Classical Breakdown

It's time again to look at some recently recorded albums for us to enjoy and grow with this summer. John Banther has 4 albums to recommend, and one of them includes a remarkable composer's story!

Why watch a thriller on a Friday night when you can watch the dramatic and compact "blood and guts" opera by Puccini that is... Tosca! John Banther and Linda Carducci give you the historical and cultural context to the plot, show you specific themes hidden throughout, and highlight 4 show-stopping moments.

Music can be just as much of a historical document as letters or legislation, and we see that directly in this episode with music by Bonds written in 1963. John Banther and Evan Keely show you what to listen for, how Bonds adapts a well-known melody, the historical context, and more.

There is so much more to this humble concerto than you realize, because the context of hearing a trumpet do something unheard of before has been lost. We show you what made this concerto possible, how Haydn was revolutionary, and why each recording is a little bit different.

Another listener request! John Banther and Bill Bukowski explore the life of Leos Janacek and look at 2 specific subjects to understand this composer's original sound, speech melodies and modality.

John Banther and James Jacobs discuss Mozart's Eine Kleine Nachtmusik and performing it at gigs, which for James reaches into the hundreds at weddings! Plus, we enjoy a full performance with the Berlin Philharmonic.

You know the opening of this work through its countless use in movies, commercials, and even popular music. But do you know the underlying philosophy that inspired Strauss? John Banther and Evan Keely show you how themes transform from beginning to end in an effort to reach the Übermensch!

Let's enjoy two iconic Wagner preludes in two larger-than-life recordings featuring the Royal Concertgebouw Orchestra and conductor Bernard Haitink!

This composer's life was tumultuous and sometimes straight out of a soap opera. John Banther and Evan Keely explore what led him to opera, his initial success and failures, his bigoted "Judaism in Music" essay, and how his Ring Cycle changed everything.

Listen to Ralitza Patcheva and Sam Post in their latest recording, featuring a rhythmic reimaging of JS Bach. If you missed last week's episode, listen afterwards to learn all about this project from beginning to end. Music provided by (c) Acis Productions LLC. All rights reserved

JS Bach was experimental, and that spirit has carried on into the 21st century with composers and pianists like Sam Post and Ralitza Patcheva. While Bach was experimenting with using all 12 major and minor keys at a single keyboard, Sam Post's rhythmic reimagining brings together elements that didn't exist in Bach's time.

The first symphonies came from a place of insecurity, but his 3rd exudes confidence from the first note to the last. John Banther and Evan Keely show you what to listen for in Brahms' orchestration, how he uses compositional tools to create new melodies, sonata form basics, and the rivalry that took place the night of the premiere.

A hallmark of tyranny is its desire to control and stifle creative expression. In this episode, in memory of Lubna Alyaan, John Banther and Evan Keely explore three 20th-century composers, what happened to them, and select works that demand your attention.

Jessie Montgomery and John Banther discuss her popular works, her time writing for the Chicago Symphony Orchestra, the Blacknificent 7 composer group, and her early artistic influences.

Enjoy this performance after listening to the previous episode all about Carnival of the Animals by Saint-Saens. (Elephant image: By Muhammad Mahdi Karim)

One of the most endearing works in music was also hidden for years because the composer worried about his reputation. John Banther and Evan Keely explore the world of animals, how Saint-Saëns brings them to life, and why you have to play bad to sound good!

Different audiences have different tastes, and you can't always serve them the same dish. If Verdi wanted his grand operas to be staged in Paris, he needed to include ballet. In this bonus episode, we'll hear two ballet sections from two different operas, sometimes composed decades later.

This composer wrote operas almost exclusively, and his 19th-century success and popularity are hard to grasp even today. John Banther and Linda Carducci explore his life, his upward rise, the tragedies, and how he provided the sound for Italy's "Risorgimento!"

This concerto is one of the most daunting in the repertoire, and almost every big soloist aims to lay down their interpretation. But what makes this work so difficult? Is it the written music or is it something else? John Banther and Evan Keely show you what to listen for, how Sibelius does things differently, a moment from a masterclass, and what went wrong in the premiere.

In the episode on Emilie Mayer's life and music, we briefly discussed her wonderful writing for cello, and we get to experience it firsthand in this bonus episode. Juilliard Graduate student, Grace Mockus, is working on publishing her critical edition of Emilie Mayer's Cello Sonata in D minor! After listening to this, you can find more performances of Grace Mockus on YouTube.

She didn't have a typical upbringing like other composers, and forged her own way with private teachers and determination. John Banther and Evan Keely explore the wide range of repertoire she composed, from symphonies to songs, and look at events that changed the trajectory of her life and career.

This, the only orchestral output from Clara Wieck, might be one of the few 19th-century concertos written by a teenager that still occupies the concert stage today, and its popularity is only increasing. Join hosts John Banther and Linda Carducci to explore its youthful origins, characteristics of her writing, the size of her hands, and her big concert premiere.

Hailstork has been writing music and teaching for over 5 decades, and his work has documented in music major American moments, from the bicentennial, 9/11, George Floyd, and even infrastructure. John Banther and Evan Keely explore his life, studies with Boulanger, his military experience, and look at 3 works from orchestral to choral that demonstrate his style.

Death has been depicted in music to console, frighten, warn, and entertain for over 400 years. In fact, the most quoted motif about death is also the oldest, and you know it intimately whether you realize it or not! John Banther and Evan Keely take you on a deathly trip over 10 works and a bonus.

I'm excited to bring you more from Xuefei Yang with these three performances taken from her YouTube channel (where you will find plenty more performances!).