WTF Bach

This is the final episode introducing Bach’s cantata cycle of 1724. In the first four cantatas of the cycle, we heard how Bach used Lutheran hymnal melodies as cantus firmi in different voice parts in each opening movement (sopranos, followed by altos, followed by tenors, followed by basses.) Here, the next two cantatas see less predictable treatments of the old melodies. Bach evidently valued the...

Last episode we introduced Bach’s second cantata cycle from 1724. We saw in the first cantatas of the cycle, Bach used a church melody as the cantus firmus first in the sopranos, then the altos. This episode we will explore the next two cantatas where Bach sets the cantus firmus in the tenors in BWV 7, and the basses in BWV 135. About the melody you may know as “O Sacred Head Surrounded” Pieces he...

Peter Schickele was one of my idols. He died on Tuesday, January 16. His creation, P.D.Q. Bach , helped bring much needed self-effacing humor to the world of classical music. Links below to help you get into his (and Victor Borge’s— another giant of classical music parody—) life and work: Peter Schickele’s Obituary, NY Times Beethoven’s 5th announced as a baseball game (a classic!) The Short-Tempe...

In this episode we delve into Bach’s second cantata cycle begun in 1724. The first two cantatas are briefly covered, (with two further cantatas to follow next episode) as well as the connection between the Lutheran church melodies and the significance of the year Bach began this ambitious project. Pieces heard: BWV 20, O Ewigkeit, du Donnerwort (Click here to see the live video) BWV 2, Ach Gott, v...

I rarely just play on this podcast, but that’s how I’d like to package this little present for my listeners. Rather than spending days researching and writing, today I will play four fugues and introduce them only briefly. It’s some twenty minutes of music I hope you can enjoy during your holidays. The quote I read to introduce this short concert is by Mortimer J. Adler . Bach wrote this music bef...

In today’s episode we have a look at one of Bach’s Arnstadt masterpieces, the fugue in c minor BWV 574 on a theme by Giovanni Maria Bononcini (The composers Giovanni Bononcini and Antonio Maria Bononcini were his sons.) According to the Neue Bach Ausgabe, this fugue is the first double fugue in history. Here is a picture of the title page in his brother’s hand with the erroneous attribution to Leg...

EDIT June 2024. I have misunderstood the term ‘Applicatio’ in this episode. I now understand it to refer to the fingering and not the application of ornaments— despite the fact that many ornaments are ‘applied’ in the piece. ‘Applicatio’ as I now understand it sometimes referred to the hand position on a string instrument, or here, where to ‘apply’ the fingers. This video highlights the correction...

How did Bach understand the concept of Phi ? 1.618 …? Here are a few examples where Bach highlights the “Golden Section” in a piece through either a fugal technique, a shift in musical language, or something else. Send us your most remarkable golden section moments! For the first episode where I mentioned the golden section and Bach, click here . Pieces covered: Fugue in C major, BWV 846 Invention...

In this episode I delve into two very diverse chorale preludes: one from the so-called, “Great 18” and one from the individually transmitted. Here is a link to Bach’s own autograph of the Leipzig chorales. Beautiful handwriting! Marie-Claire Alain’s recording of BWV 655 (completely different to Koopman’s) The “Organ Sonatas” I recorded with LH/RH hard panning On Spotify on Apple Music We survive s...

-- I AM STARTING A SUBSTACK SOON SO JOIN THE FUN: WTFBACH.SUBSTACK.COM -- Thanks for listening! In this episode we discuss the history of the Chorale- how it became called 'Chorale' and how it factors into Bach's music. Pieces featured: BWV 691 and BWV 93 (Chorale) at the same time BWV 651 BWV 682 Performers were: Michel Chapuis, Kay Johannsen -- Here are the links to the cantata cycles mentioned...

Though this episode starts with quite the extended introduction, this is in fact EPISODE THREE In a four-part study into the 14 additional canons on the back of the Goldbergs, BWV1087. Here in this video, we dismiss a popular Bach video, and examine which videos are in fact Möbius strips.  Here is the  disproven crab canon video. Here are two studies which don't quite go far enough: One . I love t...

Finally! The influential Joshua Rifkin guests on the WTF Bach Podcast.  Rifkin made Bach fame with his groundbreaking (and controversial!) theory that Bach’s vocal works (and other 17th & 18th century) composers’ works were sung with only one singer per part. He recorded the b minor mass, several cantatas, and other Bach works in this format.  We spoke for almost three hours about ragtime, the...

Q: What if those really slow interpretations of the cello suites from the 30s and 50s could be sped up? A: Exactly.   https://www.jsbachcellosuites.com  - check out this website! It's a great source on the history of the recordings of these pieces.   Thanks for all your feedback, donations, ideas, everything. Please follow @wtfbach on instagram for (almost) daily Bach content.   We thank YOU for s...

Thanks for supporting us through 50 episodes!  What makes Bach, BACH?! As a special celebration, the 50th episode of The WTF Bach Podcast is a live lecture presented by Tonebase. The topic is the ever looming one: why is Bach's importance so great? Studying the ideas behind a few of his instrumental collections, we see that Bach's ideas are always expanding outward, perhaps lending to his all-perv...

EPISODE TWO: On the back of his own personal copy of the 'Goldberg Variations', Bach notated an additional fourteen canons. These were discovered only as late as 1974(!) and are among the most interesting compositional exercises we know from the composer.  From eight bass notes (the first 8 notes of the 'Goldberg' Aria- the structure in a sense,) Bach creates, yes, fourteen other canons. In this e...

I was recently asked to explain chromaticism, so I thought I'd give it a try here. Bach's fugue based on a theme by Tomaso Albinoni  in B minor, BWVs 951, and 951a: the subject itself contains a chromatic descent (B, A#, A, G#, G, F#) and though Albinoni himself wrote it, it was Bach who brought the ideas behind such chromaticism to the next level.  HERE is the recording which I was not able to cr...

On the back of his own personal copy of the 'Goldberg Variations', Bach notated an additional fourteen canons. These were discovered only as late as 1974(!) and are among the most interesting compositional exercises we know from the composer.  From eight bass notes (the first 8 notes of the 'Goldberg' Aria- the structure in a sense,) Bach creates, yes, fourteen other canons. In this episode, we in...

This episode was inspired by my recent discovery and purchase of an Encyclopedia Britannica. It's a fascinating collection of knowledge and I highly recommend finding some volumes and reading them. This is the Bach article appearing in the EB from as early as 1926 even until the 1960s, written by D.F. Tovey.  We also listen to fugue BWV 959, very early, very wild, very W.T.F. in unequal temperamen...

More than simply, “in tune” or “out of tune” a temperament is a solution to the ancient problem of creating a circle out of a spiral. By the time Bach had his shake at this problem, the musical world had advanced far enough, setting the stage for his great mind to create a well-tempered solution that allowed him to compose in all 24 keys. Not all keys sound the same in the vast majority of tempera...

How much more famous can music be than that one Prelude in C? The Prelude BWV 846, the first prelude in the Well-Tempered Clavier, is heard everywhere, but why? How? What purpose could such a piece have served in Bach's day? We discuss two early, shorter versions of the prelude, and one erroneous version with an inauthentic bar (the 'Schwenke measure' - be on the look out if your copy has 36 bars...

It started with an Instagram Post , but like all questions about Bach, to answer the question of Bach's 'longest' piece required posing further questions:   Longest how? Minutes? In terms of Measures? In terms of the longest single piece on a concert? ...wait, what is a 'piece' anyhow? Does one of the passions count as a single piece? What about just the amount of notes?  You may be surprised to h...

A brief analysis of Cantata 147, Herz und Mund und Tat und Leben, BWV147. Such a large piece of music, it gets it own episode. Will I continue to devote episodes to the cantatas? Read the bottom of the description.  The work is famous for, if nothing else, the two chorales that we know as 'Jesu, Joy of Man's Desiring.' As it was suggested by a listener, this is part two of the previous listener's...

SPOILER ALERT! I split this episode into TWO! The NEXT episode will cover cantata BWV147 exclusively.  -- To begin your week! Three pieces you requested were: Toccata in g minor BWV915 Allabreve in D major BWV589 Cantata BWV147 (NEXT EPISODE!) -- Please enjoy my brief analysis of these pieces which, in their own right, could take up many episodes each, and THANK YOU for suggesting I cover them. Pl...

It was brought to my attention that, yesterday, at the State Funeral of Queen Elizabeth II, there was only one non-Biritsh piece of music included. It was of course penned by our beloved J.S. Bach, whose inclusion in the royal festivities made an impression on me. The piece was this gorgeous fantasy for organ BWV 562, discussed in this episode. Enjoy! The unfinished harpsichord fugue discussed by...

This week I chose to read experts from the 'New Bach Reader', a compilation book of documents from Bach's life or shortly thereafter. These documents are sometimes letters, receipts, or newspaper notices, but might be a dinner bill for an inn where Bach stayed, or his candid thoughts on singers. I highly recommend this book. Find it here.   NEXT EPISODE IS LISTENER'S CHOICE- SEND ME THE PIECE YOU...