Jim Penola
An Invitation Productions
An Invitation Productions sprung to life when storyboard artist Jim Penola began exploring Karyn Kusama’s 2015 masterpiece THE INVITATION with the podcast titled––what else?––“An Invitation to THE INVITATION.” 🟣 The limited series remains a unique narrative/critical hybrid that is as meticulously scripted as it is produced, using Kusama's film as a means of highlighting cinematic craft alongside rigorous self-inquiry. Jim’s passion for other films blooms further in an eclectic selection of “one-off” episodes that excavate movies like COOL RUNNINGS and JUPITER ASCENDING. 🟣 However, his fascin...
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Autor
Jim Penola
Categoria
Site do podcast
Último episódio
5 de ago de 2025
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Android 5 mi+ downloads · nota 4,8
iOS em breve
Episódios
An Invitation to THE INVITATION: Pages 6–15 06.10.2020 29:17
In episode 2, host Jim Penola continues his deep dive of THE INVITATION with a reading of pages 6 through 15 of the screenplay––exploring the indelible score by Theodore Shapiro, the introduction of the ensemble cast, and the way those supporting players might amplify Will's (Logan Marshall-Green) grief instead of relieve it. | Original Score by John Penola | Additional Audio Production by Br...
An Invitation to THE INVITATION: Trailer 24.09.2020 0:46
"An Invitation to THE INVITATION" is a limited podcast series discussing Karyn Kusama's critically-acclaimed Suspense/Drama THE INVITATION (2015) scene-by-scene. Hosted by Jim Penola, each episode starts with a reading of a scene or scenes from the original script, followed by an analysis of those scenes – the resulting experience forming a radio-play-meets-film-criticism hybrid. Fi...
An Invitation to THE INVITATION: Pages 1–6 24.09.2020 29:45
In the inaugural episode of "An Invitation to THE INVITATION," host Jim Penola recites and breaks down the first 6 pages of the shooting script for 2015's THE INVITATION (the acclaimed suspense/drama directed by Karyn Kusama and written by Phil Hay & Matt Manfredi). As per the structure of the series, Penola contrasts the selected pages with the final cut of the film – noting th...
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