Pitch Me Classical

Beethoven, Tchaikovsky, Brahms... classical music's biggest names appear on concert programmes again and again. But does that mean orchestras are stuck in the past? YolanDa is joined by violinist Kate and cellist Henry to challenge one of the most common assumptions about classical music. Together, they unpack the idea that classical music is endlessly recycling the same repertoire and ask whether...

Classical music is often treated with a kind of reverence that suggests you should be captivated every second. But what if your mind wanders? YolanDa is joined by LPO trombonists Tempo and Dave to explore whether boredom is really something to fear – or simply part of the listening experience. Mahler symphonies, shopping lists, sleeping opera-goers, and a trip to Tesco might seem unrelated. But ac...

From clapping etiquette to curtain calls, classical music is full of traditions that can seem mysterious to newcomers. YolanDa is joined by brass players Lee (tuba) and Lyndon (trombone) to explore which rituals still matter, which ones are misunderstood, and whether some deserve a rethink. They delve into the strange, wonderful, and sometimes baffling rituals that surround classical music perform...

Taylor Swift has the Swifties. Back in the 1800s, Franz Liszt inspired a phenomenon known as Lisztomania. YolanDa is joined by violinist Minn and violist Martin to explore fame, fandom, and the possibility of a new generation of classical celebrities. They dive into the surprisingly rich history of classical music fandom, uncovering stories of nineteenth-century audiences who fought over Liszt's p...

The flute often gets the big melodies, the soaring solos, and the spotlight. But does it really deserve its reputation as classical music's ultimate main character? YolanDa is joined by flautist Juliette and bassoonist Simon to settle the debate. The flute has the melodies, the solos and, some might argue, the best PR team in the orchestra. YolanDa, Juliette, and Simon explore the instrument's sta...

Classical music is sometimes seen as serious, formal, and maybe even a little intimidating. But is that image fair? YolanDa is joined by London Philharmonic Orchestra violinist Alice and trombonist Tempo to uncover what really goes on behind the scenes of an orchestra. Pirates, karaoke, beer cans, and a trombone-playing wedding guest aren't usually associated with classical music. But according to...

Tchaikovsky is one of classical music's all-time favourites. But does he deserve his enduring appeal, or is he massively overrated? YolanDa is joined by LPO double bassist Hugh and cellist Waynne to determine whether Tchaikovsky truly earns his place among the greats. Together, they unpack Tchaikovsky's music to decide whether he's a timeless genius or an overhyped crowd-pleaser. Along the way, th...

Is classical music dying, or is it just evolving? Most of its composers lived and died in centuries past, and the bulk of its repertoire is well over 100 years old, but does that mean classical music is on its last legs? For some, the tradition is losing relevance, but it’s also quietly thriving in surprising and unexpected ways. YolanDa, Claudia and Hugh explore why the genre carries such a reput...

Contemporary music: bold, baffling, and often accused of scaring audiences away. But is it really as unlovable as its reputation suggests? In this episode, we explore why new music can feel alienating, and whether it’s actually unpopular - or just misunderstood. Whether you’re a die-hard fan of extended techniques, a curious newcomer to the contemporary world, or you’ve always wondered why a piece...

Mahler’s music holds a towering place in classical music today, but that wasn’t always the case. So what changed? How did he explode into the classical zeitgeist in the 1960s - and stay there? Is he really related to Beyoncé? And will his music continue to be popular, or will our dwindling attention spans make it harder to appreciate his epic symphonies? Perhaps Mahler’s appeal isn’t about passing...

When you listen to an orchestra, what makes its sound distinctive? Is it the concert hall, the conductor, the players, or even their instruments? While some argue that most orchestras end up sounding alike, others insist each ensemble has its own unmistakable voice. In this episode, we dive into the subtle details that shape an orchestra’s sound and explore how different orchestras can sound world...

Today, we’re unravelling a piece that’s as simple as it is spellbinding - one of the most well known and oddly mesmerising compositions of the 20th century. Some call it brilliant, others find it unbearable, and few sit on the fence. And the piece that’s at the heart of this marmite reputation? Ravel’s Bolero. We explore what makes this 15-minute loop so unforgettable, from its relentless snare dr...

The violin section of an orchestra is split into two halves: first violins and second violins. Do the firsts really get all the glory while the seconds do the heavy lifting, or are the seconds the orchestra’s unsung heroes? In an effort to decide whether some violinists are more equal than others, we explore the history behind this division, unpack stereotypes, and examine the unique challenges of...

It’s a battle between technology and tradition: should mobiles phones be banned, tolerated, or even embraced in concert halls? Are phone-friendly performances the future of classical music, or are they a threat to the sacred concert ritual? We’ve all heard a phone go off at the most inopportune moment, but increasingly the classical music world is finding more creative ways to integrate phones int...

In this episode, YolanDa and Francis are joined by AI expert Lora Aroyo to discuss artificial intelligence and its place in classical music. Their conversation covers everything from how AI developed to what its current capabilities of composing classical music are. They touch on the ethical and artistic implications of AI-generated music, evaluate its strengths and limitations, and try to define...

What makes a typical brass player? What really happens on a ‘viola night’? Can the saxophone truly be considered a brass instrument? And just how do you clean a tuba? YolanDa, Lee and Claudia dive into the world of brass, weighing the pros and cons of being part of the brass section and comparing it to the rest of the orchestra. They share favourite brass moments, discuss the sometimes notorious r...

It’s one of the most famous pieces of classical music, but why? The beginning of Beethoven’s Fifth Symphony has an iconic status, but is it one of the best openings to a piece of music? YolanDa, Tom and Cassi dig deeper into those famous four notes and along the way they share other opening bars which are just as recognisable, arresting, or scary. It’s a tricky passage to play in sync with other p...

Why is the viola the butt of so many jokes? Does the viola deserve to be mocked, or is it the unsung hero of the orchestra? YolanDa Brown is joined by Martin and Minn to unpack the origins of viola jokes and demystify why violas so often get the short end of the stick - or should we say bow? But for Martin and Minn the viola’s status as a comedic goldmine sometimes has wider implications that aren...

What makes classical music sound like classical music? And what does the word ‘classical’ mean anyway? YolanDa Brown is joined by Kristina and Mark to give their take on these big questions. They do their best to figure out where the line is between classical and non-classical music, whether film music is classical, and what makes classical music classical. And they attempt to pin down why the wor...

Tails? Long black? Stilettos? A dinner jacket? Concert dress is an important part of the visual appearance of an orchestra, but what is the dress code, how flexible is it, and is it old-fashioned? YolanDa, Mark and Alice all have their preferences when it comes to what they like to wear on stage. This conversation covers everything from what happens when you ask a tailor to make you a new set of t...

Round of applause, please! YolanDa, Hugh and Simon evaluate the pros and cons of applause, sharing their experiences both in the concert hall and beyond. Why do we clap, when should we clap, and what’s the etiquette? Together they cover pieces where people clap when they shouldn’t, pieces where it simply feels wrong to show your appreciation by clapping, and rock and jazz concerts where it’s commo...

When asked to name a classical composer, why does everyone always say Mozart? He’s one of classical music’s most famous composers (perhaps THE most famous), but does he deserve his reputation, and is he the G.O.A.T.*? YolanDa, Mark and Alice discuss Mozart’s high points and low points, his best pieces and his worse, and how he writes for different instruments. They also touch on what’s special abo...

Welcome to Pitch Me Classical! Saxophonist and presenter YolanDa Brown and players from the London Philharmonic Orchestra pitch their thoughts on some of classical music’s most-asked questions, with plenty of chit-chat and laughter along the way.   Instagram: @londonphilharmonicorchestra TikTok: @lporchestra Facebook: @londonphilharmonicorchestra Youtube: @londonphilharmonicorchestra Hos...

YolanDa Brown takes us through some of the best bits of Series 7. Why do trumpets transpose, and do they enjoy it? How has recording film music changed over the years? And what does retirement look like for orchestral musicians?  Plus, singer Brindley Sherratt shares his top tips on preparing to sing an operatic role. With trombonist Mark Templeton, violinist Minn Majoe, horn player Mark Vine...

YolanDa Brown sits down with three former LPO members - violinist Geoff Lynn, bassoonist Gareth Newman, and oboist Joan Graham - to explore retirement.  When they retire, some musicians sell their instruments and never play a note again. Others reduce the amount of performing they’re doing to make more time for teaching. The former LPO members chatting to YolanDa today all approached retireme...