Hasan Hujairi

Chongganbo Cartography 2.1 03.11.2017 3:54 ↓

Parallels are necessary.

Prelude for Orpheus #2 03.11.2017 3:48 ↓

The music Orpheus played when no one else was around must have been far more interesting than what he played for others.

Cities Of The Future 03.11.2017 9:15 ↓

Oh, let us dance to the prospect of being turned away from cities of the future!

Mushroom Overwrite 08.09.2017 1:00 ↓

;; [this text has been overwritten.]

The Captive 18.08.2017 3:51 ↓

"run for your life."

Parasite #2 01.08.2017 9:48 ↓

Parasites are dangerous when they operate in autopilot.

Parasite #1 31.07.2017 4:00 ↓

parasites only make their presence known if they think they can win.

The Freeboot Hymnal 06.06.2017 3:59 ↓

I love pirates. You love pirates. We love pirates. Pirates are real.

Spectrophobia 24.05.2017 1:37 ↓

frivolities.

Iophobia II 23.05.2017 4:34 ↓

slow poison is scary poison.

Coastlines as Geographic Mythology 09.04.2017 6:39 ↓

stay within your parameters or drown.

Career in the Stomach 08.04.2017 1:06 ↓

He already ate it.

Pale Golden Things are Dangerous 21.01.2017 1:15 ↓

There is no doubt that pale golden things are dangerous.

Buffalo Life 10.10.2016 15:24 ↓

the buffalo decided that it no longer needed to move to another locale simply because life in this new place was agreeable.

Subtractions 09.10.2016 4:55 ↓

an erasure of sorts.

Miracle Men 23.09.2016 1:08 ↓

They promise to heal any ailment you may have, yet I remain skeptical.

Ligne Maginot 13.09.2016 6:44 ↓

I'm on the Maginot Line and then I'm not.

Taqsim for Oud, Open Window, and Plastic Wrist Watch 27.07.2016 4:41 ↓

this morning's exercise.

Shiba Tetsu: "LET'S PLAY WHAT WE CAN PLAY IN SINGLE HAND (ORCHESTRATIONS ETUDE)" || 「片手で出来ることをしよう」 08.07.2016 38:33 ↓

"Duck, Duck, Telephone, Trumpet: Improvisation Workshop" Location: Beirut Art Center (Beirut, Lebanon) Date: July 7-8, 2016 Recordings of two of the improvised pieces discussed, presented, and performed during the workshop. Both pieces are composed by Japanese improvising musician Shiba Tetsu. The pieces performed are "HAND PIECE (WITH MEMORY FUNCTION)" 「振り下ろし(メモリー機能付き)」and "LET'S P...

Shiba Tetsu: "HAND PIECE (WITH MEMORY FUNCTION)" || 「振り下ろし(メモリー機能付き)」 08.07.2016 9:20 ↓

"Duck, Duck, Telephone, Trumpet: Improvisation Workshop" Location: Beirut Art Center (Beirut, Lebanon) Date: July 7-8, 2016 Recordings of two of the improvised pieces discussed, presented, and performed during the workshop. Both pieces are composed by Japanese improvising musician Shiba Tetsu. The pieces performed are "HAND PIECE (WITH MEMORY FUNCTION)" 「振り下ろし(メモリー機能付き)」and "LET'S P...

somnambulant points (live performance at Beirut Art Center) 06.07.2016 37:23 ↓

"An improvised sound art performance by Hasan Hujairi that modulates around the artist's hidden - and not so hidden - sonic reference points: Archival Bahraini folk music, personal field recordings, digitally synthesized sounds, algorithmic stratagems, the question of virtuosity within electronic music practice, and analog modular synthesis." Performed at Beirut Art Center (Beirut, Lebanon) on Jul...

Prelude for Orpheus #1 25.02.2016 1:40 ↓

Even in Hades, the music of Orpheus remains beautiful.

music for missionary's organ and fish tank 16.12.2015 6:32 ↓

loud fish tank with single goldfish, ancient yamaha organ belonging to previous homeowners/missionaries, and some unwanted sounds. Recorded in one take at the Horangashy Namu Creative Residency (Gwangju, South Korea) when no one else was looking.

Orpheum 29.11.2015 3:00 ↓

hades won in the end.

Laughing About What We Lost / 우리가 잃어버린 것들에 대한 조소(嘲笑) 05.11.2015 7:00 ↓

"Crow’s Eye View, Poem No. I" by Yi Sang 13 children rush down a street. (A dead-end alley is suitable.) The 1st child says it’s frightening. The 2nd child says it’s frightening. The 3rd child says it’s frightening. The 4th child says it’s frightening. The 5th child says it’s frightening. The 6th child says it’s frightening. The 7th child says it’s frightening. The 8th child says it’s frightening....