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KPFA - Bay Area Theater

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Bay Area theatre reviews with KPFA Theatre Critic Richard Wolinsky,.Older posts include theatre interviews recorded pre-pandemic. LINK TO ASSORTED LOCAL THEATER & BOOK VENUES

Podcast'in sitesini ziyaret etmeyi ve yapımcısını desteklemeyi unutma: kpfa.org

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1 Eki 2026

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Bölümler

Review: “North By Northwest” at ACT Toni Rembe Theatre 01.10.2026

KPFA Theatre Critic Richard Wolinsky reviews “North By Northwest,” adapted and directed by Emma Rice, at ACT Toni Rembe Theatre through October 18, 2026,           TEXT OF REVIEW Along with having to be perfect night after night, live theatre can only rely on sets, costumes and craft to transform time and space to fit the parameters of a script. Sure, these days a lot is computerized, but it’s sti...

Review: “African Stew,” presented by Lorraine Hansberry Theatre, at the Magic 16.09.2026

KPFA Theatre Critic Richard Wolinsky reviews “African Stew”  a rolling world premiere by Lisa B. Thompson, directed by Edris Cooper-Anifowoshe, presented by Lorraine Hansberry Theatre at the Magic Theatre in Fort Mason through September 27, 2026.     TEXT OF REVIEW Tales of in-laws from opposite sides of the fence go way back, \o Babylonian times with Pyramus and Thisbe, and moving up a few millen...

Review: “The Cook” at Berkeley Rep Peets Theatre 14.09.2026

KPFA Theatre Critic Richard Wolinsky reviews “The Cook” by Eduardo Machado, at Berkeley Rep’s Peets Theatre through October 11, 2026.       TEXT OF REVIEW: Over the past seventy years, Cuba has gone through a remarkable series of changes. First there was the Batista coup overthrowing the 1940 Constitution, leading to the corruption and repression of the mafia years. Then came the Cuban revolution,...

Review: “The White Chip” at Marin Theatre 03.09.2026

KPFA Theatre Critic Richard Wolinsky reviews “The White Chip” by Sean Daniels, directed by Lance Gardner, at Marin Theatre through September 20, 2026.               TEXT OF REVIEW: We live in a world of addiction. Drugs, tobacco, overeating, even mindless scrolling. But the granddaddy of all addictions, going back millennia, is of course alcoholism. 

It’s been a long time since the drunken comedy...

Review: “R.O.I. (Return on Investment)” at San Francisco Playhouse Creativity Theatre 18.08.2026

KPFA Theatre Critic Richard Wolinsky reviews “R.O.I. (Return on Investment) by Aaron Loeb, directed by Jonathan Moscone, a San Francisco Playhouse production at Creativity Theatre.       TEXT OF REVIEW: Back just a few short years ago, despite the warning dystopias of Skynet in the Terminator films and HAL in 2001, most believed technology had the power to turn this planet into a utopia. That was...

Review: “Orpheus Descending” at Oakland Theatre Project 12.08.2026

KPFA Theatre Critic Richard Wolinsky reviews “Orpheus Descending” by Tennessee Williams, at Oakland Theatre Project through August 23, 2026.         Text of Review: Over the course of his career, Tennessee Williams wrote thirty full length plays and a host of one-acts. Yet looking at the list of plays produced by local and regional theaters, you’d think he only wrote The Glass Menagerie and A Stre...

Review: “Hairspray” at San Francisco Playhouse 24.07.2026

KPFA Theatre Critic Richard Wolinsky reviews the musical “Hairspray” directed by Bill English, at San Francisco Playhouse through September 12, 2026.           Text of Review: The Golden Age of the Broadway musical faded in the sixties, the age of Sondheim and the pop opera died before the new century, and since then, the Great White Way has atrophied into a world of corporate jukeboxes, pointless...

Review: “The Employee Dharma Handbook” at TheatreWorks Palo Alto 13.07.2026

KPFA Theatre Critic Richard Wolinsky reviews “The Employee Dhama Handbook: a world premiere play by Geetha Reddy at TheatreWorks Lucie Stern Theatre in Palo Alto through August 2, 2026.       TEXT OF REVIEW Discrimination comes at you in many ways. Racial bigotry. Religious fanaticism. Gender and disabled bias. Homophobia. Fat-shaming, agism. The list lengthens as you expand to other cultures. The...

Review: “The Lunchbox” at Berkeley Rep Roda Theatre 03.06.2026

KPFA Theatre Critic Richard Wolinsky reviews “The Lunchbox” at Berkeley Rep‘s Roda Theatre through July 5, 2026.             TEXT OF REVIEW The golden age of the Broadway musical died over a half century ago. The post-golden age of Sondheim and the rock opera faded before the new century. Since then, we’ve had corporate movie adaptations, jukebox junk and an increasing number of parody meta-musica...

Review: “Dracula, A Feminist Revenge Fantasy, Really” at San Francisco Playhouse 27.05.2026

KPFA Theatre Critic Richard Woinsky reviews “Dracula, A Feminist Revenge Fantasy, Really: by Kate Hamill at San Francisco Playhouse through June 27, 2026.           TEXT OF REVIEW According to Google’s unreliable AI, nobody beats Dracula as the single most portrayed literary character in film history, with over two hundred direct adaptations, parodies and crossover appearances. You can add the hun...

Review: “Pictures from Home’ at Marin Theatre 24.05.2026

KPFA Theatre Critic Richard Wolinsky reviews “Pictures from Home” at Marin Theatre through May 31, 2026           TEXT OF REVIEW Acclaimed photographer Larry Sultan based his career on capturing life as lived through his art, and what better notion than collating photos of his own family and home growing up in Sherman Oaks in Southern California during the middle of the twentieth century. This col...

Review: “Alicia Keys’ Hells Kitchen” at the Orpheum in San Francisco 13.05.2026

KPFA Theatre Critic Richard Wolinsky reviews the national touring company production of  “Hell’s Kitchen” at the Orpheum Theater in San Francisco.           FULL TEXT: Following the release of her debut album in 2001, Songs in A Minor, singer songwriter Alicia Keys became an instant superstar, a position firmed up by a series of successful albums and Grammy Awards over the course of the next decad...

Review: “Hamnet” at ACT Toni Rembe (Geary) Theatre 30.04.2026

KPFA Theatre Critic Richard Wolinsky reviews the Royal Shakespeare Company touring production of “Hamnet” at ACT Toni Rembe (Geary) Theatre through May 24, 2026.         Text of Review: In November 2025, a film adaptation of the 2020 Maggie O’Farrell novel Hamnet hit the screens of America. Four months later, Jessie Buckley won an Oscar for the role of Agnes Hathaway, wife of William Shakespeare,...

Review: “Come from Away” at TheatreWorks Mountain View 26.04.2026

KPFA Theatre Critic Richard Wolinsky reviews the musical “Come from Away” at TheatreWorks Mountain View Center for the Performing Arts through May 10, 2026.       Text of Review: Works of art age in different ways. Chekhov’s plays, for example, were written and performed as contemporary pieces. Now their dachas and threadbare aristocrats are artifacts of history, though the universal truths remain...

Review: “The Monsters” at Berkeley Rep Peets Theatre 15.04.2026

KPFA Theatre Critic Richard Wolinsky reviews “The Monsters” by Ngozi Anyanwu at Berkeley Rep’s Peets Theatre through May 3, 2026. West Coast Premiere.           TEXT OF REVIEW: (minor differences between the text and the recorded review). Putting aside solo performances, the heart of the theatrical experience usually lies in the interaction between two characters, no matter the size of the cast. O...

Review: “Flex” at San Francisco Playhouse 08.04.2026

KPFA Theatre Critic Richard Wolinsky reviews “Flex” by Candice Jones, at San Francisco Playhouse through May 2, 2026.           TEXT OF REVIEW: Film and TV audiences love sports stories, groups of disparate people thrown together striving to work as one to achieve their goal, usually to win the big game. From Major League to Ted Lasso to The Sandlot, we are entranced by how the characters grow and...

Review: “The Goat, or Who is Sylvia?” at Shotgun Players Ashby Stage 31.03.2026

KPFA Theatre Critic Richard Wolinsky reviews :”The Goat, or Who is Sylvia?” by Edward Albee at Shotgun Players Ashby Stage through April 28, 2026.                 TEXT OF REVIEW: (some wording is different in the recording) Edward Albee’s reputation beyond theatre junkies mostly rests on one play, his masterpiece, Who’s Afraid of Virginia Woolf.  While that play shows off his caustic wit to great...

Review: “Assassins” at Oakland Theatre Project 25.03.2026

KPFA Theatre Critic Richard Wolinsky reviews “Assassins” by Stephen Sondheim and John Weidman, at Oakland Theatre Project extended to April 12, 2026.         TEXT OF REVIEW: When Stephen Sondheim and John Weidman’s Assassins first opened in 1990, the show focused on the relationship between America’s gun culture and the need to be seen. Looking at presidential assassins and would-be assassins, we...

Review: “All My Sons” at Berkeley Rep Roda Theatre 02.03.2026

KPFA Theatre Critic Richard Wolinsky reviews “All My Sons” by Arthur Miller, at Berkeley Rep Roda Theatre through March 22, 2026.               TEXT OF REVIEW Great plays stay relevant, no matter the time or setting, or even subject matter. It could be a castle in Denmark in medieval times, a diner in Pittsburgh’s Hill District in the 1960s, a cramped Chicago apartment in the 1950s, a shabby dacha...

Review: “Paranormal Activity” at ACT Toni Rembe Theatre 27.02.2026

Photo: Teresa Castracane KPFA Theatre Critic Richard Wolinsky reviews “Paranormal Activity” at ACT Toni Rembe (Geary) Theatre through March 22, 2026.             TEXT OF REVIEW In real life, we hate being scared, but in a theatre or on TV, there’s nothing quite like it.  The slow burn of suspense, the shock of horror. Ghosts, demons, and the old cliché, things that go bump in the night. On televis...

Review: “M. Butterfly” at San Francisco Playhouse 18.02.2026

KPFA Theatre Critic Richard Wolinsky reviews “M. Butterfly” at San Francisco Playhouse through March 14, 2026.               TEXT OF REVIEW (minor changes were made during recording and editing): M. Butterfly Back in 1964, a French Diplomat in China became infatuated with a singer from the Beijing Opera. When they met, the singer, now wearing men’s clothing, said she was a woman presenting as a ma...

Review: “The Notebook, the Musical” at the Orpheum 17.02.2026

KPFA Theatre Critic Richard Wolinsky reviews the national touring company of “The Notebook, the Musical” at ATG Orpheum Theatre through March 1, 2025.       TEXT OF REVIEW Towards the end of the twentieth century, as the corporate world eyed the record-breaking receipts of shows like Cats and Les Miz, it became clear that if you could turn any IP, intellectual property, into a musical, a new strea...

Review: “The Mountaintop” at Oakland Theatre Project 10.02.2026

KPFA Theatre Critic Richard Wolinsky reviews “The Mountaintop” at Oakland Theatre Project through Feb. 15, 2026.       TEXT OF REVIEW: In late 2008, it felt as if we’d entered a new world. The Republicans were out of office, people of color were being appointed to key positions in business and government, and a black man had just been elected president. Martin Luther King’s dream seemingly had com...

Review: “The Cherry Orchard” at Marin Theatre 07.02.2026

KPFA Theatre Critic Richard Wolinsky reviews “The Cherry Orchard” by Anton Chekhov at Marin Theatre through February 22, 2026.           TEXT OF REVIEW (differs slightly from final edit for time). ​​​​​For centuries, serfs had no power in Russia. They weren’t quite slaves, but they also were not free. It was a feudal society, run by a powerful nobility ruled by an all-powerful Tsar. Due to societa...

Review: “How Shakespeare Changed My Life” at Berkeley Rep Peets Theatre 03.02.2026

KPFA Theatre Critic Richard Wolinsky reviews “How Shakespeare Changed My Life” at Berkeley Rep Peets Theatre through March 1, 2026.           TEXT OF REVIEW You’re just a kid. You’re Black .Your teachers think you’re stupid, a hopeless fat boy. At home, your mom tossed out your junkie dad. Mom herself is ice cold, and when you’re sixteen, Mom throws you out on the street. You’re homeless, destitut...

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