Gifted Underachievers

There’s more than one type of nostalgia around art. Art media coverage seems to highlight the Old Masters, people who haven’t made art in a long time—heck, they haven’t even breathed in centuries! Their work gets a disproportionate amount of arts coverage not because art critics are nostalgic for an earlier time, and not because their art is awesome (although it is), but because of the giant sums...

Right now, Pat sees creative work as often being underappreciated (unless it sells well). She encounters many creatives who are struggling to find an audience, produce consistently, and make a living with their art. She’d like to see more accessible local community-building spaces and support for artists, both public and individual. She’d like to see easier and more transparent access to studio sp...

There’s really not much to say other than Pat and James get very giggly while talking about boxes, Pat’s potential transformation during her upcoming trip to Europe, and the fun of being a misanthrope. Questions for Listeners Nope. Not going down that road! For Further Exploration Nobody should be exploring these boxes. Thanks for listening to Gifted Underachievers! This post is public so feel fre...

Some creative projects burst into our minds with many, many moving parts. We might have a vision so grand that we toil for days, weeks, months, even years to fully realize it before unleashing it into the world. But overly detailed visions carry some risks—maybe our skill isn’t up to the task, maybe the complexity makes it harder for our audience to understand what we created. Then there’s the oth...

A brief discussion of autumnal sartorial choices segues into a new segment: Theatre Talk with Gifted Underachievers! In this fun, somewhat farcical, and relatively informative exploration of the delights that are community theatre, Pat and James dig into exactly how is ‘Godot’ pronounced; the big Norwegian himself, Ibsen; what is so fun about local theatre, are the great plays perhaps a bit dated,...

We’ve been inviting some guests to be interviewed on the Gifted Underachiever podcast, but not everyone has responded with a yay or a nay. James proposes a revenge system so inefficient that it would become a full-time job, and Pat agrees that his approach is actually 100% on brand for your GU hosts. Questions for Listeners: * Have we invited you to be interviewed on the podcast? * Who would YOU l...

In August, 2024, the Gifted Underachievers began a one-year Grant Experiment. The goal was to find out if we could get grants to help offset the cost of some of our most important work—creating new stuff. We had spreadsheets, we had lists, we had references, we had projects. We had hopes, we had dreams, and naturally, we had delusions. In this segment, we give a summary of our successes and failur...

All types of organizations around the world are wrestling with AI: how to use it, how not to use it, and how to establish balanced policies to govern its use and prevent abuse. The intrepid Gifted Underachievers wade into this relatively new world to discuss their own use of AI, their self-imposed limits, and the personal AI policies they live and work by. Questions for Listeners: Hop on over to t...

In this short segment, the Gifted Underachievers discuss their own hands and come up with a title for James’s memoir. Questions for Listeners: (Hop on over to the segment web page to leave a comment.) * How many fingers do YOU have on each hand? * Do you believe James’s claim of a two-pad spread? For Further Exploration: The Family with Six Fingers: Thanks for listening to Gifted Underachievers! T...

Large and even huge media platforms (New York Times and mass audience podcasts) do not necessarily translate into increased sales for creatives. Yes, they are great, but we must be aware that there is a real difference between a ‘big breakthrough’ approach versus a ‘building toward a tipping point’ approach. The former is rare while the latter is within our reach by taking a long view to building...

Pat has reached a higher plane of existence: she is unbothered by the more than 6,000 unread emails clogging her inbox. How? Why? Well, as with most things, Pat has a system. Opening with a song—a duet a la Deux Fleurs —the Gifted Underachievers hash out how email can eat at our capacity while discussing the solutions they employ to keep it from mostly (I mean, Pat has 6,000 unread emails) getting...

Here in the Gifted Underachievers Clubhouse, our discussions of the creative life sometimes extend beyond topics like capacity, money, and audience to bigger questions, like “What’s a Caesar?” Pat initiates James to the mysteries of this bracing drink, then things (as usual) go downhill... Questions for Listeners: * Have you tried a Caesar? * Did you like it? Canadian foodie Glen with Friends debu...

Pat’s lolling on the GU lounge chair, ignoring emails. Why? BECAUSE IT’S AUGUST, she’s got a case of ennui, and fascism is in the air. Meanwhile, James has removed his kimono and privacy piece, and Pat can hardly bear to look. Questions for Listeners (Hop on over to our Substack page to leave a comment.) * What’s your August been like? * Is Z a code letter for Zero in your world? * Would you like...

Of late, here in the GU Clubhouse we’ve noticed a pattern with two components: 1. People buying creative services for ‘vanity’ projects (NOTHING WRONG WITH THAT). 2. Creatives achieving VERY high-volume production to compete for this demand while maintaining that they do not subcontract—it's all their work. This pattern raises the question: How do these high-volume creatives do that? In this segme...

While still important, traditional media and even social media are no longer the guarantee of success for translating eyeballs into sales. Having a big platform or getting covered by big media does not mean your art will sell. This opens up opportunities for those of us with more modest platforms and/or marketing budgets to demonstrate to gatekeepers that we do have an audience. Questions for List...

Over the last year, we have been lucky enough to welcome several Gifted Achievers into the GU clubhouse—guests from many creative disciplines willing to talk about how they ideate, create, and share their work. In interviews of about an hour, we focus on questions of capacity (how to build a sustainable creative life), money (how to get paid for our work), and audience (how to identify, connect, a...

For most creative fields, learning the craft takes years of consistent practice and study. Maybe you’ve put in the time and effort, but how do you know if your current work is at a professional standard? Whether you’re a writer, artist, comedian, actor, dancer, or other creative worker, is there a chance that you are overestimating (or underestimating!) your capabilities? In the GU Clubhouse, Pat...

Since the late 1960s, Michael Palin has kept a journal cataloguing his experiences, thoughts, encounters, anxieties, and projects. James has found these journals addictive for a multitude of reasons, primarily for the insights they give into a successful creative life, and his emotions as they relate to his creative work. In this segment, Pat and James explore one quote that exposes Palin’s misgiv...

Embarrassment, a bit of trouble…has anything really changed with Gifted Underachiever James Buchanan since he was in second grade? Questions for Listeners: (Hop on over to our segment web page to leave a comment.) * Got any embarrassing childhood moments? * Care to share? For Further Exploration: Doctor Mike Most Embarrassing Moments Thanks for listening to Gifted Underachievers! This post is publ...

Pat and James explore whether consistency in creative work is overrated. Does some inconsistency give time for more and deeper reflection? Should we consider creative work like farming, where productive work includes more than just sowing seeds? The dynamic underachieving duo also coin the term: auto iteration asphyxiation. Questions for Listeners: (Hop on over to the segment web page to leave a c...

Here in the Gifted Underachievers Clubhouse we’re thinking about creative workers and how they make money. To earn money from your work, you need an audience, a buyer, a someone who thinks it's worth spending their money on. Not just your mom! So you’ve hit the point where your work is professionally adept...you’re no longer a novice, the stuff you’re creating is both original and technically soun...

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit giftedunderachievers.substack.com

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit giftedunderachievers.substack.com

This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit giftedunderachievers.substack.com

Pat and James explore the question of whether art can still drive cultural or social change in ways that improve people’s lives. The answer seems to be yes, but what James calls “the old tricks” don’t work anymore. Artists who want to influence other people have to find a new way forward. In the end, although the Gifted Underachievers realize that how people get their art has changed a tremendous...