wasabicube tracks

A mangling of the soundtrack to 1940's Flash Gordon Conquers the Universe, using the MIDI score of the original theme and applying various tube effects and AudioThing's Arguments plugin.

A dramatic chase. --- More on the 751th weekly Disquiet Junto project, Gastropod Meter — The Assignment: Go slow for an imagined nature documentary — disquiet.com/0751

From E to C via π. --- More on the 750th weekly Disquiet Junto project, Let’s Get Heavy — The Assignment: Record something epic — disquiet.com/0750

This is the third addition to a track started by Andreas Kitzmann (https://soundcloud.com/andreas-kitzmann-27370936), then added to by he_nu_ri (https://soundcloud.com/user-807707609) as part of the Disquiet Junto. I added a rhythm to an AudioThing Arguments combination of the first two tracks, and an Arturia Pigments swell pad to the tracks recorded on week one and two of the challenge. --- More...

A short track made with Arturia Augmented PERSIA, as the first part of a three-part collaboration. The bpm is 146.

Doubling down on emulated tube distortion and being late for the Monday midnight deadline…

Bells buried by a drone, inspired by Éliane Radigue -- More on the 741st weekly Disquiet Junto project, Balance Beam — The Assignment: Write music for bell and drone — at https://disquiet.com/0741/

Sometimes it all goes to maximum red -- More on the 735th weekly Disquiet Junto project, Spectrum Analysis — The Assignment: Write music inspired by a crayon — at https://disquiet.com/0735/

Recording from our lounge window as a Leonardo AW169 rescue helicopter flew past; sound design added with the helicopter in mind. -- More on the 733rd weekly Disquiet Junto project, Window Drop — The Assignment: Add to the sound outside your window — at https://disquiet.com/0733/

On thin ice. -- More on the 731st weekly Disquiet Junto project, Chill In — The Assignment: Record the sound of ice in a glass and make something with it — at https://disquiet.com/0731/

Twelve snippets from another year contributing to the Disquiet Junto. A sampler. -- More on the 730th weekly Disquiet Junto project, Calendar Advent — The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at https://disquiet.com/0730/

Nina has been asleep for three days. It's time she got up. Here Hans Kindler's recording is given a breakbeat, bass, and pushed through a Marshall stack. -- More on the 729th weekly Disquiet Junto project, Community Remix (Nina) — The Assignment: Rework a shared recording from over 100 years ago — at https://disquiet.com/0729/

Repeated melody petering out until there is none -- More on the 728th weekly Disquiet Junto project, Note Down — The Assignment: Delete a note at a time — at https://disquiet.com/0728/

Armed with the oblique strategies of "abandon normal instruments" and "look at the order in which you do things", this is what I came up with. -- More on the 727th weekly Disquiet Junto project, Polar Strategies — The Assignment: Celebrate the 50th anniversary of the Oblique Strategies card deck — at https://disquiet.com/0727/

Using the samples from onlineomnichord.com as the sound source, processed excessively. -- More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/

Generative patch created with Sugar Bytes' Nest, using a shift register and some randomisation to output MIDI to a couple of samplers. -- More on the 725th weekly Disquiet Junto project, Rack It — The Assignment: Change the “focus” of a track as it plays — at https://disquiet.com/0725/

Mechanical beat with a clangorous breakdown -- More on the 723rd weekly Disquiet Junto project, Do the Collapse — The Assignment: Make music that falls apart repeatedly — at https://disquiet.com/0723/

(Slightly) spooky spook film opening -- More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/

Wandering tempo -- More on the 719th weekly Disquiet Junto project, Riding on the Metronome — The Assignment: Play with and against a steady beat — at https://disquiet.com/0719/.

The last deep-space transmission from the SS Inquisitive cut off suddenly, leading us to believe that, for our stealth drone, 'stealth' may have been doing some heavy lifting. We've not heard from the Inquisitive since. Where does that leave us? -- More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disqui...

From an imagined mournful ancestoral viola to a stuttering and mangled beat -- More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.

Densely processed guitar and piano in the style of Dense Fog Advisory -- More on the 716th weekly Disquiet Junto project, Dense Fog Advisory — The Assignment: That’s your band’s name; now record something — at https://disquiet.com/0716/.

A remix of my track Descente (https://soundcloud.com/wasabicube/descente-disquiet0595?si=d4eebecacc574400a944fd7fe1d72bc3&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing), from May 2023, with a nod to Autechre. -- More on the 714th weekly Disquiet Junto project, Remix Yourself — The Assignment: Rework your own music as if someone else had — at https://disquiet.com/0714/.

Recordings of the BART, recorded in San Francisco's Powell Street Station, manipulated with AudioThing's Noises, then modulated repeatedly using Cableguys' Shaperbox. All the Shaperbox modulations used the barcode from a packet of Walker's Shortbread Fingers to define the gates. These, depending on the effect, are then stretched between 1/16 and 32 bars. -- More on the 712th weekly Disquiet Junto...

Chorded samples of my voice now, and when I was around seven or eight years old, singing a Welsh childrens' song about a small man who lived in the woods (y dyn bach yn y coed). All sounds come from chorded samples of my voice. -- More on the 708th weekly Disquiet Junto project, Vocal Chords — The Assignment: Do something with layers of the sound of your voice. — at https://disquiet.com/0708/