Zombpocalypse Now: Discussing Undead Things

In which we consider two episodes of THE WALKING DEAD, and somehow still manage to make one of the shortest episodes we've ever had. Hmmm.

In which we get Philosophy in the Time of the Zombpocalypse, a very special guest star, and Team Zombie are divided about the effectiveness of a surprise decision.

In which we get Love in the Time of Zombpocalypse, and the unasked for answer to the question of Daryl's love life.

In which we return to the world of THE WALKING DEAD, and ponder the return of Maggie in "Home Sweet Home".

In which we complete our look at the 2021 THE STAND miniseries, and find the final few episodes a marked improvement, but is it too little too late?

Our apologies, ladies and gentlemen, but life is a thing that has a habit of getting in the way, and it has a bit of late. That said, we're back and catching up, and over the next week you'll be seeing several new episodes of the show as get back onto the schedule we - mostly/sort of/kinda - try to keep to. For this episode, we continue our look at the new THE STAND miniseries - specifically episo...

In which we continue our look at the new adaptation of Stephen King's THE STAND, and spend a lot of the episode... talking about pretty much anything other than THE STAND. There are reasons.

In which we begin to consider the new adaptation of Stephen King's THE STAND, and wonder how - with a cast this good and production level so high - they've managed to make a thing that makes us so very angry.

We loved LETTERS TO SATAN CLAUS. In this episode, we are most pleased to be joined by Mike Zara, who wrote the script, and Emma Sutherland, who directed the film, both of whom are, in fact, most delightful guests.

In which we ponder TRAIN TO BUSAN PRESENTS: PENINSULA set in the world created in TRAIN TO BUSAN. We loved the first film, as for the second, welllllll...

In which we watch the SYFY movie LETTERS TO SATAN CLAUS and are very much entertained.

In which we review the simple tale of a teenage girl who switches bodies with a serial killer and in which much humorous bloodletting ensues.

In which we binge the remainder of the first season of THE WALKING DEAD: WORLD BEYOND and FEAR THE WALKING DEAD's episodes up to the season break and ask ourselves just who exactly is THE WALKING DEAD: WORLD BEYOND actually for and why do they hate their viewers so much?

Part Two of our return to the THE WALKING DEAD Universe, in which we begin to binge-watch and cast our baleful eyes upon the new seasons of FEAR THE WALKING DEAD and THE WALKING DEAD: WORLD BEYOND.

In which we return to the THE WALKING DEAD Universe, and cast our baleful eyes upon the new seasons of FEAR THE WALKING DEAD and THE WALKING DEAD: WORLD BEYOND.

In which we consider all the joys and frustrations of the finale to a show that - on balance - we've really enjoyed watching.

In which we find ourselves feeling let down by a well-meaning episode that doesn't go far enough, and an origin story we didn't need.

In which we consider the bravery of children, evils visible and invisible, and giant beasties.

In which we have some decidedly mixed feelings about Hippolyta's Cosmic Journey and ponder the hard conversations of families.

In which hinted at histories are revealed, tragic and doomed love is discussed, and our intrepid team addresses the horror of - shudder - furry tentacles.

In which we discuss the transformative horror of LOVECRAFT COUNTRY's "Strange Case" and sex. So much talking about the sex.

In which we find ourselves traveling deep into the earth, into both certain quite familiar tropes, and some problematic areas, in our look at LOVECRAFT COUNTRY's "A History of Violence".

In which we travel to LOVECRAFT COUNTRY's haunted house, and find that the worst monsters aren't the spirits inside it. And that Leti is a badass.

In the first of two episodes this week - Mr. Harvey has been running behind on the post-production side of things - we journey to LOVECRAFT COUNTRY again for "Whitey's On the Moon", and find that in true Lovecraftian fashion, ancestral homes are not the safest places to visit.

In which we turn our attention to both the cosmic and all-too-human horrors of LOVECRAFT COUNTRY.