The Partially Examined Life Philosophy Podcast

Subscribe to get parts 1, 2, and 3 of this now, ad-free, plus tons of bonus content. Continuing on The Nature of Sympathy (1913/1922), Part I: "Fellow Feeling," Ch. 1-4. We look more closely at the text, getting further into how fellow feeling relates to ethics, and why the moral sentimentalists (like Hume) were wrong about this. Get more at partiallyexaminedlife.com . Visit partiallyexaminedlife....

If only because of its seeming incongruity with a brain “wider than the sky,” the central fact of Emily Dickinson’s life has become her seclusion. As she wrote to Thomas Wentworth Higginson in 1869, “I do not cross my Father’s ground to any House or town.” Like the relatively modest dimensions of her poems, this self-imposed constraint—of the property line within Amherst, Massachusetts, then the D...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. On The Nature of Sympathy (1913, expanded 1922), Part I: "Fellow Feeling," Ch. 1-4.  What is it to feel sympathy (aka "fellow feeling") for another person? It is NOT to "identify" with that person; ethics requires that the person be irreducibly Other, not part of my (extended) ego. Sponsor: Check out the History...

Mark and Bill introduce a new potential setting and some characters for ongoing use in future improvisations. We talk about techniques for doing that and wrap up by getting an update from Bill on his substitute teaching and talking about what makes for a good teacher. Hear more at philosophyimprov.com . Support the podcast and listen ad-free at philosophyimprov.com/support . Check out other Evergr...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. Continuing on "The Origin of the Knowledge of Right and Wrong" (1889), getting into how we measure the comparative value of things. While Brentano does observe actual practices in these areas, his phenomenology detects moral facts that can be used to cast judgments of people's actual practices, saving him from relativ...

We acknowledge this hugely popular form of "entertainment" recently embodied by The Baldwins , but popularized by shows like The Osbournes  and The Kardashians, wherein some celebrity and/or family just shows off their life, Mark, Lawrence, Sarahlyn and Al are joined by returning guest Kayla Dryesse to talk about why this kind of show exists, its variations, and its redeeming value (if any). Is Th...

Alfred Hitchcock’s first American film—part love story, part ghost story, part courtroom melodrama—centers on a poor, timid young woman who falls in love with wealthy aristocrat Maxim de Winter, a widower tortured over the death of his first wife. When the young woman becomes the second Mrs. De Winter and moves into Maxim’s estate, she finds her predecessor’s initials stamped all over the house, a...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content, including a brand new Nightcap recording. On "The Origin of the Knowledge of Right and Wrong" (1889). What justifies basic moral facts? Brentano claims that right there in our experience, we can rationally sense with complete certainty that certain kinds of preferences are good ones, and others are not. This take on i...

In his poem “You Who Never Arrived,” Rainer Maria Rilke suggests that we can mourn love as an unrealized possibility, and see this loss signified everywhere in the ordinary objects of the external world. In “Be Ahead of All Parting” (II.13 from his “Sonnets to Orpheus”), he seems to claim that poetry has the capacity to redeem such losses—and retrieve them, so to speak, from their underworld. Wes...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. Continuing on Ecclesiastes with guest Jesse Peterson, getting into some more close reading of particular sections. We make some connection from the author's observations to ancient Greek Skepticism, Epicureanism, and Stoicism. How is the world "absurd" according to this book? Sponsors: Learn about St. John's College a...

Are we taking for granted this unique, talent-filled weekly nationally televised live comedy event that’s been around for 50 years? (as in “What do we think this show is? Chopped liver?”) Does its format even make sense at this time given YouTube and streaming? What will its legacy be? Mark, Lawrence, Sarahlyn, and Al discuss the casts, highlights, and the  Continue Reading...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. Ecclesiastes is often cited as one of the most philosophical books of the Bible, so we approached it in that spirit with the help of Jesse M. Peterson, whose soon-to-be-published book is called Qoheleth and the Philosophy of Value . Sponsor: Check out the History of the Germans podcast at historyofthegermans.com . The...

Mark, Lawrence, Sarahlyn and Al discuss the Coralie Fargeat/Demi Moore film The Substance in light of its Oscar nominations, along with related reflections on lost youth, e.g. Sunset Boulevard (1950), Death Becomes Her  (1992), and Neon Demon (2016). We also touch on other cloning scenarios. Is this film a serious meditation on aging in Hollywood, or just a particularly vivid but logically confuse...

Mark and Bill are joined by two north-of-the-border podcasters, Shawn Vulliez and Aaron Moritz, who incorporate both improv and philosophy in their dirty leftist podcast . We simulate conversation as competing knowers-of-the-good-life and talk about using improv for political purposes. Note that this was recorded back in December when we were in the thick of Luigi Mangione fever and not yet consum...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. On "Fragment on Machines" (1858). Shouldn't automating work free workers? Not according to Marx, until capitalism is overthrown. Until then, automation actually just makes labor conditions worse and certainly doesn't give people more free time, since the capitalist keeps all the surplus gained by greater productivity....

Sign up for Closereads at patreon.com/closereadsphilosophy to get future parts on this reading, as well as our previous and future installments of this podcast. Mark and Wes read through and discuss the beginning of Felix Guattari's "Everybody Wants to Be a Fascist" (1973). Guattari was a Lacanian psychotherapist, and he argues for explaining fascist tendencies via a "micropolitics of desire," i.e...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. We finish our treatment of Capital , Ch. 1, covering the little bit that Marx says about actual communism (he was wary of utopianism, contra his reputation), and think through a number of related practical problems. We introduce "Fragment on Machines" (1858). Sponsor: Get a $1/month e-commerce trial at shopify.com/pel...

Django is a singer/songwriter/guitarist who released his first solo album in 1996 and has released seven albums with The Old Ceremony since 2004 plus several more solo releases. We discuss The Old Ceremony songs "Too Big to Fail" (and listen to "Hangman's Party at the end) from Earthbound (2024), "The Disappear" from Walk On Thin Air (2009), and "Reservations" from Our One Mistake (2006). Intro: "...

In light of the recent release of the James Mangold film A Complete Unknown , Mark, Lawrence, Sarahlyn, and Dylan superfan Al discuss the man, the myth, and the music. The film clearly aimed to make the music, environment, and political activity of the '60s come alive today, but does the simplification required to make a coherent film undermine that goal? We also touch on his Chronicles , plus I'm...

It begins with the “stupidest song ever written,” as Robert Altman called it, and ends with a self-referential jab at the very idea of finding comic relief in the tragedy of war. But it is equally unserious, the film “M.A.S.H” seem to suggest, to take seriously the authority of war-making institutions, and their pretense to putting violence in service of an ideal. And so morality succumbs to mocke...

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. Continuing on Capital , Ch. 1 on commodities. We go into detail on his account of how money gets derived from the continued comparison of various commodities, how use value comes back into play when we compare the economic value of one commodity as compared to another, and finally, the details of commodity fetishism....

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content. On Capital (1867), Ch. 1, "The Commodity." What makes something we buy or sell valuable? Marx says it's ultimately the labor that goes into it, though there are some wrinkles in formulating this accurately, and the commodities and surrounding marketplace activity blind us to labor's role and its ethical import. Sponso...

Sign up for Closereads at patreon.com/closereadsphilosophy to get future parts on this reading, as well as our previous and future installments of this podcast. Mark and Wes read through and discuss Karl Marx's The German Ideology (1846), delving deep into the middle of his critique of Max Stirner's The Ego and Its Own . Marx articulates and criticizes Stirner's attempt to distinguish the mere com...

Randy  is a literature guy who has written a couple of books about improv and here joins Mark and Bill to talk about WINGING IT: Improv's Power and Peril in the Age of Trump , wherein he basically blames improv for giving us the orange man. Our scenes are about Trumpers hustling a fast food joint and improv for dogs. Mark and Bill stick around for some post-game bringing in yet another metaphor: m...

In light of Robert Eggers' film Nosferatu  and the end of What We Do in Shadows , Mark, Lawrence, Sarahlyn, and Al discuss the many vampire shows and films all the way back to Bram Stoker's 1897 novel. For more, visit prettymuchpop.com . Hear this ad-free with bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel . Sponsors: Get 10% off...