Writing Excuses

Steven Barnes joins us to tackle Elemental Issue, round two, in which we look at how to address it as a sub-element. He describes the thesis/antithesis approach, and we move then to logical frameworks, and how to avoid making our stories dogmatic. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson. Our Sponsors: * Check out HomeServe and use my...

Our listeners have been asking for an in-depth, "crunchy" episode on colonialism, and related issues like cultural appropriation, for a couple of years now. Our voices, however, are not the ones our listeners should be hearing on the subject. Finding the right voices has not been easy, but it has been worth it. This episode runs for over 25 minutes. Steven Barnes, K. Tempest Bradford, Dong...

For November, our elemental genre is "Issue," and we were joined by actor, writer, and comedian Desiree Burch. The Elemental Issue is similar to the Elemental Idea, but the type of idea being explored is a point of social conflict, like racism, teen pregnancy, or corporate greed. Authors writing Elemental Issue stories raise questions for the readers. We talk about how to go about writing...

Three days late for the beginning of NaNoWriMo 2016, here's a bonus episode about maps. Because nothing says "keep writing" like "hey, let's draw a map now!" Dan and Howard were joined by Maurice Broaddus, Mur Lafferty, and James L. Sutter, who wanted to talk about maps. As Napoleon Bonaparte is rumored to have said prior to invading Russia, "geography is destiny." ...

Happy Halloween! Darren Shan talks horror with us in this bonus episode, made possible by our Patreon supporters. Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a g...

Spoiler Alert! If you haven't yet read Ghost Talkers, by Mary Robinette Kowal, this episode will spoil great swathes of book for you. Also, you probably won't get as much out of it. This week's episode is a Project in Depth discussion focusing on Ghost Talkers, by Mary Robinette Kowal. We begin with the difference between the catalog pitch and the pitch given to editors, and how critic...

Our third Elemental Drama episode is a Q&A, featuring Tananarive Due. The questions are from the attendees at the Writing Excuses Workshop and Retreat: Rather than having a protagonist change themselves, can elemental drama have the protagonist change others? What happens when a character refuses to learn, refuses to overcome their flaw(s)? What are the lines between drama and melodrama? Do yo...

Focusing on elemental drama can be tricky. Remember, elemental drama is basically "character change." A great many stories use character change in some way—it's almost ubiquitous. In this episode we'll pick at the ubiquity, and look at the many different ways in which character change can be featured, and what sort of tools we have at our disposal to make this happen in our stories...

Robin Hobb joined us at GenCon Indy for a discussion of characterization and differentiation. And by "discussion," what we really mean is "we ask Robin all the questions." We learn about Robin's process for creating characters, wrapping stories around them, and making these characters distinctly different from each other. Credits: This episode was recorded by Joel Burnham, and...

Navah Wolfe, an editor at Saga Press, joined us to talk about the manuscripts she would really like to see. Ordinarily we don't encourage people to write to the market, but Navah asked specifically for the opportunity to tell our listeners what she's looking for. As it happens, tracking Navah's wish list as you write is unlikely to send you haring after the latest trend—you're far...

The word "drama" gets thrown around a lot. What do we mean when we use "drama" as an elemental genre? For us, Elemental Drama focuses on one character's transformation, and how that transformation affects everyone around them. This is a narrow definition of the word, but it's a very useful way to look at books where the character journey is what has us turning pages. We tal...

Greg van Eekhout joined us at Phoenix Comic Con for a live-audience Q&A session about Elemental Relationship writing. Here are the questions: What is your favorite way to establish relationships? How do you recover when a relationship starts to feel forced? How do you show a "best friend" relationship? How do you decide the pacing of the romance? Do you try to make the nature of charac...

We find the elemental relationship in all kinds of stories that are not fundamentally about relationships. The intimate interaction between characters is part of how we define the characters, how we understand who they are as they go on to do the stuff that the story is about. In this episode we'll talk about how to apply the principles of relationship writing to stories whose page-turning imp...

Live from Phoenix Comic Con, Gama Martinez joins us for a discussion of casting your book. This is the process by which you create a cast of characters for your story ahead of creating the story itself, allowing you to stay ahead of your default decisions for who will step into the scene next. Credits: this episode was recorded live at Phoenix Comic Con by Jeff Cools, and mastered by Alex Jackson...

In elemental relationship stories the primary page-turning driver is the relationship between two or three characters ¹. In this episode we discuss ways in which we can write character relationships—parent/child, buddy-cop, romance, and more—to be compelling. Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We're differentiating "Relationship" from "E...

For our third Elemental Humor episode Victoria Schwab joins us as we field questions taken from our audience at Phoenix Comic-Con. Here are the questions: How do you add humor to a serious story without breaking the tension? How do I move beyond the "Dad jokes" and into properly funny writing? When is humor necessary in horror? Where is the line between a comedic book, and a book that uses...

Humor is present as an element, at least to some degree, in a substantial amount of the media we consume. In this episode we discuss some stylistic tools for applying humor to our work, and how these tools can best be employed. WX Trivia: Episode 11.34 represents a pair of firsts for us here at Writing Excuses. It's the first time we've had to resort to having Howard record a fresh intro t...

Victoria Schwab, who also writes as V.E. Schwab, joined us in Phoenix to talk about crossover fiction—in this context the term means books that target a given demographic but which have a much broader appeal, or books which straddle the line between age demographics. We discuss some good crossover examples, and how some of the boundaries work, and then we cover some of the techniques we use when w...

"Talking about humor is the least funny thing you can do." —Howard Tayler You have been warned! and with that out of the way... What is the driving force that gets readers to turn pages in a book that is primarily a work of humor? More importantly, how do we as writers get that driver into our books? We cover this, and provide some starting points for writers seeking to improve their humor...

Trina Marie Phillips joined us at Phoenix Comic Con to talk about her work as a futurist. Futurism, for those unfamiliar with our use of the term here, is related to science fiction, but it remains rooted in existing technology and trends, then seeks to be predictive in useful ways. Liner Notes: Trina mentioned some online resources (and a four-year educational program!) for those interested in wo...

We fielded the following questions about the "Thriller" elemental genre from listeners on Facebook and Twitter: How do I build tension consistently through my story? How do you maintain tension during dialog? When do you not use a cliffhanger? Do you ever picture your scenes as if they were in a movie? How much elemental thriller is too much for a book that isn't a thriller? What's...

Thrillers are, by their very nature, page-turners. In this episode we look at the thriller element as part of a story whose principal driver is one of the other elemental genres. We consider some examples of blended-with-thrill stories, and then drill down a bit and look at how we can incorporate this in our own work. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jack...

Alyssa Wong, Campbell Award nominee and Nebula Award winner, joins us to talk about impostor syndrome. This is the frame of mind that many successful writers suffer from, in which they worry that they're not really good enough at writing to be enjoying their success. Worse, this mindset can prevent us from continuing to create. Many of us suffer from this, and we have some strategies to cope w...

Let's get this out of the way up front: in the syntax of elemental genres, the phrase "the element of thriller" is clunky. But we'll say it anyway. We discuss the difference between the drivers in thrillers, horror stories, and mysteries, and use the elemental genre tools to assist in the differentiation. We also cover the tools we use to develop and maintain the tension that is so...

In this episode we field some questions about elemental mystery. Here they are! How do you balance between two mysteries in the same story? What types of mysteries can fit well as sub-plots? What do you do when beta readers figure out the mystery really early? In the MICE quotient, are mysteries all "Idea" stories? How do you write a protagonist who is smarter than you are? How do you make...