Film vs Movie

A movie with so much to debate, we brought in some extra help as Otter Lee helps us debate the latest entry in the Sony-verse, Madame Web. Is it high-budget camp or justa string of bad decisions? Follow Otter Lee Instagram: @otterleemoy TikTok: @otter leemoy

It’s our first anniversary!! What better way to celebrate than debating this 90s action sequel. Is it an underdeveloped script with bland characters or a satisfying thriller with unfair comparisons to its predecessor? Find out while one of us faces punishment for the Double Feature Face-Off results.

In our final Double Feature Face-Off, we have a battle of the Jurassic three-quels. Belton argues Jurassic Park 3 is a fun add-on to the original film, while Chris argues Jurassic World: Dominion properly extends the story. Don’t forget to hit the link to vote for who won this match-up as well as the previous two: https://forms.gle/wUwMM9qjr6okdubV6

Today is our second Double Feature Face-Off where you can vote on who won. Belton Argues Daredevil set the proper stage for future superhero films while Chris argues nothing can beat Nic Cage as a flaming skull named Johnny Blaze. Click the Link to Vote for who you think won: https://forms.gle/wUwMM9qjr6okdubV6

Today is our first of three Double Feature Face-Offs where you can vote who won. Chris argues Jack & Jill as Adam Sandler’s career thesis while Belton fights for Pixels as a Sandler great. Click the link to vote for you you think won: https://forms.gle/wUwMM9qjr6okdubV6

Today, we debate Zack Snyder’s new Sci-Fi adventure franchise. Is this masterful world-building setting the stage for future installments or a jumbled imitation of a different galaxy far, far away? Listen to us debate and find out.

Today, we discuss this crime biopic from a little known director? Is this a genre defining mafia movie or a mere edge lord fantasy? Check out the debate and see where you fall.

Today, we have another edition of Cutting Room Floor with Anna Paone. Anna is a filmmaker, screenwriter, and actress who talks with us about her college thesis film as well as how filmmaking has changed for her in adulthood. Follow Anna Instagram: @annaarbor annapaone.com

For Women’s History Month, we recognize a female-led blockbuster sequel, Wonder Woman 1984. Is this throwback a fun addition to the iconic legacy or a nostalgia fueled beginning of the end for a franchise? We debate and find out.

To close out Black History Month, we’re recognizing one of the most prominent Black auteur teams, the Wayans Brothers. Is Little Man a nonsense comedy or brilliant yet underappreciated satire? Listen and find out.

Today, we brought in some extra love with good friends, comedians, and married couple, Lee & Maxim Allen-Lan. They help us debate whether Valentine’s Day is a shallow celebrity stuffer or a true representation of love. Follow Lee IG & TikTok: @iwantpomeran1ans Follow Maxim IG & TikTok: @asparaguts    Follow My Friend’s Basement Studio IG & TikTok: @myfriendsbasementstudio    

Today, we have another edition of Cutting Room Floor with filmmaker, Diego Ramirez. We discuss his short film, The Blue Pendant, and his recent documentary, Still Strumming. Follow Diego on Instagram @fotodiego_ Check out Still Strumming on Tubi

Today, we’re joined by our good friend and CG artist, Vera Perez, to discuss the horror film Thirteen Ghosts. Is it an innovative visual spectacle or a thriller missing the suspense?

This episode marks Chris and Belton’s collective birthday as this film was #1 at the box office when they were born only to be remembered as one of the biggest bombs ever. Is it a smart character driven blockbuster or just run of the mill? We debate this film’s legacy.

We debate this 2002 horror film that was highly impacted by a major event. Did it heal a nation or provide a lackluster experience?

90s rap great, Vanilla Ice, had a starring vehicle set up by his record label. Was it bad marketing or successful in depicting how cool Ice really was? **This episode was recorded before the start of the SAG-AFTRA strike.**

We sit down with fellow comedian and filmmaker, Matt Levy, to discuss his short film from college, A Portrait of the Sandwich Artist As A Young Man, and his progression as a filmmaker. Follow Matt Instagram: @matturday_night_levy Rian Johnson Knives Out Storyboard https://twitter.com/rianjohnson/status/1218717738564087808

This episode, we discuss one of Netflix's most popular film franchises. Is the plot nonsensical or perfectly catered to their audience? **This episode was recorded before the SAG-AFTRA strike started on July 14, 2023

Produced during the pandemic, only the Master of Disaster himself, Roland Emmerich, could've gotten this done. Is it repetitive or transforming tropes in the genre? **This episode was recorded before the start of the SAG-AFTRA strike on July 14, 2023.

We're headed back to high school for this teen action-comedy which receives all the praise from Chris but some critiques from Belton. Follow us TikTok: @filmvsmovie Instagram: @filmvsmoviepod Belton DeLaine-Facey TikTok: @probablybelton Instagram: @belton.df Chris Shurr Instagram: chris_shurr

This episode, we debate The Bad Batch, a film that leaves much to the imagination which Chris argues is the perfect amount. Follow us TikTok: @filmvsmovie Instagram: @filmvsmoviepod Belton DeLaine-Facey TikTok: @probablybelton Instagram: @belton.df Chris Shurr Instagram: chris_shurr

This fan film got a lot more buzz than asked for. Was it for the best? That's what we debate today.

Today, we're starting a new bonus series where we talk to filmmakers about their early work and how they've progressed as filmmakers, and who better to start us off than our own co-host. Belton and Chris discuss his very first short and the struggles that come with no budget student filmmaking.

Today, we look at the work of one of the most popular amateur filmmakers out there, Neil Breen. Needs to improve or covert genius? You decide.

From the people who brought you Sharknado, comes this film that legally has no association with the movie you're thinking of. One could argue they've perfected their own genre of cinema. **Disclaimer: This episode was recorded before the events surrounding the Ocean Gate submersible. Nothing we say was intended to relate to the events, victims, or their families.**