Writing Excuses

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal With the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) explained, and the concept of nesting, or braiding the M.I.C.E. threads, we're ready to dive into that most difficult part of the story: the middle. Enough of us dread (or at least struggle with) middle-of-story writing that the promise of a structura...

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Now that we've drilled down into each of the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) it's time to explore nesting them. This sixth installment in our M.I.C.E. Quotient series focuses on the "FILO" (first-in, last-out) or "nested parentheses" method for symmetrically creating a st...

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our fifth M.I.C.E. Quotient episode focuses on the “Event” element, and explores how to use disruption of the status quo as the driving element for story. From plumbing problems to alien invasions, event stories are often structured by telling how difficult it is to return to normal, whether you're getting the aliens...

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our fourth M.I.C.E. Quotient episode explores the “Character” element, and how these angsty, navel-gazing voyages of self-examination can serve either as complete stories or as elements in other stories. Also, we talk about how to do this in ways that don't result in readers complaining about "navel-gazing" o...

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our third M.I.C.E. Quotient episode asks about the "Inquiry" element, and the ways in which we can use this element to structure our stories—whether we're writing murder mysteries, thrillers, or anything else in which the turning of pages asks and eventually answers questions. Credits: This episode was record...

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal The M.I.C.E. Quotient is an organizational tool which categorizes story elements as Milieu, Inquiry, Character, or Event. In this second episode we cover "Milieu," and how stories can be driven by a sense of place. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors...

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal The next eight episodes are a deep dive into the M.I.C.E. Quotient, so we'll begin with a definition. M.I.C.E. is an organizational tool which categorizes story elements as Milieu, Inquiry, Character, or Event. It helps authors know which elements are in play, and how to work with these elements effectively. Obviousl...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Novels deliver a lot of information, and it's helpful to consider that delivery in terms of layers. Novels are layer cakes, and we're not talking about a three-layer birthday cake. We're talking about a dobosh torte, or a mille crepe cake. And if we've made you hungry for stratified pastry, that's okay...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Few pieces of writing advice get repeated as much as that old saw "show, don't tell." We're here to show tell you that it's not only not universally applicable, much of the time it's wrong¹. Tell, don't show, especially in the early pages of the book when so very, very much information needs to...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler In this episode we explore the first page of The Killing Floor, by Lee Childs, with the goal of learning how to build good first pages for own own work. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: here is the 1st paragraph of The Killing Floor, for reference. I was a...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler In this episode we explore the first page of Moby Dick, by Herman Melville, with the goal of learning how to build good first pages for own own work. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: here is the 1st paragraph of Moby Dick, for reference. Call me Ishmael. S...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler In this episode we explore the first page of The Haunting of Hill House, by Shirley Jackson, with the goal of learning how to build good first pages for own own work. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: here is the 1st paragraph of The Haunting of Hill House,...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler How do we build trust with our readers? What does that even mean? In this episode we discuss ways in which we let our readers know what they can expect from the book they're holding, and how we set about getting the to trust us do deliver on those expectations. Credits: This episode was recorded by Marshall Carr, Jr.,...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Let's have a frank, and possibly painful discussion about the ways in which the first page can go wrong. It may seem like hackneyed writing advice, but rules like "don't start with the main character waking up" are rules for a reason. In this episode we'll talk about those reasons, and why it's so...

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Our controversial episode title comes to us via John Schwarzwelder, and it points up nicely the importance of today's topic, which is first lines, first pages, and how we set about convincing people (who may or may not want to read a book) to read OUR book. Credits: This episode was recorded by Marshall Carr, Jr., and...

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Our series of game writing episodes draws to a close with a discussion about working with teams. This last skill set, these ways in which you learn to excel at collaborative projects, is often far more important than any of your other skills. Credits: This episode was recorded by Marshall Carr, Jr., and...

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler So, after all this talk about designing games and writing for games, it's time to address the big question: how does one go about getting a game-design/game-writing job? It's a competitive field, and there are no easy answers, but we do have some hard answers for you. And some homework... Credit...

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Worldbuilding is one of our favorite topics, and it's a domain in which game design and novel writing share a lot of territory. In this episode we talk about how much we love it, and how much we enjoy letting other people love it enough to do the heavy lifting for us. Credits: This episode was recor...

Your Hosts: Mary Robinette, Dongwon, and Dan What's this bonus episode thing? Well, for starters IT'S URGENT, because as of this writing you have just ten more days to get the promised pricing for WXR at sea in 2021. What ELSE is it? Well, this bonus episode describes the difference between workshops, retreats, and master classes. If you've attended WXR in the past, this episode will h...

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Let's talk about how players interact with the mechanics of the game, and what kinds of requirements those might put on the writers. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a...

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Let's have a discussion about scenes and set pieces, and let's lead with this: prose writers often create longer pieces using scenes as building blocks, and in this thing writing for game design is very, very similar. Scenes and set pieces are some of the most critical components in game design,...

Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler So, you're the hero of your own story, and the hero gets choices, and in many ways directs the story. In our discussion of interactive fiction and writing for games, the subject of "player characters" is essential. From the array of options given at character creation/selection, to the paths...

Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler How do you give players meaningful choices while still keeping the story within a reasonable set of boundaries? In this episode James and Cassandra lead us in a discussion of branching narratives, and the ways in which we as writers can create them. Credits: this episode was recorded by Marshall Carr, J...

Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler For the next eight episodes we'll be talking about roleplaying games, and how that medium relates to writers, writing, career opportunities, and more. We're led by James L. Sutter and Cassandra Khaw on this particular quest. In this episode we lay some groundwork, define a few terms, and hopeful...

Your Hosts: Mary Robinette, Dan, Amal, and Howard For the last seven episodes we've explored language, meaning, and their overlap with that thing we mean when we use language to say "poetry." In this episode we step back to some origins, including, at a meta-level, the origins of this podcast as a writer-focused exploration of genre fiction—the speculative, the horrific, the science-y,...