing? And is TAXI really the only company drawing a line around AI-generated music? In this episode of TAXI TV, Michael Laskow takes a deeper look at the growing debate surrounding AI music, music licensing, and sync placements. If you've ever wondered why AI-generated music isn't accepted for certain TAXI opportunities—or whether the same concerns exis...

Have a great song stuck in your head—or sitting unfinished on your hard drive? You're not alone. Many songwriters, artists, and composers have ideas they're excited about but don't have all the skills, instruments, production experience, or resources needed to turn those ideas into finished recordings. In this episode of TAXI TV, Michael Laskow talks with TAXI members Michelle Witmer and Khris Ber...

AI music is changing incredibly fast. But what does it actually mean for songwriters, artists, composers, and producers? There’s no shortage of headlines, videos, predictions, lawsuits, and opinions about AI music and the future of the music industry. Keeping up with all of it can feel like a full-time job. In this episode of TAXI TV, Michael Laskow talks with TAXI member and music-for-media creat...

Want to learn how to compose music for movie trailers? Trailer music is becoming a major opportunity for composers, producers, and musicians creating music for production libraries—and the demand for high-quality trailer music continues to grow. In this episode of TAXI TV, Michael Laskow sits down with composer Michael Whittaker to discuss what composers need to know when creating music for traile...

Could you tell which songs are worth forwarding to a music industry client? Put your A&R ears to the test in this episode of TAXI TV, where Michael Laskow puts viewers in the A&R Hot Seat and challenges them to listen to real music submissions and decide what they would forward—and what they wouldn't. This episode features actual submissions for recent TAXI listings seeking Singer/Songwriter songs...

How much of what you’ve heard about sync licensing and the music industry is actually true? The music licensing world is full of myths, misconceptions, outdated advice, and conflicting information—especially on social media and online forums. In this episode of TAXI TV, Michael Laskow separates fact from fiction and answers some of the most common questions musicians, songwriters, composers, and p...

What’s the hidden “tax” every sync musician pays—and how can you reduce it? When you create music for sync licensing, making the music is only part of the job. There’s also metadata, paperwork, registrations, organization, administration, and other business tasks that can quietly consume hours of your time. And as every musician knows, time is money. In this episode of TAXI TV, Michael Laskow talk...

What's the biggest networking mistake musicians make? In this episode of TAXI TV, Michael Laskow sits down with successful TAXI members Tracey and Vance Marino to discuss how they've built an incredible network of music industry relationships that has helped fuel their growing sync licensing career. They've developed meaningful connections with music libraries, industry executives, and fellow crea...

Have you landed a sync placement through a TAXI listing or a connection you made at the TAXI Road Rally? This week's TAXI TV is all about celebrating member success stories, and one eligible member could win (up to) $400 USD of their Road Rally airfare reimbursed during the live broadcast. If your placement came directly from: • A TAXI listing that led to signing with a music library and ultimatel...

What are music supervisors, editors, and TV producers actually looking for in 2026? In this episode of TAXI TV, Michael Laskow shares the trends, patterns, and creative decisions he's observed while studying the music used in today's TV shows, films, and streaming series. Rather than focusing on hit songs, Michael breaks down how successful sync music supports emotion, tension, pacing, and storyte...

What's the biggest mistake musicians make? It's not a lack of talent. It's not a lack of hard work. It's a lack of strategy. In this episode of TAXI TV, Michael Laskow sits down with one of TAXI's greatest success stories, Matt Vander Boegh, to discuss the one thing that transformed his music career—and why it has nothing to do with writing more songs. Matt went from knowing virtually nothing abou...

What separates professional musicians from hobbyists when it comes to sync licensing? In Part 2 of this TAXI TV conversation, Michael Laskow continues his discussion with Grammy-winning producer and mixer Rob Chiarelli and producer, songwriter, and film/TV music supervisor Michael Lloyd. This episode goes deeper into the sync side of the music business — including what music supervisors, producers...

What really separates music industry professionals from hobbyists? Is it talent? Connections? Expensive gear? Or is it something much deeper? In this episode of TAXI TV, Michael Laskow sits down with legendary producers, engineers, songwriters, and music industry veterans Rob Chiarelli and Michael Lloyd for an honest conversation about what they've learned from decades at the highest levels of the...

Why do some talented composers consistently land sync placements while others keep getting overlooked? In this episode of TAXI TV, music library owner, composer, and longtime TAXI member Chuck Henry shares the common mistakes he sees from the library side of the sync business—mistakes that can quietly cost composers valuable placements. After decades in the industry, Chuck has reviewed thousands o...

What makes one instrumental cue instantly more licensable than another? In this episode of TAXI TV, successful TAXI member, composer, and author Dean Krippaehne shares practical, real-world tips that can dramatically improve your chances of landing sync placements in TV, film, commercials, and production music libraries. Drawing from his book Cue Tips, Dean breaks down the small but critical detai...

Why do some music placements in commercials pay significantly more than TV and film, and how do you actually get them? On this episode of TAXI TV, we sit down with successful sync writer and producer John Pearson to break down exactly what changes when you shift from writing for film & TV to writing for advertising. John’s music has landed worldwide advertising placements with major brands like Ch...

Want to know how TV editors actually choose music for shows? In this TAXI TV episode, veteran TV editor and executive producer Biagio Messina breaks down the real-world TV editing process — from building scenes and shaping emotion to selecting, cutting, and using music in television. Learn: ✔ How TV editors find and use sync music ✔ What makes production music “usable” for editors ✔ Why some track...

Want to get more music placements in TV, film, trailers, and sync licensing? In this TAXI TV “Ask Michael Anything” episode, we answer real questions about music licensing, sync placements, production, AI music, contracts, developmental arcs, edit points, home studio production, and how to succeed in the music library world. Learn: ✔ Why some tracks never get placements ✔ The biggest mistakes in t...

Want to write music that actually gets placed in TV and film? In this TAXI TV episode, we break down a real production music track to show how developmental arcs, edit points, and structure make your music sync-ready. Learn how to: ✔ Build tracks for sync licensing ✔ Add clean edit points for editors ✔ Create dynamic arrangement and transitions Featuring TAXI member Steve Barden, author of Writing...

What does Nashville actually listen for when deciding whether a country song gets cut—or passed on? In this TAXI TV live stream, we’re joined by Steve Bloch, a veteran Nashville music publisher, song plugger, and A&R professional who’s been working in the Music Row community since 1993. Steve has had songs cut by major artists including Faith Hill, Lee Ann Womack, Dierks Bentley, and Cody Johnson,...

Why isn’t your music getting placed in film and TV, even when it sounds great? Most composers assume that high-quality production is enough to land sync placements, but in reality, music for film, TV, and media is chosen very differently. In many cases, it’s not the music supervisor making the initial call—it’s the video editor. And editors aren’t looking for the most impressive or complex track....

Why isn’t your music getting placed...even when it sounds good? In this episode of TAXI TV, I’m joined by sync agent Jim Thacker, who started out as a TAXI member and now represents music for placements in film, TV, and media. Having worked on both sides of the business, Jim shares what actually happens after you submit your music and why some tracks move forward while others don’t. We cover: • Wh...

Why isn’t your music getting sync placements? If you’ve been submitting for film & TV opportunities but not getting licensed, this episode of TAXI TV breaks down 20 common reasons your music isn’t getting placed and what you can do to fix it. TAXI CEO, Michael Laskow, is joined by special guest Greg Carrozza to talk about the real reasons songs don’t get licensed for film, TV, ads, and trailers. M...

Would YOU Forward This Song_ (Real A&R Decisions)[030926] by TAXI Independent A&R