Geoffrey Gordon Composer

This is the world premiere performance of the second movement of Geoffrey Gordon's QUINTET for Clarinet and Strings, played by the JACK Quartet and New York Philharmonic principal clarinet, Anthony McGill. The New York Times called the work, commissioned by the American Music Project, "darkly seductive....." "Mr. Gordon’s Clarinet Quintet combines a zest for sonic experimentation with a four-movem...

This is the world premiere performance of the fourth movement of Geoffrey Gordon's QUINTET for Clarinet and Strings, played by the JACK Quartet and New York Philharmonic principal clarinet, Anthony McGill. The New York Times called the work, commissioned by the American Music Project, "darkly seductive....." "Mr. Gordon’s Clarinet Quintet combines a zest for sonic experimentation with a four-movem...

This is the world premiere performance of the first movement of Geoffrey Gordon's QUINTET for Clarinet and Strings, played by the JACK Quartet and New York Philharmonic principal clarinet, Anthony McGill. The New York Times called the work, commissioned by the American Music Project, "darkly seductive....." "Mr. Gordon’s Clarinet Quintet combines a zest for sonic experimentation with a four-moveme...

This is the fourth movement of Geoffrey Gordon's FATHOMS, Five Impressions of Shakespeare's The Tempest (with Prelude) for cello and piano, in a performance by cellist Toke Moldrup and pianist Steven Beck, from Carnegie Hall, 17 December 2015. "Sometimes a thousand twangling instruments Will hum about mine ears; and sometimes voices, That, if I then had wak'd after long sleep, Will make me sleep a...

This is the third movement of Geoffrey Gordon's FATHOMS, Five Impressions of Shakespeare's The Tempest (with Prelude) for cello and piano, in a performance by cellist Toke Moldrup and pianist Steven Beck, from Carnegie Hall, 17 December 2015. "You taught me language, and my profit on't Is, I know how to curse ..."

This is the second movement of Geoffrey Gordon's FATHOMS, Five Impressions of Shakespeare's The Tempest (with Prelude) for cello and piano, in a performance by cellist Toke Moldrup and pianist Steven Beck, from Carnegie Hall, 17 December 2015. "To swim, to dive into the fire, to ride On the curl'd clouds ...."

This is the first movement of Geoffrey Gordon's FATHOMS, Five Impressions of Shakespeare's The Tempest (with Prelude) for cello and piano, in a performance by cellist Toke Moldrup and pianist Steven Beck, from Carnegie Hall, 17 December 2015. Miranda: "Do you love me?" Ferdinand: "O heaven! O earth! Bear witness to this sound ...."

This is the prelude from Geoffrey Gordon's FATHOMS, Five Impressions of Shakespeare's The Tempest (with Prelude) for cello and piano, in a performance by cellist Toke Moldrup and pianist Steven Beck, from Carnegie Hall, 17 December 2015. "A most auspicious star...."

This is the fifth movement of Geoffrey Gordon's FATHOMS, Five Impressions of Shakespeare's The Tempest (with Prelude) for cello and piano, in a performance by cellist Toke Moldrup and pianist Steven Beck, from Carnegie Hall, 17 December 2015. "But this rough magic I here abjure, and when I have required Some heavenly music, which even now I do, To work mine end upon their senses that This airy cha...

This is the premiere performance of Geoffrey Gordon's song cycle, Winterleben, a setting of five texts by poet Friedrich Rückert, for mezzo, horn and piano, commissioned for Los Angeles Philharmonic principal horn, Andrew Bain, through the gracious support of Elizabeth and Justus Schlichting. Friday, August 7, 2015 Zipper Hall, Los Angeles Andrew Bain, horn Renee Rapier, mezzo Nic Gerpe, piano PRO...

This is the premiere performance of Geoffrey Gordon's song cycle, Winterleben, a setting of five texts by poet Friedrich Rückert, for mezzo, horn and piano, commissioned for Los Angeles Philharmonic principal horn, Andrew Bain, through the gracious support of Elizabeth and Justus Schlichting. Friday, August 7, 2015 Zipper Hall, Los Angeles Andrew Bain, horn Renee Rapier, mezzo Nic Gerpe, piano PRO...

This is the premiere performance of Geoffrey Gordon's song cycle, Winterleben, a setting of five texts by poet Friedrich Rückert, for mezzo, horn and piano, commissioned for Los Angeles Philharmonic principal horn, Andrew Bain, through the gracious support of Elizabeth and Justus Schlichting. Friday, August 7, 2015 Zipper Hall, Los Angeles Andrew Bain, horn Renee Rapier, mezzo Nic Gerpe, piano PRO...

This is the premiere performance of Geoffrey Gordon's song cycle, Winterleben, a setting of five texts by poet Friedrich Rückert, for mezzo, horn and piano, commissioned for Los Angeles Philharmonic principal horn, Andrew Bain, through the gracious support of Elizabeth and Justus Schlichting. Friday, August 7, 2015 Zipper Hall, Los Angeles Andrew Bain, horn Renee Rapier, mezzo Nic Gerpe, piano PRO...

This is the premiere performance of Geoffrey Gordon's song cycle, Winterleben, a setting of five texts by poet Friedrich Rückert, for mezzo, horn and piano, commissioned for Los Angeles Philharmonic principal horn, Andrew Bain, through the gracious support of Elizabeth and Justus Schlichting. Friday, August 7, 2015 Zipper Hall, Los Angeles Andrew Bain, horn Renee Rapier, mezzo Nic Gerpe, piano PRO...