Writing Excuses

How do you write the middle of a book? How do you end your book? How do you know what to write next? This week, our hosts —who all work as a writers and publishers (and are sometimes teachers and puppeteers and many other things)— talk through how they have written the middle of their books.  The middle is where most of the story takes place. How do you keep track of your characters and plot? How...

Let’s talk about organization! This week, we’re talking about how and what to keep track of— characters, places, names, etc. How do you organize a book? How do you outline a novel?  And don’t worry, we dive into the messy question, what is worth keeping track of in your writing? We also hear about how Howard and Mary Robinette have turned their planning tools (and research!) into money.  Homework:...

18.34: 17 Years of Foreshadowing What can Normal Gossip teach us about foreshadowing and artful storytelling?  Thinking about the 20 books that make up Howard Tayler’s Schlock Mercenary, our hosts discuss foreshadowing—our favorite examples, and our go-to tricks for structuring our own work. What does foreshadowing actually do for our work? Do we even need it? Well, yeah… it’s like invisible narra...

Bonus Episode! Our first ever half-numbered episode! We are making some changes here on the podcast, and we wanted to talk to you about them. We hired a producer (Emma Reynolds), we have new interactive offerings on Patreon (office hours, livestreams, Q&A’s), and we are going to begin advertising! Don’t worry, you can subscribe to our Patreon to listen ad-free. Homework :  Go check out our Pat...

The first episode in our eight-episode Deep Dive into Howard’s weekly webcomic strip, Schlock Mercenary. We grill Howard on how he taught himself to draw, why he decided to self-publish (hint: his wife, Sandra Tayler, helped him), and how he managed to write an ending.  Homework :  The "How it should have ended" game: write your own ending(s) to one or more of your favorite things. (For re...

We have a special guest episode! Kirsten Vangsness, Criminal Minds star, joins us to talk about her experience as a writer, actor, and playwright. She taught us how she deals with imposter syndrome, and how she uses performance as a writing tool. We also talk about self-actualization, cats, and filling your metaphorical art well. Homework : From Kirsten: Record yourself, stream of consciousness, t...

In our final episode diving into how and why Dan wrote “Dark One: Forgotten,” talk about how you can take something personal and mine it for fiction. We also tackle the complicated question— Why should you be the one to tell your story?  We think about the personal touches that you can add to your writing, and how people can hear when your story is personal.  Homework : 2 things!  1. Have you watc...

How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genre and what to expect from it. We talk about how we work within these confines while also making space for surprises, magic, and the supernatural. Homework : Do a reread or rewatch...

What are the best practices for collaboration? How do you write in an established intellectual property (IP)? How do you write a new story in an established world? We dive into working with an individual or a group. We hear stories from our hosts about how they have navigated creative endeavors with different types of collaboration. Homework : Grab something on your TBR (to be read) pile and pick...

How do you write dialogue that sounds natural? We have some things to keep in mind when you write conversations between characters. When people converse, they do so with more than just words. Body language, tone of voice, and societal context all play a role in understanding what a person means. How do you convey that on the page or in audio? Homework : Take dialogue you've written. Delete eve...

Have you ever framed a story within a story? Are you looking for a way to add structure or tension to your story? In this episode, we contemplate the value that can be added to your writing by putting it into a framework. Our hosts discuss various frameworks in fiction—from Frankenstein to Dark One: Forgotten to The House of the Spirits.   [“Dark One: Forgotten” Deep Dive Ep. 4]  Homework : Take s...

Let’s talk about the things you can write that are not typically what we talk about—formats that aren't novels and short stories. In this episode, we’re thinking about scripts, RPG adventures, video game dialogue, etc. What other forms are out there, and how can you apply the skills you already have to a new form?  [“Dark One: Forgotten” Deep Dive Ep. 3]  Homework : Take something that you’re...

In our second episode on Dan Wells’ audio-only book, “Dark One: Forgotten,” we provide you with tools and advice to consider when deciding whether or not to have a narrator. We also talk about location-aware dialogue, or how you can have your characters info dump without it being an info dump. Homework : Take something that you’ve already written, and adapt it for audio.  Thing of the Week: Earbud...

The team grills Dan on his audio-only book “Dark One: Forgotten,” which he co-wrote with Brandon Sanderson. We find out how he wrote a book that became a six-part audio series, and why exactly that form is important. *Please listen to “Dark One: Forgotten” before listening to this episode!*.  Homework : What's a thing you know, but everyone else has forgotten? Come up with a supernatural reaso...

“Show don’t tell” is probably the most famous advice given to writers. But. . . we don’t necessarily agree. In our final episode of our deep dive into publishing, we tackle advice: How do you give it? When do you not? Our hosts tell us about the advice they wish they followed and the things they don’t tell their students. Also: Mary Robinette teaches us a trick about puppet fingers.  Homework : Wr...

How can we make publishing more inclusive? What role does mentorship play? And how can you reframe competition as collaboration? All this and more in this episode. Homework: What's one thing that you can do to make someone else's path easier? Can you take a step towards doing this this week? Thing of the Week: After Five - newsletters from Suyi Davies Okungbowa Mentioned Links: On Sending...

The relationship between a writer and a publisher is… one that isn’t talked about enough. So we made an episode about rejection letters, email etiquette, and empathy.  As a writer, how do you talk with a publisher? Well, luckily we have someone who knows all about the publishing world because they’re an agent at a large publishing house. DongWon offers advice on how to interact with publishers fro...

Have you ever thought of being a publisher, but don't know if it's the right choice for you? In this episode, DongWon (an agent at Howard Morhaim Literary Agency) walks you through this world and gives you some tips for how to decide if publishing is the right career for you. Homework: Come up with a list of 3 things you've read. Think of things that can act as comp titles for your pro...

In this episode, we unpack what the publishing industry is, what exactly it does, and why it does it. We also outline the first steps for preparing to talk to an agent or publisher. Homework: If you had to sit down with a publisher today and convince them that there's a market for you book, how would you start doing it? Make a list of 3-5 titles that your book is similar to, and describe your...

It's 2023 and people still use email newsletters. For some reason they're more important than ever, so let's talk about building one. Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use...

An exploration of author branding and the social media tools we use. "Figure out who you are, and then do it on purpose" - Dolly Parton. Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use m...

Publishing is hard. Also, Publishing is Hard is a newsletter from DongWon Song. In this episode we grill them about it. Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX f...

Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we're ready (we hope!) to revisit the creation of mystery stories. Credits: Your hosts for this episode were Mary Robinette Kowal,...

Let's take all our tension tools and apply them in tiny ways. A big application of tension might be an argument between two characters about a course of plot-important action. Microtension might be those characters arguing about how long to boil eggs. In this episode we'll explore some favorite applications of microtension, and the ways in which it can be layered to ramp up the larger, plo...

In our ongoing exploration of tension, the time has come to examine conflict. It can be shaped and delivered in numerous ways, but you have to know the core conflict before you can make anybody feel tense about it. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jac...