Jeremy Bible

From 2007 album "I Am Very Uncomfortable Most of the Time". 2017 remaster. Best to listen in a way where the tracks play seamlessly as they all mix into each other. https://jeremybible.bandcamp.com/album/i-am-very-uncomfortable-most-of-the-time

From 2007 album "I Am Very Uncomfortable Most of the Time". 2017 remaster. Best to listen in a way where the tracks play seamlessly as they all mix into each other. https://jeremybible.bandcamp.com/album/i-am-very-uncomfortable-most-of-the-time

From 2007 album "I Am Very Uncomfortable Most of the Time". 2017 remaster. Best to listen in a way where the tracks play seamlessly as they all mix into each other. https://jeremybible.bandcamp.com/album/i-am-very-uncomfortable-most-of-the-time

From 2007 album "I Am Very Uncomfortable Most of the Time". 2017 remaster. Best to listen in a way where the tracks play seamlessly as they all mix into each other. https://jeremybible.bandcamp.com/album/i-am-very-uncomfortable-most-of-the-time

From 2007 album "I Am Very Uncomfortable Most of the Time". 2017 remaster. Best to listen in a way where the tracks play seamlessly as they all mix into each other. https://jeremybible.bandcamp.com/album/i-am-very-uncomfortable-most-of-the-time

From the score for the multi-award winning film "Human Savagery" by Jeremy Bible. BUY FILM AT: https://jeremybible.vhx.tv/products/human-savagery BUY SCORE AT: https://jeremybible.bandcamp.com/album/human-savagery "Human Savagery" pairs Bible’s powerful & moving, symphonic ambient compositions with his vivid ultra-HD aerial cinematography – which contrast the alien beauty of untouched mountains an...

From the score for the multi-award winning film "Human Savagery" by Jeremy Bible. PURCHASE FILM AT: https://jeremybible.vhx.tv/products/human-savagery PURCHASE SCORE AT: https://jeremybible.bandcamp.com/album/human-savagery "Human Savagery" pairs Bible’s powerful & moving, symphonic ambient compositions with his vivid ultra-HD aerial cinematography – which contrast the alien beauty of untouched mo...

From "I Am Very Uncomfortable Most of the Time (Remastered Anniversary Edition)". 10 year anniversary edition remastered from the original studio recordings. Available in 24bit/48khz hi definition audio for the first time. https://jeremybible.bandcamp.com/album/i-am-very-uncomfortable-most-of-the-time-remastered-anniversary-edition

Ianuarius I by Jeremy Bible

Ianuarius II by Jeremy Bible

A four hour sound bath of pure tone minimalist ambient symphonics for withdrawal, isolation, contemplation, meditation, transcendence, intimacy & sensuality. "Music For Black Holes" came together out of pieces from Jeremy Bible's private archives compiled to aid in meditating his way through a challenging period of transition. A map to guide one through the vacuum of space & time.

https://jeremybible.bandcamp.com/album/music-for-black-holes From "Music For Black Holes". 4 hour album of 15 long form minimalist ambient pieces compiled from Jeremy Bible's private archive. Pure tone ambient symphonics. Withdrawal and isolation. Intensely meditative. Available as a Limited Edition 8gb USB Drive containing "Music For Black Holes" in native HD audio 24bit / 88200khz wav format enc...

“lbrnm” contains 3 reinterpretations of a koen park-piece titled “laburnum” originally released on the highly recommended “grey night clouds” release on experimedia. The original work sounds very clean, deep and calming. It is dominated by a own heartbeat, created with a higher “gong” tone and a subtle beat, giving the piece a very specific structure. The reinterpretations by Jeremy break this str...

“lbrnm” contains 3 reinterpretations of a koen park-piece titled “laburnum” originally released on the highly recommended “grey night clouds” release on experimedia. The original work sounds very clean, deep and calming. It is dominated by a own heartbeat, created with a higher “gong” tone and a subtle beat, giving the piece a very specific structure. The reinterpretations by Jeremy break this str...

“lbrnm” contains 3 reinterpretations of a koen park-piece titled “laburnum” originally released on the highly recommended “grey night clouds” release on experimedia. The original work sounds very clean, deep and calming. It is dominated by a own heartbeat, created with a higher “gong” tone and a subtle beat, giving the piece a very specific structure. The reinterpretations by Jeremy break this str...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...

Fractures began as a small sound installation consisting of film tins filled with objects including nails, tacks, ball bearings and other miscellaneous objects. The film tins were then equipped with piezo microphones plugged into amps then placed atop upward facing speakers. Evolving frequencies were then mixed into the speakers in order to vibrate and stimulate the film tins and their contents at...