SAG-AFTRA

Getting paid for your music has never been simple. And as the industry has moved from radio to satellite and streaming, it's only gotten more complicated. Now artificial intelligence is raising new questions about who controls an artist's work and who gets paid when it's used. SoundExchange President and CEO Michael Huppe joins the podcast to explain how his organization has distributed more than...

Every actor sits with a script and has to figure out: What's actually happening in this scene? Where does it start emotionally, where does it end, and what's important in between? That work is called scene study, and it's one of the most fundamental skills an actor builds. New York Local member Jill Stern has taught scene study at the SAG-AFTRA New York Conservatory since 2013, and shares how to g...

Broadcast journalists chase breaking news, work unpredictable hours and sometimes put themselves in harm's way to tell stories the public needs to know. But the job is changing. Tracee Wilkins is an investigative reporter with NBC4 Washington and president of SAG-AFTRA's Washington-Mid Atlantic Local. She takes us inside the newsroom to talk about why reporters are being asked to do more with less...

Voiceover work covers a lot of ground: audiobooks, animation, commercials, video games, ADR/looping, dubbing. But how different are they really, and what does it take to break in? David Jolliffe has voiced well over 1,000 TV episodes and serves as SAG-AFTRA's L.A. Local Second Vice President. Nancy Linari is a voiceover performer and audiobook narrator best known as the voice of Aunt May in Marvel...

This Labor Day, we step back and ask a bigger question: what's the state of the unions in America right now? Not just SAG-AFTRA, but the whole movement. Where we've made real gains, where we're facing challenges and what it actually means to be a union member in 2026. To tackle these topics, we're joined by two prominent labor leaders who are at the center of that fight. Sean Astin is President of...

Not every commercial is a big-budget ad for a national brand. Local restaurants, car dealerships, state lotteries, to name a few, all need commercials too. But the terms of our national commercial contract don't always make sense for these regional advertisers. That's where Regional Commercial Codes come in. These agreements create opportunities for working actors in small to mid-size markets acro...

Finneas O'Connell is a two-time Academy Award winner, an 11-time Grammy winner, and the creative force behind some of the biggest music of the last decade. He's also a lifelong SAG-AFTRA member who grew up watching his family navigate the industry. In this episode, Finneas talks about his path from child actor to multi-hyphenate creative, the craft behind his music, and why union membership has me...

Earlier this year, SAG-AFTRA ratified a new TV/Theatrical Agreement, and a previous episode covered the big wins: the pension merger, AI protections, scale increases, and more. But it's a 148-page contract, and some of the most meaningful gains for working performers may have flown under the radar. This episode goes deeper into the provisions that really add up on set and in members' paychecks. De...

SAG-AFTRA member Harrison Ford has spent nearly seven decades as one of Hollywood's most beloved actors, but he'd still rather be called a working actor than an icon. This year, Ford was honored with the union's 61st Life Achievement Award at the 32nd Annual Actor Awards presented by SAG-AFTRA on March 1. In this episode, we listen back to an Actor to Actor conversation with Ford and SAG-AFTRA Pre...

Performance capture has evolved from an experimental filmmaking technique to a fundamental part of modern entertainment. But despite how common it's become, there's still a lot of misunderstanding about what performance capture actually is and what it means for actors who work in this space. To break it all down, we're joined by Woody Schultz, a SAG-AFTRA National Board Member and Vice Chair of th...

The NO FAKES Act heads to a Senate Judiciary Committee markup and vote on June 11, 2026. This is a moment three years in the making and the closest this bill has come to becoming law. Right now, anyone's face or voice can be cloned and dropped into a video they never agreed to, and most people have far fewer legal rights to stop it than they think. The NO FAKES Act would change that. To break down...

One of the biggest movie surprises of 2026 has been the sci-fi blockbuster Project Hail Mary. Actor, puppeteer and puppet designer James Ortiz joins the show to discuss his groundbreaking performance as the five-legged alien Rocky in the film. James shares his journey from landing the role with a homemade puppet audition to building on-set chemistry with Ryan Gosling, describing how what began as...

Earlier this month, SAG-AFTRA and the AMPTP reached a tentative agreement on a successor contract to the 2023 TV/Theatrical Contracts covering motion pictures, scripted primetime dramatic television, streaming content and new media. This agreement builds on our historic gains while securing the future for our members. In this roundtable discussion, SAG-AFTRA President Sean Astin, SAG-AFTRA Nationa...

In March, SAG-AFTRA hosted The 32nd Annual Actor Awards Presented by SAG-AFTRA, which streamed live on Netflix from the Shrine Auditorium in Los Angeles. The show has been honoring outstanding performances in film and television for 32 years as the Screen Actors Guild Awards®, but this year marked the first ceremony under its new name. The night was a roaring success with some truly memorable and...

SAG-AFTRA's first collective bargaining agreement for intimacy coordinators took effect on Feb. 22, marking a watershed moment for a profession that didn't exist 15 years ago. The contract establishes industry-wide standards for the professionals who safeguard performers during intimate scenes. But what exactly does an intimacy coordinator do, and why does this agreement matter for every performer...

Latino performers face a persistent gap between their presence in the entertainment industry and their representation in actual roles. Typecasting, stereotyping, and limited opportunities remain real challenges. But there's also progress happening, and the union is fighting to accelerate change. We spoke to three SAG-AFTRA members leading this fight: Hector Garcia, National Board member and Co-Vic...

As we celebrate Women's History Month this March, we're recognizing not just the trailblazers of the past, but the women who are shaping our industry's future right now. In this episode, we share a powerful conversation that took place last November at our L.A. Local Women's Committee's second annual roundtable. Seven remarkable SAG-AFTRA members came together to discuss the real challenges women...

We've all seen the headlines about A.I. and wondered what it all means for your career. There's a lot of anxiety and uncertainty about what AI synthetics can actually accomplish. Writer-director and Emmy-winning creator Sergio Cilli, decided to find out by auditioning them. In his viral video series "Will AI Actors Replace Us?!," which has reached 45 million views, Sergio puts AI synthetics throug...

AI-generated content and deepfakes are rewriting the rules of creative ownership. So what are writers, artists, and performers doing about it? In this panel discussion from the AI House at the World Economic Forum in Davos, Switzerland, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland joined multidisciplinary artist Emi Kusano and MIT Technology Review Editor-in-C...

SAG-AFTRA's 2025 commercials contracts delivered groundbreaking A.I. provisions, but what do they actually mean for you? Tracy Hyman, Executive Director of Commercials Contracts, and actor and negotiating committee member Nicole Cyrille break down exactly how digital replicas and synthetic performances work, when you need to give consent, how you get paid and what guardrails are in place to protec...

Duncan Crabtree-Ireland sits down with journalist Matt Belloni from Puck at CES in Las Vegas for a no-holds-barred conversation about the future of A.I. and entertainment. Matt asks the tough questions: Why should A.I. companies care what unions think? How is artificial intelligence reshaping creative work? What happens if there's another strike? Duncan breaks down what SAG-AFTRA won in 2023, what...

Diane Warren is one of the most successful and prolific songwriters in music history — and a proud SAG-AFTRA member. Her catalog includes many of the biggest pop songs of the past several decades. In this episode, she talks about the relentless drive behind her career, her new documentary and the early challenges that shaped her voice as a writer. Diane shares how she "casts" artists to bring her...

SAG-AFTRA's top three national officers — President Sean Astin, Executive Vice President Linda Powell and Secretary-Treasurer Michelle Hurd — sit down together with National Executive Director & Chief Negotiator Duncan Crabtree-Ireland during the 23rd International Federation of Actors (FIA) Congress in Birmingham, England last month. They discuss the power of global solidarity, the challenges fac...

In the first part of our interview with legendary director James Cameron, he explained his actor-driven approach to performance capture and why human nuance is still at the core of great storytelling. In this second half, Cameron goes deeper into the promises and risks of A.I., where he believes the line sits between helpful innovation and harmful replacement. He talks about what Hollywood must st...

James Cameron has spent four decades pushing filmmaking technology forward, but at the core of his work is something deeply human. In this video, the Oscar-winning director of Terminator, Aliens, Titanic and the Avatar films (Avatar: Fire and Ash opens December 19) talks about why performance capture is the "purest form of cinema acting," why he refuses to use generative A.I. for scripts and actor...