Writing Excuses

We took Writing Excuses on the road last month for "Life, The Universe, and Everything," the symposium on Science Fiction and Fantasy at Brigham Young University. The Guests of Honor were Tracy and Laura Hickman, and poor Tracy agreed to join us for a podcast or two, recorded in front of a live audience. After the initial introductions we dig into clichés, starting with characters - specif...

"Branding," not "Brandon," just so we're clear. Brand-ING. We open with the definition of "branding," talking about what it is, and (just as importantly) what it is not. With that out of the way we forge ahead and talk about author brands, brand messaging, and why any of this really matters. We throw down a few examples, and use them to help the listener arrive at a dec...

 Rob Wells joins the Writing Excuses crew for a second 'cast, this time dealing with fight scenes. We talk about good blocking versus a bad blow-by-blow, and cover a few of the factors that may dictate the right style of description for that wicked-cool fight you've pictured in your head. This episode is fast-paced and, well... punchy. No, really, it is. Seriously, that seemed like the rig...

Howard takes the moderatorial lead on this episode in which he, Brandon, and Dan are joined by Rob Wells for a discussion of marketing. What is marketing? What's the difference between marketing and PR? What's the difference between a marketing manager and a publicist? How can knowing this help a creator position his or her work? We'll answer these questions and more... Writing Prompt:...

Brandon and Dan met during a creative writing class at Brigham Young University, and Brandon went on to get a Master's Degree in the field. Howard has no formal training in the field. This begs the question... do creative writing classes help? Are they worth the time? Short answer: Yes, but maybe not in the way you were expecting. We discuss not only the formal education aspects of creative wr...

Let's get back to world-building, and dig into a tough one: government. In this case we're talking about government as part of the backdrop, rather than political intrigue as part of the plot. Are you going to create a monarchy, a democracy, or perhaps some crazy, experimental sort of rigidly constitutional representative republic? City-states? Confederations? Empires? What's it going...

Our producer Jordan Sanderson joins us for this week's installment, in which we likely make all kinds of enemies among the authorial community by exposing the many things they're doing wrong with their websites. The fact that you, fair listener, are here reading content on our website shows that you have fine taste in these things, and trust us to lead you right. And we will! We'll do...

The Writing Excuses crew returns to world-building, this time to discuss the creation of non-human races. Why do genre-fiction writers use aliens and monsters, short folk, tusked folk, or any other variation on "people" who aren't human? Can new writers successfully recycle the classic Tolkien races and use dwarves, elves, orcs, goblins, and trolls? If not, how can new races best be cr...

When do you know when you're ready to begin? What does that question even mean? Apparently Brandon gets asked it a lot, though, so he posed it for the group. How do you know when that story in your head is ready for you to start writing it? Or maybe, how do you know you're ready to start writing that story that's up in your head? Or perhaps, when do you know when in that story in your...

We get asked a lot about our writing habits. So your Writing Excuses hosts spend the whole 'cast discussing their schedules, their work environments, and the things they do to make themselves more productive while keeping themselves creative. Peace and quiet? Clothing? Distractions? Pants? We answer these questions and more. Will any of this work for you? You tell us! The comments are a great...

All three of your Writing Excuses hosts include a measure of violence in their written work. So Brandon, Dan, and Howard decide to clear the air a little bit. Why do we write about violence? What does it bring to a work of fiction, and what challenges does it pose? Is there a morally appropriate way to write about violence? How does it impact the theme of your work? Is there a difference between w...

For the first time in eleven episodes, we have a "normal" one. No special guests, no special locations, and no new format tricks. This episode grows out of Howard's ignorance - remember back in Episode 10 when Howard called "can of worms" on "theme?" Well, we open the can for this entire episode. What is theme? Is it something the author must consciously include? Is it...

Dave Wolverton joins us for a third and final episode, and the Writing Excuses team pumps him for information before letting him escape. We find out why he uses two names (David Farland and Dave Wolverton), how to name characters, and why writers don't jump between genres much. Dave discusses the state of the genre-fiction publishing business, and prognosticates a bit on its future. As a speci...

Dave Farland, aka Dave Wolverton again joins the Writing Excuses team, and helps us discuss boredom. Specifically, we cover how to deal with it, how to go about writing those "boring parts" that come between the exciting bits that fuel your writing passion. We talk about skipping ahead, switching viewpoints, following the pain, and trying to do this in a first-person narrative. And for an...

This week (and for the following two weeks) the Writing Excuses crew is joined by author Dave Wolverton, who also writes under the name David Farland. This week's topic? ROMANCE. What can four adult males possibly have to say about the subject? The answer: We tell you absolutely everything we know in just sixteen minutes and fifty-one seconds. And there was time left over in there to stick in...

With Brandon still mysteriously missing, Professor Bob Defendi returns to take Dan and Howard on a magical journey through the three-act format: every step, every element, every nuance of this very common and very helpful writing structure. The only way you could conceivably learn more is in a magic school bus, and frankly we don't think that's very likely. This week’s episode is brought t...

Howard, Dan, and guest Bob Defendi open this episode with some high literary humor. Bob fills in for Brandon as we discuss formulas writers use in crafting stories. But how do we prevent those stories from feeling formulaic? Can the formulas themselves help? We discuss (at a high level) the three-act format, the hero's journey, the romance, the two-act format, try-fail cycles, and others. This...

Episode 6, recorded live at Dragon's Keep opens with monkey noises and greeting-card pith, and ends with... well, we'll just let you listen. Is it a storybook ending? What IS a storybook ending? What is a whiz-bang ending? Is the ending the ending, or is the ending followed by a denouement? How important is a good ending? Writing Prompt: Take whatever you're working on right now, look...

So you've got a fantastic idea for a book or a short story, but where do you go from there? Who can give the incentive to write, the support to keep going when it gets hard, and the tough love to let you know when it sucks? The answer: a writing group. Writing groups can be difficult to put together and manage, but when everything clicks the rewards can be invaluable. This week we discuss all...

Eric James Stone joins us for our final Mountain-Con episode. This Q&A covers writing part-time (and Dan disqualifies himself from answering this question in future episodes), setting deadlines for yourself, writing plot twists, and providing character description within that character's viewpoint. Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal:...

No matter how grand your setting, how intense your conflicts, or how tight your plot, at some point you're going to need characters. Join us as we discuss what makes a character interesting, memorable, and unique. Once again, the team is joined by Brandon Mull of "Fablehaven" fame. Brandon Mull’s website This week Writing Excuses is brought to you by the Writing Excuses Season One Coll...

Kids these days with their long hair and their love of reading. It's like, get off my lawn, am I right? But in other news, kids (meaning anything from chapter books to mature YA) read a TON, and somebody has to write those books, and it might as well be you. Learn how to write for children with the Writing Excuses team and special guest star Brandon Mull, author of the wildly successful Fableh...

We talk among ourselves about some episodes of this podcast being "crunchy" and others being "fluffy." "Crunchy" episodes are the ones where we have hard advice about writing. "Fluffy" episodes are the ones where we talk a little more philosophically about the profession. This episode takes "fluffy" to a new, flufftastic level. Here are twenty minutes excerp...

You didn't think we'd just keep going with the same old stuff forever, did you? Well, actually we are, but now we're calling it Season 2. This season begins with a series of episodes recorded at Mountain Con in Layton, UT, each of them rife with wisdom and wonder. This week Writing Excuses is brought to you by the Writing Excuses Season One Collection on CD. Our Sponsors: * Check out H...

Everyone says you can't teach style--each writer just has to figure it out on his or her own. Well, we here at Writing Excuses have never met an ultimatum we didn't immediately challenge, so today we take it head on. Can you teach style? Can you learn tone? What makes each writer's voice unique? Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal:...