Sekdek Podcast

A long, rambling critique of a fellow podcaster becomes something much larger: a meditation on conspiracy theories about conspiracy theories, the seductions of darker interpretations, and the overly critical lenses that can mistake suspicion for insight. Along the way, the episode examines how cultural criticism goes wrong—how context is flattened, motives are invented, and complexity is forced in...

A commute-to-work podcast. A depressing and kinda bitter rant on my way to work turns into a stupid and silly ramble about my difficult job and ultimately showcases my state of mind while heading to work very early in the morning. I like to capitalize on drive time and record pods, so I yap about my legal work, AI a bit, and the cringiness of how people think AI is so cringy. Basically a live fiel...

Back again, testing out some new, supposedly “final” raw versions from Song Belongs to Room. When I say final—hell no, it ain’t over. I’ve still got a few others on deck: some Faith No More, some Metallica, The Neville Brothers, Atari Teenage Riot, Misfits, Fugazi, Benjamin Clementine—all coming up. Keeping the dream alive. For now, this one is a little more inclusive and in the works. I’m digging...

A black metal overview session with my bouncer co-worker from a bar we both worked at. He was like a skinhead gutter punk hardcore type, but a black metal version. And I was a non-skinhead redneck version of gutter punk and hardcore, but in a much more original and not easily describable way. More like I embodied distortion in my vibe. And the symphonies that existed/exist in my head all the time...

This one follows no beaten path. A wildling song study melting into rant, riffage, ramble, vision quest, daydream, warble, and eventually some kind of accidental launch into deep space. I am not entirely sure where it starts, where it ends, or what shape it becomes along the way. But it exists. 

Episode four of Song Belongs to Room meanders the collection yet again, where familiar songs become unfamiliar again. Hell no, it ain’t over. Join Brice Frillici for another free-flowing sesh of music, tall tales, observatory mayhem, and creative rabbit pods as he unpacks and squeezes out the choices behind each recording and life choices. Equal parts listening party, pity party, studio commentary...

In this third installment of Song Belongs to Room, Brice Frillici props the studio door open, exploring the strange intersection where performance, production, memory, and experimentation collide. Each cover song becomes a jumping-off point into conversations about songwriting, recording techniques, favorite artists, random memories, and the creative decisions that transformed familiar songs into...

Welcome back to Song Belongs to Room, the continuing mini-series where Brice Frillici dives headfirst into his sparkly collection of 50+ cover songs and all the strange places they lead. Join Brice as he wilds out and riffs—sometimes randomly, sometimes not—about the songs, their making, the recording process, happy accidents, tricks, performances, inspirations, obscure references, backstories, in...

Join Brice Frillici for a loose, behind-the-scenes tour through Song Belongs to Room, an ongoing collection of more than 50 reimagined cover songs spanning indie rock, classic rock, folk, metal, pop, post-punk, experimental music, and everything in between. Along the way, Brice shares stories behind the recordings, production choices, vocal performances, creative arrangements, and the unexpected r...

Long story, but it happened. A highly personal account of living with Mexican gangsters for a short spell in a trap house. Mission District, San Francisco. 1997–2002. A highly charged, dangerous, sometimes very lethal environment. I walk through what it actually felt like—day to day, room to room, the energy, the tension, the weird shit that just becomes normal when you’re in it. How people moved....

Part II goes deeper into the darker side of the spectrum—what people label as evil, how it gets packaged, and how constant exposure shapes perception. We look at streaming culture as a delivery system: endless access, algorithmic surfacing, and how tone, pacing, and repetition normalize intensity.  Desensitization, curiosity, and fascination all show up, and we map where they overlap. “Love the si...

This pod wonders how good and evil move through art, film, and sound, and how repetition reshapes sensitivity over time. The conversation tracks desensitization as a real process: exposure builds tolerance, shifts thresholds, and changes how images and ideas register in the body. In our clanky manifesto-type way, we move through modern art and cinema—how artists construct unsettling imagery, why a...

A full walkthrough of 2025 Brice Frillici album When The Gods —track by track, front to back. I talk through each piece as it comes up: where it came from, how it was built, what’s happening sonically, and how it fits into the larger arc of the album. Guitar tones, structure, vocal choices, production moves, secrets and lies involved, sequencing—everything gets opened up in real time. Each section...

Two and a half hours of direct, lived perspective on AI music from inside an active catalog—spoken by someone releasing albums across analog recording, lo-fi processes, and AI generation at the same time.   I lay out my own methodology in detail: how I approach tools like Suno and Udio, how I guide, shape, edit, and integrate them into a larger body of work that already exists beyond AI. This is a...

Halloween Sucks (But Every Day Is Halloween) He goes off the rails in this unfiltered podcast episode, announcing not one, not two, but three new albums dropping soon—each stranger and darker than the last. From the so-called “darkest album ever recorded” (Save the Gods) to a Viking-stoner-metal epic (Raids) and a synth-drenched nostalgia trip (Defiance of the Void), the ride swerves through horro...

Cheap Magic is a long-form dive into the underground world of Brice Frillici guy. This podcast is mega liner notes—part casual monologue, part behind-the-scenes journal. Brice opens up the vault on upcoming albums, art books, and projects, weaving stories around their creation and what they mean. The current season builds toward August 19th, when a burst of new work lands all at once: multiple ori...

[Intro music fades in—lo-fi guitar, tape hiss, maybe a passing train in the distance, a rooster, and a barking dog, and someone yelling at it to shut up] Welcome to Samorozpadu Zamysleni, the official podcast companion to my latest country album, recorded with Milarepo Man on instrumental backups. I do all vocals, keys, and guitar solos, and arrangements etc. As usual my role as Producer comes thr...

Brought to you in part by the Tacoma Psychedelic Society....NOT!!!! A barrage, a download, a spontaneous offering of questions, references, irreverence, reverence, and psychic residue. Think of it less as a formal outline and more like a napkin sketch of a shared neural storm. I wrote this letter to Mr Ungoogleable—as mail and an ask—but more as a mirror. A correspondence to ask him to do a podcas...

The Yaksman II This one goes even deeper down the wormhole—a whopper, way more songs, more spontaneous tangents, more dickness, and some vitriol for breakfast. And some real-time editing critique as I try to figure out what the hell I’m doing. The mood swings continue—humor, seriousness, more jabs at the psychedelic guru game—but always ultimately from a place of love, curiosity, and trying to mak...

The Yaksman I  This one’s a vibrant jab—part funny riff, part full-on rant tear—recorded mid-commute while I chat with myself. On other tracks, I strum around on my acoustic and recall some songs from back in 2012, when the world was on the brink of collapse. (Spoiler: we saved it. Or maybe Cern just shifted us to a slightly less doomed metaverse. Or more obviously doomed, depending on how full/em...

Welcome to Muscamol. We chat Smurfs, my new band Milarepo Man, and the origins of my AI Therapist, what it means to be musically monogamous vs. free to explore all genres and methods, about growing up into the mind controlled hypnotized cult matrix normalcy, staying youthful with your vision intact, the pros and cons of power, the danger of honesty, live performer vs. recorder... ending with a war...

An exploration into the seeming value of tripping. In this episode, we document live experiences and peer up and down the veil—into moments of oblivion, and back again. Forgotten and newly discovered notes from the field. As CERN changed the universe forever back in 2012, we/I/am/is marched into the abyss with eyes pinned open looking back at the earth. Join me for a walk down the yellow brick roa...

Under the Floorboards: Live with Tina (aka The Deletist) This one was for my old podcast, Rooney’s Lodgecast. This episode captures a wild night in Chris “Skullcaster”’s old bedroom at Bleakhaus, Mission Street, SF—circa 2010. Me and Tina (aka The Deletist) recorded live noise music mid-conversation, no filter, no edits, no comfort. Bare wires, breath, and busted freyed ampiage. Lo-fi spirit work...

In this unfiltered spiralling migget, I spiral through identity, ego, simulation theory, and the strange theater of human costume-wearing. From sports jerseys to leather straps to the voice we choose to speak in—this episode explores how we unknowingly play roles, and what it means to wake up to the performance. I dunno, maybe like a spoken word performance of someone who is still in college. Prob...

Recorded in the hush of an early rainy PNW morning commute—windshield wipers steady, traffic crawling—I riff on the elusive hunt for authenticity in a world that’s mostly smoke and mirrors. It’s a wandering drive through the fog of identity, AI illusions, soul signals, and lo-fi praise songs for the raw and the real. I ask: Are we just faking it 'til it's true? Do our souls punch through the noise...