Worldbuilding for Masochists

So, you've decided it's time to turn up the heat on your worldbuilding. Maybe you're writing a full-on romantasy, or maybe it's a smaller component of your overall plot, but if your characters are getting down and dirty, how do you make sure they're getting their freak on in a way that reflects the culture they exist in? Guest  Nia Davenport joins us to explore all the angles -- and positions. Whe...

We use history a lot in our worldbuilding, whether as a direct re-interpretation or as inspiration for a secondary world that we’re creating. So… why do we do that? And what choices do we need to examine as we do so? Guest Alix E. Harrow joins us to discuss weaving historical realities into our fiction. The construction of history is, itself, always the process of creating a narrative through auth...

From beer to gin, from caffeine to tobacco, from mushrooms to hallucinogenic snails, a culture's options for achieving altered states of consciousness through consumables are vast! So when the people in your culture want to get blitzed -- How do they achieve that? The choices can communicate a lot to your readers about your world's technology, climate, and topography, as well as their ideas about...

This episode was recorded live as a panel at ArmadilloCon 2025 ! We give a little history of the podcast, re-introduce ourselves for the in-room audience and any new listeners, and discuss the world of the Magical Nude Gates and our individually-cultivated cultures within it. We also discuss a bit of our general approaches to worldbuilding and our "Choose, Don't Presume" ethos. Then, we take some...

A point-of-view character's experience of the world will shape the information that the reader gets about that world. So, a lot depends on who that character -- or characters -- might be! How can you turn their knowledge -- or lack thereof -- into a plot hook? Does the audience have information before a POV character does? How does their personality affect how information gets communicated to the...

Mythical and magical creatures are a staple of the fantasy genre, sometimes as obstacles for heroes to face, sometimes as healers and dispensers of wisdom, sometimes fulfilling roles both stranger and more mundane. If you decide to include such beasties in your world, what are they doing there? And how deep you delve into the biology and ecology of these creatures? Do you need to make them make so...

Fantasy religions often feel like reskins either of ancient Greek or Norse pantheons or of the medieval Catholic church. But what more interesting choices can we make when we're building faith within an invented world?  Deva Fagan joins us to explore some of the options! How your people envision deities, the afterlife, and the very bones of the universe can illuminate a lot about their overall val...

In this episode, we're taking a closer look at something we refer to a lot when we're talking craft: the on-ramp. Which is to say, at the beginning of your book, as you're introducing your world, how much stuff can you throw at your reader how quickly to get them up to speed? And how much is too much and might cause a reader to get bounced right out of the story? Your readers come in with a lot of...

What makes a story -- and a world -- "cozy"? What are the conflicts, challenges, and obstacles like when, instead of taking the Ring to Mordor, you heroes are trying to keep a coffee shop afloat or open a pet shop?  Sarah Beth Durst joins us to discuss not just what cozy fantasy is, but how its radical joy can be a powerful act of subversion when the real world tells us to be cynical or defeatist....

What is the measure of a true hero? What a society consideres heroic can say a lot about their values, needs, and ethos -- but it's also something that can shift a lot over time and from location to location. Is heroism about physical strength? Strength of faith? Strength of heart? Or is it about cunning and cleverness? Guest John Wiswell  joins us to discuss the worldbuilding implications of hero...

In one way or another, economy touches almost everything in a world. Even without currency or capitalism in the sense that we currently know it, the idea of obligations and repayment exert pressure on society. So how can we make interesting worldbuilding choices when it comes to money, debt, gain, and other aspects of economy? Guest Elizabeth Bear joins us to explore the options! Where does money...

It's the start of SEASON SEVEN! And original co-host Rowenna Miller is back to join us in a reflection of how multiple years of doing this podcast has affected how each of us thinks about worldbuilding. What have we learned from our many amazing guests, and how have they inspired us to think about worldbuilding in new ways? Have our worldbuilding interests and focuses shifted? And since the real w...

It's one of the first choices you'll make when writing a story, consciously or not: what point of view are you writing from? First person singular? Third person limited? Omniscient? Something else? The POV can affect a reader's experience of the narrative and the worldbuilding, either subtly or dramatically -- so how do you decide what's right for this story?  Kate Elliott joins us to explore the...

We often think about "making things make sense" in worldbuilding and building internal consistency, scientific realism, and other logic-based considerations into our fiction -- But what happens when your worldbuilding principle is “What would be awesome?"  Jim C. Hines , who embraced this principle for a forthcoming book, joins us to explore the possibilities! The Rule of Cool, credit to, is defin...

We often think of worldbuilding happening on a grand scale, with huge maps and the sweeping narratives of nations and world-changing events. But that's not really the stuff that makes a world feel lived-in. The granular choices are what show day-to-day life, and day-to-day life illustrates so much about how a world has developed, how a culture has grown, and how people negotiate the circumstances...

How can language help shape your worldbuilding? We're not necessarily talking about conlang here -- that can certainly be part of worldbuilding, but it doesn't have to be, and many works of speculative fiction manage perfectly fine without invented languages. But the words you choose in description and dialogue will also communicate something to your reader. There are so many ways that words can c...

Sometimes, people will say of a book that "the setting is another character". But what does that really mean, and how can a writer craft it?  Ai Jiang joins us to discuss creating worlds and settings that have their own personalities! From the physical geography to the architecture, from the scale of the location to its dynamism, writers can make a lot of choices to make their setting feel unlike...

In amazing fantasy and science fiction worlds -- Who's doing the work? Where does the food come from? The clothes? Who does the caregiving? Guest  august clarke joins us to discuss the hands and bodies that create a society. Labor is something that’s often sort of invisible in stories if it’s not explicitly the driving focus of a book – So, why is that? How can authors better incorporate labor int...

Worldbuilding means getting to “play god” – so how does that take a different shape when you’re part of a pantheon rather than the One True Ruler of your world? Xen, Matt Roen, and Sara Wile, the creative trio behind Midst , a surreal sci-fi fantasy audio drama now produced by Critical Role Productions, join us to discuss co-creating a world and the stories that happen within it! When working as a...

What happens when the world your characters -- or your readers -- first find themselves in turns out to be not quite what it appears? Marina Lostetter joins us to explore the different ways that a writer can play with an unreliable world. Maybe it means a story of scientific discovery that reshapes how their characters perceive their place in the universe; maybe it means a story where information...

In honor of Valentine's Day, the season of Carnivale, and our own amusement, we bring to you this extra-long episode, where we heat things up and get a little down and dirty with our worldbuilding. What role does sex play in the world you're building -- and how do you depict that? This comes up a lot, obviously, in romantasy and other related subgenres, but even if that's not what you're writing,...

Mythological retellings have been having A Moment in fiction for a few years now. So, why do we do that? Kritika H. Rao joins us to explore the power and agency inherent in recontextualizing mythology for a modern readership! What is it that we reclaim or rediscover in retelling these stories for ourselves? And, on the other end of the scale, how can the retelling of ancient stories sometimes be w...

The world a character exists in shapes their identity on many axes of power and privilege. So how do those various scales affect the emotional stakes of the story they find themselves in? Guest Sophie Burnham joins us to discuss building a world that suits the characters you have in your head! As a writer who starts with character first, Burnham answers questions about their world after they know...

And obviously the answer is yes! But in this episode, we answer your questions! We talk about the "rules" and common advice of worldbuilding -- and the ways in which we merrily ignore, redefine, or defy them. We pull apart some techniques related to the craft of communicating worldbuilding to a reader and how to achieve balance within a story. We do some shop talk about the publishing world. And w...

How do the people in your world learn things? Lessons learned might come from formalized institutions, but knowledge might also get passed down through families, through guilds and trade organizations, or through the wisdom whispered in a character's ear by the trees. A world's literacy rate will define a lot about how information gets transmitted, preserved, or altered over time. So who controls...